Difference between revisions of "Pages 269-278"

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272.19 '''young Sigmund Freud'''<br />
 
272.19 '''young Sigmund Freud'''<br />
 
Refers to Freud’s rejection of the "seduction theory." Freud originally believed that many of his women patients suffered from neurotic behavior due to sexual abuse as children. He came to reject that belief as improbable and began to hypothesize the workings of the unconscious as a result. See Edwin Treacle’s musings at [[#Page 277|277.03-05]].
 
Refers to Freud’s rejection of the "seduction theory." Freud originally believed that many of his women patients suffered from neurotic behavior due to sexual abuse as children. He came to reject that belief as improbable and began to hypothesize the workings of the unconscious as a result. See Edwin Treacle’s musings at [[#Page 277|277.03-05]].
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==Page 273==
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270.37-41 '''''La Gazza Ladra''...is mellow'''<br />
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La gazza ladra (The Thieving Magpie) is an opera in two acts by [[R#rossini|Gioachino Rossini]]. It is best known for its overture, which is notable for its use of snare drums.
  
 
==Page 275==
 
==Page 275==

Revision as of 12:31, 1 May 2010

This page-by-page annotation is organized by sections, as delineated by the seven squares (sprockets) which separate each section. The page numbers for this page-by-page annotation are for the original Viking edition (760 pages). Editions by other publishers vary in pagination — the newer Penguin editions are 776 pages; the Bantam edition is 886 pages.

Contributors: Please use a 760-page edition (either the original Viking edition with the orange cover or the Penguin USA edition with the blue cover and rocket diagram — there are plenty on Ebay for around $10) or search the Google edition for the correct page number. Readers: To calculate the Bantam edition use this formula: Bantam page # x 1.165. Before p.50 it's about a page earlier; as you get later in the book, add a page.

Finally, profound thanks to Prof. Don Larsson for providing the foundation for this page-by-page annotation.

Page 269

269.35 White Lotos Day pilgrimage 19 Avenue Road, St. John's Wood
The address was the one-time home of Annie Besant which became headquarters for Blavatsky (HPB) and the TS(!) -- Theosophical Society-- once Besant joined the group. HPB died on May 8th, 1891, and May 8th became White Lotos Day, commemorating the anniversary of HPB shedding her mortal coil. May 8th, 1945 was V-E Day, of course. May 8th interestingly enough was also the death day (different years) of Oswald Spengler and Gustave Flaubert. Oh, and as every school boy knows, May 8th is Pynchon's birthday!

Page 270

270.14 Tennysonian comfort
From the second verse of Tennyson's 1854 poem Charge of the Light Brigade:

'Forward, the Light Brigade!’
Was there a man dismay’d?
Not tho’ the soldier knew
Someone had blunder’d:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
Rode the six hundred.

270.16 Floyd Perdoo
From the French "perdue": "lost."

270.27 Third Term
Franklin Delano Roosevelt's third term as President of the U.S. 1940-44

Page 272

272.19 young Sigmund Freud
Refers to Freud’s rejection of the "seduction theory." Freud originally believed that many of his women patients suffered from neurotic behavior due to sexual abuse as children. He came to reject that belief as improbable and began to hypothesize the workings of the unconscious as a result. See Edwin Treacle’s musings at 277.03-05.

Page 273

270.37-41 La Gazza Ladra...is mellow
La gazza ladra (The Thieving Magpie) is an opera in two acts by Gioachino Rossini. It is best known for its overture, which is notable for its use of snare drums.

Page 275

275.1 Wheel of Fortune
Tarot card X; in its multiple meanings random change is the core element (cf. the references to Gödel's theorem and Murphy's law in lines 275.25-26).

Page 277

277.03-05 as the dead father who never slept with you, Penelope, returns night after night to your bed, trying to snuggle in behind you..."

This Penelope is Jessica's niece (?), first introduced in the Boxing Day scene (Part 1, Episode 21). The dead father appears in her vision, but she refuses to accept "it" as it is only a demonic shell, one of the Qlippoth. In that scene the narrator refers to "the main sequence of Western magic" (176.14). Here, it is "the last weary stages of [Europe's] perversion of magic" (277.1). While in the first case the dead can return as Qlippoth, in the perverted stage death (interconnected with the repressed "dynamic unconscious" in the Freudian sense) is incarnated in real living beings.

From an interview with Freud biographer Peter D. Kramer [1]:

Over time, Freud offered differing views on infantile sexuality, all of them problematic. The most dramatic mistake became associated with the phrase “seduction theory.” As he was turning forty, in a desperate attempt to achieve fame Freud gave a speech to his Viennese colleagues on the origins of hysteria. In it, he claimed to have analyzed a series of 18 patients suffering from hysteria or a combination of hysteria and obsessionality. In every case, he had uncovered evidence of an early sexual event. All the hysterics had experienced “coitus-like acts” between the ages of two and four—at the hands of parents, siblings, other relatives, or nannies — and these events were the original cause of their disorder. The tale of Freud’s entry into and exit from this stance is complex, but his original presentation suggests not so much that Freud was misled by patients but that he misdirected them through making his expectations clear.
Famously, Freud soon reversed the direction of infantile sexuality and claimed that what was pathogenic was children’s repressed desire for the parent of the opposite sex.

References

  1. "An Interview with Freud Biographer Peter D. Kramer, California Literary Review Website, Jan 29, 2007


1
Beyond the Zero

3-7, 7-16, 17-19, 20-29, 29-37, 37-42, 42-47, 47-53, 53-60, 60-71, 71-72, 72-83, 83-92, 92-113, 114-120, 120-136, 136-144, 145-154, 154-167, 167-174, 174-177

2
Un Perm' au Casino Herman Goering

181-189, 189-205, 205-226, 226-236, 236-244, 244-249, 249-269, 269-278

3
In the Zone

279-295, 295-314, 314-329, 329-336, 336-359, 359-371, 371-383, 383-390, 390-392, 392-397, 397-433, 433-447, 448-456, 457-468, 468-472, 473-482, 482-488, 488-491, 492-505, 505-518, 518-525, 525-532, 532-536, 537-548, 549-557, 557-563, 563-566, 567-577, 577-580, 580-591, 591-610, 610-616

4
The Counterforce

617-626, 626-640, 640-655, 656-663, 663-673, 674-700, 700-706, 706-717, 717-724, 724-733, 733-735, 735-760

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