<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://gravitys-rainbow.pynchonwiki.com/wiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=WikiAdmin</id>
	<title>Thomas Pynchon Wiki - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="https://gravitys-rainbow.pynchonwiki.com/wiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=WikiAdmin"/>
	<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Special:Contributions/WikiAdmin"/>
	<updated>2026-06-14T12:24:29Z</updated>
	<subtitle>User contributions</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4237</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4237"/>
		<updated>2026-03-09T23:01:43Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://shadowticket.pynchonwiki.com/wiki/index.php?title=Main_Page|Shadow Ticket&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;br /&gt;
** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;br /&gt;
** https://thomaspynchon.com|ThomasPynchon.com&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4236</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4236"/>
		<updated>2026-03-09T23:01:14Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://shadowticket.pynchonwiki.com/wiki/index.php?title=Main_Page|Shadow Ticket&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;br /&gt;
&lt;br /&gt;
* other&lt;br /&gt;
** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;br /&gt;
** https://thomaspynchon.com|ThomasPynchon.com&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4235</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4235"/>
		<updated>2026-03-09T23:00:10Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://shadowticket.pynchonwiki.com/wiki/index.php?title=Main_Page|Shadow Ticket&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;br /&gt;
* other sites&lt;br /&gt;
** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;br /&gt;
** https://thomaspynchon.com|ThomasPynchon.com&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4234</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4234"/>
		<updated>2026-03-09T22:59:14Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://shadowticket.pynchonwiki.com/wiki/index.php?title=Main_Page|Shadow Ticket&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;br /&gt;
** .....&lt;br /&gt;
** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;br /&gt;
** https://thomaspynchon.com|ThomasPynchon.com&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4233</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4233"/>
		<updated>2026-03-09T22:58:26Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://shadowticket.pynchonwiki.com/wiki/index.php?title=Main_Page|Shadow Ticket&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;br /&gt;
** &lt;br /&gt;
** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;br /&gt;
** https://thomaspynchon.com|ThomasPynchon.com&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4232</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4232"/>
		<updated>2026-03-09T22:56:48Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://shadowticket.pynchonwiki.com/wiki/index.php?title=Main_Page|Shadow Ticket&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;br /&gt;
________&lt;br /&gt;
** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;br /&gt;
** https://thomaspynchon.com|ThomasPynchon.com&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4231</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4231"/>
		<updated>2026-03-09T17:53:41Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://shadowticket.pynchonwiki.com/wiki/index.php?title=Main_Page|Shadow Ticket&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;br /&gt;
** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;br /&gt;
** https://thomaspynchon.com|ThomasPynchon.com&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow&amp;diff=4228</id>
		<title>Gravity&#039;s Rainbow</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow&amp;diff=4228"/>
		<updated>2026-01-31T01:01:39Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Thoughts on the Title */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Book_GR_sm.jpg|350px|thumb|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&amp;lt;br /&amp;gt;&#039;&#039;&#039;Jacket Art:&#039;&#039;&#039; [[Marc_Getter_-_Designer_and_Artist|Marc Getter]]&amp;lt;br /&amp;gt;&#039;&#039;&#039;Publication date:&#039;&#039;&#039; Feb 28, 1973|right]] &lt;br /&gt;
&lt;br /&gt;
==Cover Art==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;NOTE:&#039;&#039;&#039; You can view the many variations of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover art through the years at [http://thomaspynchon.com/pynchon-cover-art/gravitys-rainbow/ ThomasPynchon.com]&lt;br /&gt;
&lt;br /&gt;
==Thoughts on the Title==&lt;br /&gt;
&lt;br /&gt;
Andrew Graham:&lt;br /&gt;
&lt;br /&gt;
Gravity acting on free flying objects tends to make them move in parabolas. A rainbow is a segment of a circle which is a different shape to a parabola.&lt;br /&gt;
 &lt;br /&gt;
As a rocket takes off under its exhaust power, it will be describing a curve of some sort but likely not yet following a parabola; it would only do so if carefully programmed to do so.  Only once the fuel cuts out does it become ballistic, i.e., acted on primarily by gravity.  The parabola it&#039;s now on carries it on upwards to a curved peak and then back down. Or at least this is an approximation of a parabola, friction necessarily deforming it. Thus a V2 did not follow a parabolic path, certainly not from the ground upwards. There are some details of their flight paths [http://www.v2platform.nl/book/technical.html here].&lt;br /&gt;
&lt;br /&gt;
Thus &amp;quot;Gravity&#039;s Rainbow,&amp;quot; if we take it to be referring to a V2 flight path, is only approximate to a parabola and can only ever be a deformed arc, or a deformed and de-coloured rainbow. The difference cannot be overcome by wishful thinking nor physics&lt;br /&gt;
&lt;br /&gt;
Rainbows are also prism-like opening outs of white light. The refraction or bending of light in raindrops acts to different degrees on different colours (that is wavelengths or frequencies), thus creating the spread of colours which we see.&lt;br /&gt;
&lt;br /&gt;
Gravity bends light but not like a prism as all frequencies are bent equally. However, as shown in the videos on [https://en.wikipedia.org/wiki/Gravitational_lens this Wikipedia page], gravity does create rainbow like circles when acting as a lens.  That is when astronomical objects pass behind other massive ones and the light from the former is bent around the latter.&lt;br /&gt;
&lt;br /&gt;
Rainbows will also be circular when not restricted by the ground.  With luck you can see this, in for example waterfall spray, or more prosaically with [https://en.wikipedia.org/wiki/Rainbow#Full-circle_rainbow a garden hose], and a similar effect is created in the aureoles around aircraft shadows when they are cast onto clouds, known as [https://en.wikipedia.org/wiki/Glory_(optical_phenomenon) &amp;quot;glories&amp;quot;]. So perhaps the gravity lensing effects are Gravity&#039;s Rainbows, created when light-emitting objects pass behind massive ones.&lt;br /&gt;
&lt;br /&gt;
Gravity can also shift light in the red direction as it moves out from centres of gravity, creating (at a stretch perhaps) a not very enticing rainbow-like effect, gravity&#039;s rainbow here being linear and tending to the more hellish parts of the spectrum.&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow&amp;diff=4227</id>
		<title>Gravity&#039;s Rainbow</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow&amp;diff=4227"/>
		<updated>2026-01-31T01:01:22Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Book_GR_sm.jpg|350px|thumb|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&amp;lt;br /&amp;gt;&#039;&#039;&#039;Jacket Art:&#039;&#039;&#039; [[Marc_Getter_-_Designer_and_Artist|Marc Getter]]&amp;lt;br /&amp;gt;&#039;&#039;&#039;Publication date:&#039;&#039;&#039; Feb 28, 1973|right]] &lt;br /&gt;
&lt;br /&gt;
==Cover Art==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;NOTE:&#039;&#039;&#039; You can view the many variations of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover art through the years at [http://thomaspynchon.com/pynchon-cover-art/gravitys-rainbow/ ThomasPynchon.com]&lt;br /&gt;
&lt;br /&gt;
==Thoughts on the Title==&lt;br /&gt;
&lt;br /&gt;
Andrew Graham:&lt;br /&gt;
&lt;br /&gt;
Gravity acting on free flying objects tends to make them move in parabolas. A rainbow is a segment of a circle which is a different shape to a parabola.&lt;br /&gt;
 &lt;br /&gt;
As a rocket takes off under its exhaust power, it will be describing a curve of some sort but likely not yet following a parabola; it would only do so if carefully programmed to do so.  Only once the fuel cuts out does it become ballistic, i.e., acted on primarily by gravity.  The parabola it&#039;s now on carries it on upwards to a curved peak and then back down. Or at least this is an approximation of a parabola, friction necessarily deforming it. Thus a V2 did not follow a parabolic path, certainly not from the ground upwards. There are some details of their flight paths [http://www.v2platform.nl/book/technical.html here]&lt;br /&gt;
&lt;br /&gt;
Thus &amp;quot;Gravity&#039;s Rainbow,&amp;quot; if we take it to be referring to a V2 flight path, is only approximate to a parabola and can only ever be a deformed arc, or a deformed and de-coloured rainbow. The difference cannot be overcome by wishful thinking nor physics&lt;br /&gt;
&lt;br /&gt;
Rainbows are also prism-like opening outs of white light. The refraction or bending of light in raindrops acts to different degrees on different colours (that is wavelengths or frequencies), thus creating the spread of colours which we see.&lt;br /&gt;
&lt;br /&gt;
Gravity bends light but not like a prism as all frequencies are bent equally. However, as shown in the videos on [https://en.wikipedia.org/wiki/Gravitational_lens this Wikipedia page], gravity does create rainbow like circles when acting as a lens.  That is when astronomical objects pass behind other massive ones and the light from the former is bent around the latter.&lt;br /&gt;
&lt;br /&gt;
Rainbows will also be circular when not restricted by the ground.  With luck you can see this, in for example waterfall spray, or more prosaically with [https://en.wikipedia.org/wiki/Rainbow#Full-circle_rainbow a garden hose], and a similar effect is created in the aureoles around aircraft shadows when they are cast onto clouds, known as [https://en.wikipedia.org/wiki/Glory_(optical_phenomenon) &amp;quot;glories&amp;quot;]. So perhaps the gravity lensing effects are Gravity&#039;s Rainbows, created when light-emitting objects pass behind massive ones.&lt;br /&gt;
&lt;br /&gt;
Gravity can also shift light in the red direction as it moves out from centres of gravity, creating (at a stretch perhaps) a not very enticing rainbow-like effect, gravity&#039;s rainbow here being linear and tending to the more hellish parts of the spectrum.&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_29-37&amp;diff=4225</id>
		<title>Pages 29-37</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_29-37&amp;diff=4225"/>
		<updated>2026-01-29T21:44:00Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 35 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
==Page 29==&lt;br /&gt;
29.34 &#039;&#039;&#039;laminar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Laminar flow, sometimes known as streamline flow, occurs when a fluid flows in parallel layers, with no disruption between the layers.  [http://en.wikipedia.org/wiki/Laminar_flow]&lt;br /&gt;
&lt;br /&gt;
==Page 30==&lt;br /&gt;
30.1 &#039;&#039;&#039;Camerons officers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Alexander Maurice Cameron:  He served in World War II initially as a British General Staff Officer with Anti-Aircraft Command and then as Commander of the Anti-Aircraft Brigade from 1942.  He was on the staff of Supreme Headquarters, Allied Expeditionary Force from 1944 to 1945.  At this time he started constructing an Allied version of the V2 rocket.  [http://en.wikipedia.org/wiki/Alexander_Cameron_(British_Army_officer)]&lt;br /&gt;
&lt;br /&gt;
Or: officers of the Cameron Highlanders. [https://en.wikipedia.org/wiki/Queen%27s_Own_Cameron_Highlanders] &lt;br /&gt;
&lt;br /&gt;
30.37 &#039;&#039;&#039;Ouspenskian nonsense&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Peter D. Ouspensky (March 4, 1878–October 2, 1947), (Pyotr Demianovich Ouspenskii, also Uspenskii or Uspensky, Пётр Демья́нович Успе́нский), a Russian esoteric philosopher known for his expositions of the early work of the Greek-Armenian teacher of esoteric doctrine George Gurdjieff, whom he met in Moscow in 1915.  [http://en.wikipedia.org/wiki/Ouspensky]&lt;br /&gt;
&lt;br /&gt;
30.39 &#039;&#039;&#039;Jessica Swanlake&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Jessica’s last name, like other musical references in the novel, is suggestive. Like the heroine of the Tchaikovsky ballet, she finds true love and is transformed, but then is abducted back to her former state by an evil magician (in this case, Pointsman).&lt;br /&gt;
&lt;br /&gt;
==Page 31==&lt;br /&gt;
&lt;br /&gt;
31.17 &#039;&#039;&#039;tripos at Cambridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Formal exams at Cambridge University to demonstrate understanding and determine class honors. [http://en.wikipedia.org/wiki/Cambridge_Mathematical_Tripos Wikipedia]&lt;br /&gt;
&lt;br /&gt;
[[image:carroll-righter.jpg|thumb|100px|right]]31.28 &#039;&#039;&#039;Carroll Eventyr&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
As Weisenburger notes, &amp;quot;eventyr&amp;quot; is Danish for &amp;quot;adventure&amp;quot; but in the sense of a tale or story (&amp;quot;The Adventures of . . . &amp;quot;). It can signify &amp;quot;folk tales&amp;quot; or &amp;quot;fairy tales,&amp;quot; as in Hans Christian Andersen’s stories. The first name evokes &#039;&#039;&#039;Lewis&#039;&#039;&#039; Carroll but it also suggests the astrologer Carroll &#039;&#039;&#039;Righter&#039;&#039;&#039;, whose face appeared on the cover of Time magazine for a story about growing interest in the occult on March 21, 1969. Righter, nicknamed &amp;quot;The Gregarious Aquarius,&amp;quot; later would read charts for Ronald Reagan, among other celebrities. Also see the note at [[Pages 735-760#742|742.29]].&lt;br /&gt;
&lt;br /&gt;
==Page 32==&lt;br /&gt;
32.5 &#039;&#039;&#039;Zipf&#039;s Principle of Least Effort&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Zipf&#039;s law ( /ˈzɪf/), an empirical law formulated using mathematical statistics, refers to the fact that many types of data studied in the physical and social sciences can be approximated with a Zipfian distribution, one of a family of related discrete power law probability distributions.  The law is named after the linguist George Kingsley Zipf who first proposed it (Zipf 1935, 1949), though J.B. Estoup appears to have noticed the regularity before Zipf.  [http://en.wikipedia.org/wiki/Zipf%27s_law]&lt;br /&gt;
&lt;br /&gt;
32.20 &#039;&#039;&#039;frail as organdy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Organdy or organdie is the sheerest and crispest cotton cloth made.  Combed yarns contribute to its appearance. - from Wikipedia&lt;br /&gt;
&lt;br /&gt;
32.23 &#039;&#039;&#039;The usual Mysterious Microfilm Drill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first of several uses of this idiom (&amp;quot;Disgusting English Candy Drill,&amp;quot; &amp;quot;them Tamara/Italo drills,&amp;quot; &amp;quot;the &#039;Nature of Freedom&#039; drill,&amp;quot; etc.). They break the fourth wall with the suggestion that we and the narrator know this is familiar, stylized &amp;quot;going through the motions.&amp;quot;  &lt;br /&gt;
&lt;br /&gt;
32.25 &#039;&#039;&#039;crown-and-anchor game&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Crown and Anchor is a simple dice game, traditionally played for gambling purposes by sailors in the British Royal Navy, and also in the British merchant and fishing fleets.  The game originated in the 18th century. It is still popular in the Channel Islands and Bermuda, but is strictly controlled and may be played legally only on certain occasions, such as the Channel Islands&#039; three annual agricultural shows, or Bermuda&#039;s annual Cup Match cricket game.  Three special dice are used in Crown and Anchor. The dice are equal in size and shape to standard dice, but instead of one through six pips, they are marked with six symbols: crown, anchor, diamond, spade, club and heart.  [http://en.wikipedia.org/wiki/Crown_and_Anchor]&lt;br /&gt;
&lt;br /&gt;
32.35 &#039;&#039;&#039;grin your Dennis Morgan chap goes about&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Dennis Morgan (December 20, 1908 – September 7, 1994) was an American actor-singer.  Born as Earl Stanley Morner, he used the acting pseudonym Richard Stanley before adopting his professional name.  In 1945, he played &amp;quot;Jefferson Jones&amp;quot; in &#039;&#039;Christmas in Connecticut&#039;&#039; opposite Barbara Stanwyck and Sydney Greenstreet. He starred in &#039;&#039;God Is My Co-Pilot&#039;&#039;, &#039;&#039;Kitty Foyle&#039;&#039;, &#039;&#039;Perfect Strangers&#039;&#039; and &#039;&#039;The Desert Song&#039;&#039;.  Morgan was a leading man with Warner Bros. in the 1940s, starring with best friend Jack Carson in many movies, several of which were &amp;quot;two guys&amp;quot; buddy pictures.  His peak years were 1943 to 1949.  [http://en.wikipedia.org/wiki/Dennis_Morgan]&lt;br /&gt;
&lt;br /&gt;
==Page 33==&lt;br /&gt;
33.17 &#039;&#039;&#039;rattling sitreps&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Situation reports. &amp;quot;A command center (often called a war room) is any place that is used to provide centralized command for some purpose.&amp;quot; [http://en.wikipedia.org/wiki/Sitrep#Military_and_government]&lt;br /&gt;
&lt;br /&gt;
33.19 &#039;&#039;&#039;good-whisky-and-cured-Latakia scent of Their rough love&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latakia tobacco is a specially prepared tobacco originally produced in Syria and named after the port city of Latakia.  Now the tobacco is mainly produced in Cyprus.  It is initially sun-cured like other Turkish tobaccos and then further cured over a pine or oak wood fire, which gives it an intense smokey-peppery taste and smell.  Too strong for most people&#039;s tastes to smoke straight, it is used as a &amp;quot;condiment&amp;quot; or &amp;quot;blender&amp;quot; (a basic tobacco mixed with other tobaccos to create a blend), especially in English, Balkan, and some American Classic blends.  [http://en.wikipedia.org/wiki/Latakia_%28tobacco%29]&lt;br /&gt;
&lt;br /&gt;
33.26 &#039;&#039;&#039;Witchcraft Act&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Correspondent Igor Zabel offers this interesting elaboration on the reference:&lt;br /&gt;
&amp;quot;A few years ago, I came upon a short article in our daily newspaper &#039;&#039;Delo&#039;&#039;, which could be interesting here. It says: &#039;The British spiritualists started a campaign to acquit Helen Duncan, sentenced as a witch during the World War II. She was sentenced as a consequence of a séance in 1942. She told she had seen in her trance a dead soldier wearing a cap with the inscription HMS Barham, who had told her: My ship was sunken. The news about this fact (the ship was supposedly sunken on 25 November 1942) was kept secret by the British government for two years, as Winston Churchill wrote in his diary. In 1944, Duncan was arrested since they were afraid that she would reveal also the date of the D-day. Her trial was based on the Witchcraft Act from 1735, and she was sentenced to nine months of prison. Argument: Helen Duncan pretends that she conjures the spirits of the dead.&#039; It seems that Mexico refers to this case; the year and quotation from the Act correspond to the conviction of Helen Duncan.&amp;quot;  A web search using Helen Duncan&#039;s name will reveal several websites devoted to the &amp;quot;medium martyr.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
33.31-32 &#039;&#039;&#039;the Scrubs&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Wormwood Scrubs Prison, in London, was built by convicts in 1874&lt;br /&gt;
&lt;br /&gt;
==Page 34==&lt;br /&gt;
34.21 &#039;&#039;&#039;&amp;quot;The White Visitation&amp;quot;... devoted to psychological warfare&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
I have always figured this was a major influence on the White Lodge of &#039;&#039;Twin Peaks&#039;&#039;.  [http://en.wikipedia.org/wiki/White_Lodge_%28Twin_Peaks%29]  &lt;br /&gt;
&lt;br /&gt;
34.28 &#039;&#039;&#039;Vichy traitors&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Following the armistice signed on June 22, 1940, the zone which was not occupied by the Germans took the name of the French State (État Français) (as opposed to the traditional name, République française or French Republic) and set up its capital in Vichy on July 1, because of the town&#039;s relative proximity to Paris (4.5 hours by train) and because it was the city with the second largest hotel capacity at the time.  Moreover, the existence of a modern telephone exchange made it possible to reach the whole world via phone.  More:  [http://en.wikipedia.org/wiki/Vichy]&lt;br /&gt;
&lt;br /&gt;
34.28-29 &#039;&#039;&#039;Lublin Communists drawing beads on Varsovian shadow-ministers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
On 24 July 1944, Lublin was taken by the Soviet Army and became the temporary capital of a Soviet-controlled communist Polish Committee of National Liberation established in the city, which was to serve as basis for a puppet government.  The capital was moved to Warsaw in January 1945.  [http://en.wikipedia.org/wiki/Lublin]&lt;br /&gt;
&lt;br /&gt;
34.29-30 &#039;&#039;&#039;ELAS Greeks stalking royalists&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Greek People&#039;s Liberation Army or ELAS (Greek: Ελληνικός Λαϊκός Απελευθερωτικός Στρατός, translit. Ellinikós Laïkós Apeleftherotikós Stratós, ΕΛΑΣ), was the military arm of the left-wing National Liberation Front (EAM) during the period of the Greek Resistance until February 1945.  [http://en.wikipedia.org/wiki/Greek_People%27s_Liberation_Army]&lt;br /&gt;
&lt;br /&gt;
34.39 &#039;&#039;&#039;that stateless lascar...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lascar:  The name lascar was also used to refer to Indian servants, typically engaged by British military officers.  [http://en.wikipedia.org/wiki/Lascar]&lt;br /&gt;
&lt;br /&gt;
Lascars often appear as sinister henchmen in Sax Rohmer&#039;s &amp;quot;Fu Manchu&amp;quot; thrillers, which are referenced repeatedly in &amp;lt;i&amp;gt;GR&amp;lt;/i&amp;gt;. Perhaps this implies, that though not immediately placeable, Pirate has a bit of an Indian look, outside of the other connotations?&lt;br /&gt;
&lt;br /&gt;
34.41 &#039;&#039;&#039;They have euchred Mexico&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Euchre is a trick-taking card game most commonly played with four people in two partnerships with a deck of 24 standard playing cards.  It is the game responsible for introducing the joker into modern packs; this was invented around 1860 to act as a top trump or best bower (from the German word Bauer, &amp;quot;farmer&amp;quot;, denoting also the jack).  It is believed to be closely related to the French game Écarté that was popularized in the United States by the Cornish and Pennsylvania Dutch, and to the seventeenth-century game of bad repute Loo.  It may be sometimes referred to as Knock Euchre to distinguish it from Bid Euchre.  [http://en.wikipedia.org/wiki/Euchre]&lt;br /&gt;
&lt;br /&gt;
==Page 35==&lt;br /&gt;
35.3 &#039;&#039;&#039;Behaviorist&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Behaviorism, also called the learning perspective (where any physical action is a behavior), is a philosophy of psychology based on the proposition that all things that organisms do—including acting, thinking and feeling—can and should be regarded as behaviors, and that psychological disorders are best treated by altering behavior patterns or modifying the environment.  The behaviorist school of thought maintains that behaviors as such can be described scientifically without recourse either to internal physiological events or to hypothetical constructs such as the mind.  Behaviorism comprises the position that all theories should have observational correlates but that there are no philosophical differences between publicly observable processes (such as actions) and privately observable processes (such as thinking and feeling).  [http://en.wikipedia.org/wiki/Behaviorist]&lt;br /&gt;
&lt;br /&gt;
35.3 &#039;&#039;&#039;Pavlovian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Classical conditioning (also Pavlovian or respondent conditioning, Pavlovian reinforcement) is a form of conditioning that was first demonstrated by Ivan Pavlov (1927).  The typical procedure for inducing classical conditioning involves presentations of a neutral stimulus along with a stimulus of some significance, the &amp;quot;unconditional stimulus.&amp;quot;  The neutral stimulus could be any event that does not result in an overt behavioral response from the organism under investigation.  Conversely, presentation of the significant stimulus necessarily evokes an innate, often reflexive, response. Pavlov called these the unconditional stimulus (US) and unconditional response (UR), respectively.  If the neutral stimulus is presented along with the unconditional stimulus, it would become a conditional stimulus (CS).  Pavlov used the term conditional because he wanted to emphasize that learning required a dependent or conditional relationship between CS and US.  If the CS and US always occur together and never alone, this perfect dependent relationship or pairing, causes the two stimuli to become associated and the organism produces a behavioral response to the CS.  Pavlov called this the conditional response (CR).  [http://en.wikipedia.org/wiki/Pavlovian]&lt;br /&gt;
&lt;br /&gt;
35.13 &#039;&#039;&#039;&amp;quot;young lady gamming well-setup young man&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In Victorian-era pornography and erotica, &amp;quot;gamming&amp;quot; was a slang term for oral sexual activity, most often cunnilingus, though in some contexts it could mean oral sex more generally. The word is closely connected to &amp;quot;gamahuche&amp;quot; (also spelled gamahuching, gammage, etc.), a term circulating from the late 18th century onward meaning oral-genital contact.&lt;br /&gt;
&lt;br /&gt;
35.21 &#039;&#039;&#039;NAAFI&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Navy, Army and Air Force Institutes (NAAFI) is an organization created by the British government in 1921 to run recreational establishments needed by the British Armed Forces, and to sell goods to servicemen and their families. Combining some of the functions of the American USO and PX (post exchange), it runs clubs, bars, shops, supermarkets, launderettes, restaurants, cafés and other facilities on most British military bases and also canteens on board Royal Navy ships.  Commissioned officers are not usually supposed to use the NAAFI clubs and bars, since their messes provide these facilities and their entry, except on official business, is considered to be an intrusion into junior ranks&#039; private lives.  [http://en.wikipedia.org/wiki/NAAFI]&lt;br /&gt;
&lt;br /&gt;
35.26 &#039;&#039;&#039;&amp;quot;a T.S. Eliot April&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Reference to &amp;quot;The Waste Land&amp;quot; by T.S. Eliot:  &lt;br /&gt;
&#039;&#039;APRIL is the cruellest month, breeding / Lilacs out of the dead land, mixing / Memory and desire, stirring / Dull roots with spring rain&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 36==&lt;br /&gt;
&lt;br /&gt;
36.3 &#039;&#039;&#039;ICI&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Standing for Imperial Chemical Industries.  One of the foremost British public companies, known as the bellwether of the British economy before its reconfiguration and relative demise.  [http://en.wikipedia.org/wiki/Imperial_Chemical_Industries]&lt;br /&gt;
&lt;br /&gt;
36.11-12 &#039;&#039;&#039;what the lyrics to &amp;quot;Dancing in the Dark&amp;quot; are &#039;&#039;really&#039;&#039; about...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Howard Dietz&#039; lyrics to the famous tune, outside of their obvious romantic meaning, can also be read more deeply to empathize with the human condition.  [http://en.wikipedia.org/wiki/Dancing_in_the_Dark_(Howard_Dietz_and_Arthur_Schwartz_song)]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;i&amp;gt;Dancing in the dark &#039;til the tune ends/ &lt;br /&gt;
We&#039;re dancing in the dark and it soon ends/ &lt;br /&gt;
We&#039;re waltzing in the wonder of why we&#039;re here/ &lt;br /&gt;
Time hurries by, we&#039;re here and we&#039;re gone&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Looking for the light of a new love/ &lt;br /&gt;
To brighten up the night, I have you love/ &lt;br /&gt;
And we can face the music together/ &lt;br /&gt;
Dancing in the dark&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
What though love is old/ &lt;br /&gt;
What though the song is old/ &lt;br /&gt;
Through them we can be young/ &lt;br /&gt;
Hear this heart of mine/ &lt;br /&gt;
Wiling all the time/ &lt;br /&gt;
Dear one, tell me that we&#039;re one&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Looking for the light of a new love/ &lt;br /&gt;
To brighten up the night, I have you love/ &lt;br /&gt;
And we can face the music together/ &lt;br /&gt;
Dancing in the dark, dancing in the dark/ &lt;br /&gt;
Dancing in the dark&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:beaver.jpg|thumb|100px|right]]36.27-28 &#039;&#039;&#039;the Other Chap in this case being known as Beaver&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Beaver&amp;quot; is the nickname for Jessica’s other and more staid lover, Jeremy. The nickname derives from the ‘40s slang for the beard he sports. (For example, in the &amp;quot;home front&amp;quot; film &#039;&#039;Since You Went Away&#039;&#039; [1944], the bearded character played by Monty Woolley is referred to as &amp;quot;Beaver.&amp;quot;) The word also is vulgar slang for a woman’s pubic hair or genitals.&lt;br /&gt;
&lt;br /&gt;
==Page 37==&lt;br /&gt;
&lt;br /&gt;
37.4 &#039;&#039;&#039;the cutters are coming&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cutter is a light, fast official vessel used by coast guards, customs officials, etc. -- here carrying on the nautical associations of Pirate &amp;amp; Scorpia&#039;s talk. &lt;br /&gt;
&lt;br /&gt;
37.10-11 &#039;&#039;&#039;Fred Roper’s Company of Wonder Midgets&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[image:fred-roper.jpg|thumb|100px|right]]This is apparently a real group, although I have no information on them except that a postcard exists captioned &amp;quot;Fred Roper and His Wonderful Midgets&amp;quot; with a tall man in a busby and military greatcoat and a troop of midgets in uniform under the heading &amp;quot;The Toy Soldier Parade.&amp;quot;  The website for The Princess Theatre Hunstanton (England) notes that the building opened as the Capitol Theatre in 1932.  One of the first acts to play there was &amp;quot;Fred Roper and His 20 Wonder Midgets&amp;quot;!&lt;br /&gt;
&lt;br /&gt;
A scan of a vintage program from the Fred Roper troop is available online, and video of the troop can be found on YouTube. &lt;br /&gt;
[http://finepixtrix.wordpress.com/2013/10/04/fred-roper-and-his-amazing-midgets/]&lt;br /&gt;
[http://youtu.be/KHuzWfat8dM]&lt;br /&gt;
&lt;br /&gt;
37.27-28 &#039;&#039;&#039;rendezvous with a certain high-class vivisectionist&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A possible play of &amp;quot;cutters&amp;quot; (above) and &amp;quot;vivisectionist&amp;quot; (one who cuts into live animals), hinting at a parallel between Pirate/Scorpia and Roger/Jessica: both relationships are furtive and would be disapproved by Them.&lt;br /&gt;
&lt;br /&gt;
37.39-40 &#039;&#039;&#039;whippy as sheets of glass improperly annealed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Annealing is a process of slowly cooling glass to relieve internal stresses after it was formed.  The process may be carried out in a temperature-controlled kiln known as a Lehr.  Glass which has not been annealed is liable to crack or shatter when subjected to a relatively small temperature change or mechanical shock.  Annealing glass is critical to its durability.  If glass is not annealed, it will retain many of the thermal stresses caused by quenching and significantly decrease the overall strength of the glass.  [http://en.wikipedia.org/wiki/Annealing_(glass)]&lt;br /&gt;
  &lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_397-433&amp;diff=4224</id>
		<title>Pages 397-433</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_397-433&amp;diff=4224"/>
		<updated>2026-01-21T21:14:19Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 413 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
==Page 398==&lt;br /&gt;
[[image:hansel-gretel.jpg|thumb|&#039;&#039;Hansel and Gretel&#039;&#039;|100px|right]]&#039;&#039;&#039;dog with the saucer eyes . . . beard of the goat on the bridge . . . the troll below . . . plastic witch . . . Hansel . . . Gretel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Features at Zwolfkinder, all evoking children’s fairy tales: &amp;quot;The Tinder Box,&amp;quot; the Billy Goats Gruff, Hansel and Gretel.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;398:29 Zwölfkinder&amp;lt;br/&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&amp;quot;Twelve Children&amp;quot; - the name evokes Jacob&#039;s twelve sons (and the daughter who is not one of the official twelve). This pattern is self-consciously repeated in the Grimms&#039; tale [http://www.pitt.edu/~dash/grimm009.html &amp;quot;The Twelve Brothers&amp;quot;], where the boys are to die if their mother gives birth to a girl.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The camp, which is also a quasi-town, may be modelled after Theresienstadt, the Jewish town/Lager set up by the Nazis in what is now the Czech Republic. This is suggested by themes like transit, phoney children&#039;s paradise, as well as the large orchestra, or the number 60,000 (the number of those who &amp;quot;passed through&amp;quot; Zwölfkinder as well the population of Theresienstadt at its peak). It also recalls another totalitarian institution, that of the communist &amp;quot;children&#039;s towns&amp;quot; (large, town-like, somewhat militarized holiday camps for Young Pioneers), whose prototype was [http://en.wikipedia.org/wiki/Artek_(camp) Artek] in the Soviet Union. ([http://en.wikipedia.org/wiki/Deutsches_Jungvolk Deutsches Jungvolk] also had its summer camps.)&lt;br /&gt;
&lt;br /&gt;
Further, consider Argentina&#039;s [http://en.wikipedia.org/wiki/Republic_of_the_Children Republic of Children], a city proportioned for children, which was created under Juan Peron&#039;s regime and opened in 1951.&lt;br /&gt;
&lt;br /&gt;
==Page 402==&lt;br /&gt;
&#039;&#039;&#039;The Spree&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A river, not a canal, that runs through Berlin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;who would eat an apple in the street&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A phrase of German/Yiddish origin, suggesting a poor person of no breeding.&lt;br /&gt;
&lt;br /&gt;
==Page 403==&lt;br /&gt;
[[image:kyudo-target.jpg|thumb|Zen Target|150px|right]]&#039;&#039;&#039;Zen bow and roll of pressed straw&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Archery is a sport often associated with Zen discipline in Japan, where it is known as &#039;&#039;kyūdō&#039;&#039;.  Many archers practice &#039;&#039;kyūdō&#039;&#039; as a sport, with marksmanship being paramount. However, the goal most devotees of kyūdō seek is &#039;&#039;seisha seichu&#039;&#039;, &amp;quot;correct shooting is correct hitting&amp;quot;. The archer seeks not to hit a target but (according to some sources) to become one with the arrow as it flies, as Fahringer advocates becoming &amp;quot;one with the Rocket.&amp;quot; One of the earliest introductions of &#039;&#039;kyūdō&#039;&#039; in the west was by a German, Eugen Herrigel, who studied Zen and archery in Japan in the 1930s.  His &#039;&#039;Zen in the Art of Archery&#039;&#039; (1953) remains a classic in its field. [http://en.wikipedia.org/wiki/Kyudo Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bodhisattva&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In Mahayana Buddhism, a bodhisattva is a &amp;quot;Buddhist saint,&amp;quot; one who has nearly attained nirvana but delays it in order to aid others. [http://en.wikipedia.org/wiki/Bodhisattva Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 404==&lt;br /&gt;
&#039;&#039;&#039;In the name of the cathode, the anode, and the holy grid?&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Weisenberger (2006) incorrectly identifies these as components of an electrolytic cell connected to a power grid. Instead they refer to the 3 parts of the triode vacuum tube mentioned a few lines earlier. Electrons flowing from the cathode to the anode have to pass through a charged screen or grid. A slight amount of charge on the grid can have a big effect on the current flowing between the cathode and the anode. Thus the triode is a simple amplification device, since a small signal charging the grid controls a large flow of current.  It is, btw, an analogue and not a digital device.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 405==&lt;br /&gt;
&#039;&#039;&#039;good company at Herr Halliger’s Inn&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Note the echo of the title of von Goll’s perverse film.&lt;br /&gt;
&lt;br /&gt;
==Page 411==&lt;br /&gt;
&#039;&#039;&#039;411.16 Atlantes&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
An [http://en.wikipedia.org/wiki/Atlas_(architecture) Atlas] or Atlant (named after the Greek mythological figure which it it represents) is a column, pillar, or pilaster in the shape of a man, who bears the weight on his head or shoulders. It was a popular element in continental Beaux-Arts architecture (that is, in Kekulé&#039;s time.)&lt;br /&gt;
&lt;br /&gt;
==Page 412==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I lost my heart in Heidelberg&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Although [[Weisenburger&#039;s Companion to Gravity&#039;s Rainbow|Weisenburger]] asserts that the song derives from Tony Bennet’s recording &amp;quot;I Left My Heart in San Francisco,&amp;quot; there are more likely origins. The title suggests the lyrics to &amp;quot;I Left My Heart at the Stage Door Canteen&amp;quot; (see note at V134.27) or  &amp;quot;Avalon&amp;quot; (&amp;quot;I found my love in Avalon&amp;quot;) by Al Jolson and Vincent Rose.  In addition, the lyric suggests Sigmund Romberg’s venerable operetta &#039;&#039;The Student Prince&#039;&#039;, about the heir to a throne who falls in love with a barmaid in the university town. The show also features the song &amp;quot;Gaudeamus Igitur&amp;quot; (V432.13).&lt;br /&gt;
&lt;br /&gt;
:Igor Zabel offers a more a concrete reference: &amp;quot;I lost my heart in Heidelberg&amp;quot;: a popular German song from the twenties: &amp;quot;Ich hab&#039; mein Herz in Heidelberg verloren&amp;quot;. The song was written for a musical of the same name by German composer Fred Raymond. [[I Lost My Heart in Heidelberg|Read the lyrics...]]&lt;br /&gt;
&lt;br /&gt;
==Page 413==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;once, only once&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
What Rilke poem is this?&lt;br /&gt;
*Rilke sometimes (often?) addresses the reader with &amp;quot;you&amp;quot; (&amp;quot;Weren’t you always distracted by expectation, as if every event announced a beloved? - &#039;&#039;Duino Elegies&#039;&#039;), which Pynchon does often in these surrounding pages.&lt;br /&gt;
&lt;br /&gt;
It may refer to the ninth of Rilke&#039;s ten &#039;&#039;Duino Elegies&#039;&#039; (begun, by the way, while he was a guest of Princess Marie von Thurn and Taxis(!) at Duino Castle).&lt;br /&gt;
&lt;br /&gt;
*&amp;quot;... to be here is much, and the transient Here / seems to need and concern us strangely. Us, the most transient. / Everyone once, once only. Just once and no more. / And we also once, Never again. But this having been / once, although only once, to have been of the earth, / seems irrevocable.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 421==&lt;br /&gt;
&#039;&#039;&#039;Juch-heiereasas-sa! O-tempo-tempora!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
From the song &amp;quot;Ein lustger Musikante marschierte am Nil&amp;quot; by Emmanuel Geibel (1815-1884).  [http://ingeb.org/Lieder/einlustg.html German words and midi music]&lt;br /&gt;
&lt;br /&gt;
==Page 422==&lt;br /&gt;
&#039;&#039;&#039;love something like the persistence of vision&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;The notion of &#039;persistence of vision&#039; seems to have been appropriated from psychology&amp;quot;. From Herbert&#039;s essay below.&amp;lt;br&amp;gt;&lt;br /&gt;
The term &amp;quot;persistence of vision&amp;quot; is still in popular use, and fits Pynchon’s (and Pokler’s) needs well in this context.&lt;br /&gt;
&lt;br /&gt;
The phrase &amp;quot;persistence of vision:&amp;quot; has long been misapplied to explanations of how the spectator perceives motion from the sequential flashing of still images on film. The term &amp;amp;#151; which usually refers to the positive afterimage retained by the retina of the eye &amp;amp;#151; has been rejected by psychologists and students of perception as imprecise and misleading. The illusion of motion is actually a much more complicated process, involving several elements of cognition. A very good synopsis of the problems with the term by Stephen Herbert is available [http://www.grand-illusions.com/percept.htm here].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 425==&lt;br /&gt;
&#039;&#039;&#039;425.24ff  you go and sit exactly on the target...one is safest at the center of the target area&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major-General Dr. Walter Dornberger, head of Peenemünde rocket development and von Braun&#039;s superior, actually made this suggestion when the airburst problem resisted solution: &amp;quot;the bull&#039;s eye is the safest spot on the map.&amp;quot;  Instead of sending a sacrificial underling such as Pokler to do the sitting, Dornberger and von Braun, to their credit, sat their own personal asses down on the target. They did this every day for about a week.  On the very last rocket observed from the target, von Braun&lt;br /&gt;
:&amp;quot;was standing in an open field [and]... beheld the rocket coming out of the blue sky.&amp;quot; To his horror, he realized it was pointed straight at them [Dornberger, v.B] -- it would be a direct hit.  &amp;quot;I threw myself down to the ground, but a moment later a terrific explosion hurled me high into the air.  I landed in a ditch and noted with some amazement that I...had not suffered as much as a scratch.&amp;quot; quoted in Neufeld, &#039;&#039;Von Braun&#039;&#039;, p.181.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;425.32-33 Ground Zero&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another, apparently ironic, anachronism (or anatopism). The term [http://en.wikipedia.org/wiki/Ground_zero Ground Zero], originally the hypocenter of an atomic bomb explosion, was coined by participants of the Manhattan Project, after the test stand at Trinity Site. It had, of course, no equivalent in pre-1945 German military slang. But the starting point in time for the Pökler detour is preceded by the first nuclear explosion, as the Trinity device was tested on July 16, 1945, the opening day of the Potsdam Conference.&lt;br /&gt;
&lt;br /&gt;
==Page 429==&lt;br /&gt;
&#039;&#039;&#039;429.5 searchlights... in Wismar and in Lübeck&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
That would locate Zwölfkinder in present-day Mecklenburg-Vorpommern, near the Bay of Lübeck, and also between the bright and dark aspects of the continental tradition. Lübeck, apart from being vitctimized in the raid which is prominent in &amp;quot;Beyond the Zero&amp;quot;, was Thomas Mann&#039;s city, while Wismar is the port where Nosferatu embarks for England.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;But Ilse, some Ilse, has persisted beyond her cinema mother&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Pynchon might be alluding to William Carlos Williams&#039; poem &amp;quot;To Elsie&amp;quot; when he has Pökler, in his narration, refer to his daughter as &amp;quot;Ilse, some Ilse.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Cf. &amp;quot;...some Elsie—/voluptuous water/expressing with broken/brain the truth about us—/her great/ungainly hips and flopping breasts&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Parallels include both Ilse/Elsie being helpless prisoners or pawns of a faceless system that uses them as pawns with little regard for their welfare or dignity.&lt;br /&gt;
&lt;br /&gt;
William Carlos Williams&#039; famous poem &amp;quot;To Elsie,&amp;quot; published in 1923&#039;s &#039;&#039;Spring and All&#039;&#039;, describing a neglected, institutionalized young woman (Elsie) whose sensuality and brokenness reveal a deeper cultural sickness and the harsh realities of American life, contrasting natural longing with societal decay.&lt;br /&gt;
&lt;br /&gt;
==Page 432==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Gaudeumus igitur&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Igor Zabel elaborates further on Weisenburger&#039;s note:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;The song is a symbol of the university (as such) and its anthem (e.g., it is sometimes performed at ceremonial occasions). The mentioning here refers to the &amp;quot;feeling of graduation&amp;quot;. &#039;&#039;Gaudeamus igitur&#039;&#039; is traditionally sung by the students of the final class of Gymnasium (i.e., university students to-be) as they celebrate their graduation.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Obersturmbannfuehrer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A rank in the SS, which corresponds to the Lieutenant Colonel.&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_397-433&amp;diff=4223</id>
		<title>Pages 397-433</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_397-433&amp;diff=4223"/>
		<updated>2026-01-21T21:09:08Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 429 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
==Page 398==&lt;br /&gt;
[[image:hansel-gretel.jpg|thumb|&#039;&#039;Hansel and Gretel&#039;&#039;|100px|right]]&#039;&#039;&#039;dog with the saucer eyes . . . beard of the goat on the bridge . . . the troll below . . . plastic witch . . . Hansel . . . Gretel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Features at Zwolfkinder, all evoking children’s fairy tales: &amp;quot;The Tinder Box,&amp;quot; the Billy Goats Gruff, Hansel and Gretel.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;398:29 Zwölfkinder&amp;lt;br/&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&amp;quot;Twelve Children&amp;quot; - the name evokes Jacob&#039;s twelve sons (and the daughter who is not one of the official twelve). This pattern is self-consciously repeated in the Grimms&#039; tale [http://www.pitt.edu/~dash/grimm009.html &amp;quot;The Twelve Brothers&amp;quot;], where the boys are to die if their mother gives birth to a girl.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The camp, which is also a quasi-town, may be modelled after Theresienstadt, the Jewish town/Lager set up by the Nazis in what is now the Czech Republic. This is suggested by themes like transit, phoney children&#039;s paradise, as well as the large orchestra, or the number 60,000 (the number of those who &amp;quot;passed through&amp;quot; Zwölfkinder as well the population of Theresienstadt at its peak). It also recalls another totalitarian institution, that of the communist &amp;quot;children&#039;s towns&amp;quot; (large, town-like, somewhat militarized holiday camps for Young Pioneers), whose prototype was [http://en.wikipedia.org/wiki/Artek_(camp) Artek] in the Soviet Union. ([http://en.wikipedia.org/wiki/Deutsches_Jungvolk Deutsches Jungvolk] also had its summer camps.)&lt;br /&gt;
&lt;br /&gt;
Further, consider Argentina&#039;s [http://en.wikipedia.org/wiki/Republic_of_the_Children Republic of Children], a city proportioned for children, which was created under Juan Peron&#039;s regime and opened in 1951.&lt;br /&gt;
&lt;br /&gt;
==Page 402==&lt;br /&gt;
&#039;&#039;&#039;The Spree&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A river, not a canal, that runs through Berlin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;who would eat an apple in the street&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A phrase of German/Yiddish origin, suggesting a poor person of no breeding.&lt;br /&gt;
&lt;br /&gt;
==Page 403==&lt;br /&gt;
[[image:kyudo-target.jpg|thumb|Zen Target|150px|right]]&#039;&#039;&#039;Zen bow and roll of pressed straw&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Archery is a sport often associated with Zen discipline in Japan, where it is known as &#039;&#039;kyūdō&#039;&#039;.  Many archers practice &#039;&#039;kyūdō&#039;&#039; as a sport, with marksmanship being paramount. However, the goal most devotees of kyūdō seek is &#039;&#039;seisha seichu&#039;&#039;, &amp;quot;correct shooting is correct hitting&amp;quot;. The archer seeks not to hit a target but (according to some sources) to become one with the arrow as it flies, as Fahringer advocates becoming &amp;quot;one with the Rocket.&amp;quot; One of the earliest introductions of &#039;&#039;kyūdō&#039;&#039; in the west was by a German, Eugen Herrigel, who studied Zen and archery in Japan in the 1930s.  His &#039;&#039;Zen in the Art of Archery&#039;&#039; (1953) remains a classic in its field. [http://en.wikipedia.org/wiki/Kyudo Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bodhisattva&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In Mahayana Buddhism, a bodhisattva is a &amp;quot;Buddhist saint,&amp;quot; one who has nearly attained nirvana but delays it in order to aid others. [http://en.wikipedia.org/wiki/Bodhisattva Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 404==&lt;br /&gt;
&#039;&#039;&#039;In the name of the cathode, the anode, and the holy grid?&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Weisenberger (2006) incorrectly identifies these as components of an electrolytic cell connected to a power grid. Instead they refer to the 3 parts of the triode vacuum tube mentioned a few lines earlier. Electrons flowing from the cathode to the anode have to pass through a charged screen or grid. A slight amount of charge on the grid can have a big effect on the current flowing between the cathode and the anode. Thus the triode is a simple amplification device, since a small signal charging the grid controls a large flow of current.  It is, btw, an analogue and not a digital device.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 405==&lt;br /&gt;
&#039;&#039;&#039;good company at Herr Halliger’s Inn&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Note the echo of the title of von Goll’s perverse film.&lt;br /&gt;
&lt;br /&gt;
==Page 411==&lt;br /&gt;
&#039;&#039;&#039;411.16 Atlantes&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
An [http://en.wikipedia.org/wiki/Atlas_(architecture) Atlas] or Atlant (named after the Greek mythological figure which it it represents) is a column, pillar, or pilaster in the shape of a man, who bears the weight on his head or shoulders. It was a popular element in continental Beaux-Arts architecture (that is, in Kekulé&#039;s time.)&lt;br /&gt;
&lt;br /&gt;
==Page 412==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I lost my heart in Heidelberg&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Although [[Weisenburger&#039;s Companion to Gravity&#039;s Rainbow|Weisenburger]] asserts that the song derives from Tony Bennet’s recording &amp;quot;I Left My Heart in San Francisco,&amp;quot; there are more likely origins. The title suggests the lyrics to &amp;quot;I Left My Heart at the Stage Door Canteen&amp;quot; (see note at V134.27) or  &amp;quot;Avalon&amp;quot; (&amp;quot;I found my love in Avalon&amp;quot;) by Al Jolson and Vincent Rose.  In addition, the lyric suggests Sigmund Romberg’s venerable operetta &#039;&#039;The Student Prince&#039;&#039;, about the heir to a throne who falls in love with a barmaid in the university town. The show also features the song &amp;quot;Gaudeamus Igitur&amp;quot; (V432.13).&lt;br /&gt;
&lt;br /&gt;
:Igor Zabel offers a more a concrete reference: &amp;quot;I lost my heart in Heidelberg&amp;quot;: a popular German song from the twenties: &amp;quot;Ich hab&#039; mein Herz in Heidelberg verloren&amp;quot;. The song was written for a musical of the same name by German composer Fred Raymond. [[I Lost My Heart in Heidelberg|Read the lyrics...]]&lt;br /&gt;
&lt;br /&gt;
==Page 413==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;once, only once&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
What Rilke poem is this?&lt;br /&gt;
*Rilke sometimes (often?) addresses the reader with &amp;quot;you&amp;quot; (&amp;quot;Weren’t you always distracted by expectation, as if every event announced a beloved? - &#039;&#039;Duino Elegies&#039;&#039;), which Pynchon does often in these surrounding pages.&lt;br /&gt;
&lt;br /&gt;
==Page 421==&lt;br /&gt;
&#039;&#039;&#039;Juch-heiereasas-sa! O-tempo-tempora!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
From the song &amp;quot;Ein lustger Musikante marschierte am Nil&amp;quot; by Emmanuel Geibel (1815-1884).  [http://ingeb.org/Lieder/einlustg.html German words and midi music]&lt;br /&gt;
&lt;br /&gt;
==Page 422==&lt;br /&gt;
&#039;&#039;&#039;love something like the persistence of vision&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;The notion of &#039;persistence of vision&#039; seems to have been appropriated from psychology&amp;quot;. From Herbert&#039;s essay below.&amp;lt;br&amp;gt;&lt;br /&gt;
The term &amp;quot;persistence of vision&amp;quot; is still in popular use, and fits Pynchon’s (and Pokler’s) needs well in this context.&lt;br /&gt;
&lt;br /&gt;
The phrase &amp;quot;persistence of vision:&amp;quot; has long been misapplied to explanations of how the spectator perceives motion from the sequential flashing of still images on film. The term &amp;amp;#151; which usually refers to the positive afterimage retained by the retina of the eye &amp;amp;#151; has been rejected by psychologists and students of perception as imprecise and misleading. The illusion of motion is actually a much more complicated process, involving several elements of cognition. A very good synopsis of the problems with the term by Stephen Herbert is available [http://www.grand-illusions.com/percept.htm here].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 425==&lt;br /&gt;
&#039;&#039;&#039;425.24ff  you go and sit exactly on the target...one is safest at the center of the target area&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major-General Dr. Walter Dornberger, head of Peenemünde rocket development and von Braun&#039;s superior, actually made this suggestion when the airburst problem resisted solution: &amp;quot;the bull&#039;s eye is the safest spot on the map.&amp;quot;  Instead of sending a sacrificial underling such as Pokler to do the sitting, Dornberger and von Braun, to their credit, sat their own personal asses down on the target. They did this every day for about a week.  On the very last rocket observed from the target, von Braun&lt;br /&gt;
:&amp;quot;was standing in an open field [and]... beheld the rocket coming out of the blue sky.&amp;quot; To his horror, he realized it was pointed straight at them [Dornberger, v.B] -- it would be a direct hit.  &amp;quot;I threw myself down to the ground, but a moment later a terrific explosion hurled me high into the air.  I landed in a ditch and noted with some amazement that I...had not suffered as much as a scratch.&amp;quot; quoted in Neufeld, &#039;&#039;Von Braun&#039;&#039;, p.181.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;425.32-33 Ground Zero&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another, apparently ironic, anachronism (or anatopism). The term [http://en.wikipedia.org/wiki/Ground_zero Ground Zero], originally the hypocenter of an atomic bomb explosion, was coined by participants of the Manhattan Project, after the test stand at Trinity Site. It had, of course, no equivalent in pre-1945 German military slang. But the starting point in time for the Pökler detour is preceded by the first nuclear explosion, as the Trinity device was tested on July 16, 1945, the opening day of the Potsdam Conference.&lt;br /&gt;
&lt;br /&gt;
==Page 429==&lt;br /&gt;
&#039;&#039;&#039;429.5 searchlights... in Wismar and in Lübeck&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
That would locate Zwölfkinder in present-day Mecklenburg-Vorpommern, near the Bay of Lübeck, and also between the bright and dark aspects of the continental tradition. Lübeck, apart from being vitctimized in the raid which is prominent in &amp;quot;Beyond the Zero&amp;quot;, was Thomas Mann&#039;s city, while Wismar is the port where Nosferatu embarks for England.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;But Ilse, some Ilse, has persisted beyond her cinema mother&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Pynchon might be alluding to William Carlos Williams&#039; poem &amp;quot;To Elsie&amp;quot; when he has Pökler, in his narration, refer to his daughter as &amp;quot;Ilse, some Ilse.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Cf. &amp;quot;...some Elsie—/voluptuous water/expressing with broken/brain the truth about us—/her great/ungainly hips and flopping breasts&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Parallels include both Ilse/Elsie being helpless prisoners or pawns of a faceless system that uses them as pawns with little regard for their welfare or dignity.&lt;br /&gt;
&lt;br /&gt;
William Carlos Williams&#039; famous poem &amp;quot;To Elsie,&amp;quot; published in 1923&#039;s &#039;&#039;Spring and All&#039;&#039;, describing a neglected, institutionalized young woman (Elsie) whose sensuality and brokenness reveal a deeper cultural sickness and the harsh realities of American life, contrasting natural longing with societal decay.&lt;br /&gt;
&lt;br /&gt;
==Page 432==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Gaudeumus igitur&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Igor Zabel elaborates further on Weisenburger&#039;s note:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;The song is a symbol of the university (as such) and its anthem (e.g., it is sometimes performed at ceremonial occasions). The mentioning here refers to the &amp;quot;feeling of graduation&amp;quot;. &#039;&#039;Gaudeamus igitur&#039;&#039; is traditionally sung by the students of the final class of Gymnasium (i.e., university students to-be) as they celebrate their graduation.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Obersturmbannfuehrer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A rank in the SS, which corresponds to the Lieutenant Colonel.&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow&amp;diff=4222</id>
		<title>Gravity&#039;s Rainbow</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow&amp;diff=4222"/>
		<updated>2026-01-21T20:47:56Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Book_GR_sm.jpg|350px|thumb|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&amp;lt;br /&amp;gt;&#039;&#039;&#039;Jacket Art:&#039;&#039;&#039; [[Marc_Getter_-_Designer_and_Artist|Marc Getter]]&amp;lt;br /&amp;gt;&#039;&#039;&#039;Publication date:&#039;&#039;&#039; Feb 28, 1973|right]] &lt;br /&gt;
&lt;br /&gt;
==Cover Art==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;NOTE:&#039;&#039;&#039; You can view the many variations of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover art through the years at [http://thomaspynchon.com/pynchon-cover-art/gravitys-rainbow/ ThomasPynchon.com]&lt;br /&gt;
&lt;br /&gt;
==Thoughts on the Title==&lt;br /&gt;
&lt;br /&gt;
Andrew Graham:&lt;br /&gt;
&lt;br /&gt;
A rocket takes off under rocket power, following a parabola only once the fuel cuts out - first carrying on upwards and then back down. Or at least an approximation of a parabola, friction necessarily deforming it. Thus a V2 would not follow a parabolic path, certainly not from the ground upwards.&lt;br /&gt;
&lt;br /&gt;
A rainbow is an arc of a circle which is a different shape to a parabola.&lt;br /&gt;
&lt;br /&gt;
Thus &amp;quot;Gravity&#039;s Rainbow,&amp;quot; if we take it to be referring to a V2 flight path, is only approximate to a parabola and can only ever be a deformed arc, deformed and de-coloured rainbow. The difference cannot be overcome by wishful thinking nor physics. The other thing: rainbows are are prismatic-like opening outs of white light. Gravity bends light but not like a prism, as all frequencies are bent equally. But, going by some nice videos on [https://en.wikipedia.org/wiki/Gravitational_lens this Wikipedia page], does create rainbow-like circles.&lt;br /&gt;
&lt;br /&gt;
Rainbows would also be circular if allowed the space to be, which you can in fact see at times in, for example, waterfall spray and aureoles around aircraft shadows cast onto clouds (both of which I have seen). So perhaps these lensing effects are Gravity&#039;s Rainbows, created when light objects pass behind massive ones.&lt;br /&gt;
&lt;br /&gt;
The other thing gravity can do is shift light moving out from gravity centres in the red direction - creating (at a stretch perhaps) a not very enticing rainbow-like effect, gravity&#039;s rainbow here being linear and tending to the more hellish parts of the spectrum&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_279-295&amp;diff=4221</id>
		<title>Pages 279-295</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_279-295&amp;diff=4221"/>
		<updated>2025-11-14T19:13:02Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 290 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 281==&lt;br /&gt;
281.01-02 &#039;&#039;&#039;die kalte Sophie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;cold wisdom&amp;quot;?  Correspondent Morten Peters gives a better explanation!:&lt;br /&gt;
&amp;quot;-the allusion may be intended by Pynchon, but originally this is just the German traditional agricolan term for the last day of the &amp;quot;eisheiligen&amp;quot;, which are normally the last days in the year that can be really cold.&amp;quot;&lt;br /&gt;
Igor Zabel also offers the following:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;The days of the three &amp;quot;ice-men&amp;quot; (May 12, 13 and 14) are followed by the day of Sophia, 15 May, called &amp;quot;the cold Sophia&amp;quot; because it is considered to be the conclusion of the cold days in May. The &amp;quot;ice-saints&amp;quot; are believed to be the end of the winter period; they represent a period when, in high spring, it can get quite cold and sometimes snow may fall. It is a dangerous time for peasants since the cold period can endanger or even destroy the harvest. In 1945, these days have passed without damaging the wine grapes. We have the same tradition in Slovenia, the popular name for the &amp;quot;kalte Sophie&amp;quot; is &amp;quot;polulana Zofka&amp;quot; which means the &amp;quot;wet&amp;quot; or &amp;quot;peed Sophy&amp;quot; (since it usually rains on that day).&amp;quot;&lt;br /&gt;
&lt;br /&gt;
281.9 &#039;&#039;&#039;the revolutionaries of May&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
Considering the unusual point of view as represented in the very first sentence(&amp;quot;We are&amp;quot;), this may be a topical reference to May 1968 and the following Big Chill. The seemingly redundant interjection &amp;quot;this year&amp;quot; in the next sentence then signifies a shift back to narrative time. In Germany the only great vintage between the period of revolts and the publication of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; belongs to the year [http://www.thewinecurators.com/vntgChart.html 1971].&lt;br /&gt;
&lt;br /&gt;
281.20 &#039;&#039;&#039;DP&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
Displaced Person&lt;br /&gt;
&lt;br /&gt;
281.35 &#039;&#039;&#039;WASPs&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
A common wartime acronym is &#039;&#039;Women Airforce Service Pilots&#039;&#039;, but the context suggests a more fitting acronym of &#039;&#039;White Anglo-Saxon Protestants&#039;&#039;.  The text here compares Herero beliefs to the beliefs of Slothrop&#039;s Protestant ancestors with their &amp;quot;buckled black&amp;quot; shoes, and views of God as present in natural phenomena. &lt;br /&gt;
&lt;br /&gt;
==Page 285==&lt;br /&gt;
&#039;&#039;&#039;285.37 Jim Fisk style&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Before his involvement with gold markets and railroads, Fisk was a Yankee peddler working the Berkshires. There are several references to him in &#039;&#039;The Berkshire Hills&#039;&#039; (though his name is misspelled &amp;quot;Fiske&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
==Page 287==&lt;br /&gt;
287.11-12 &#039;&#039;&#039;double row of shiny bright teeth hangs in the air&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Reminiscent of Alice and the Cheshire Cat:&lt;br /&gt;
:&#039;&#039;Well! I’ve often seen a cat without a grin,” thought Alice; “but a grin without a cat! It’s the most curious thing I ever saw in all my life!”&#039;&#039; [http://www.cs.cmu.edu/~rgs/alice-table.html &#039;&#039;Alice in Wonderland&#039;&#039;], Chapter 6, &amp;quot;Pig and Pepper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
287.23 &#039;&#039;&#039;P-47&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
P-47 Thunderbolt, also known as the &amp;quot;Jug,&amp;quot; was one of the main United States Army Air Forces fighters of World War II, and served with other Allied air forces as well.&lt;br /&gt;
&lt;br /&gt;
287.25-26 &#039;&#039;&#039;Project Hermes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
US Army missile program started in 1944 to develop guided missile systems; included study of captured German V-2s; General Electric (GE) ran the contract&lt;br /&gt;
&lt;br /&gt;
287.30 &#039;&#039;&#039;Kraut&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Derogatory term for German soldiers or Germans in general; derives from sauerkraut, a popular German food&lt;br /&gt;
&lt;br /&gt;
287.32 &#039;&#039;&#039;Limey&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Derogatory term for the British, originally referring to British sailors. It is believed to derive from lime juice, referring to the Royal Navy and Merchant Navy practice of supplying lime juice to British sailors to prevent scurvy.&lt;br /&gt;
&lt;br /&gt;
287.37-38 &#039;&#039;&#039;Old Blood &#039;n&#039; Guts handed Rommel&#039;s ass to him&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Refers to American General George Patton&#039;s defeat of German forces led by Field Marshal Erwin Rommel in the North Africa campaign of WWII.&lt;br /&gt;
&lt;br /&gt;
287.38-39 &#039;&#039;&#039;&#039;&#039;Ach du lieber! Mein Arsch!&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &#039;Oh my goodness! My ass!&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 289==&lt;br /&gt;
289.29-30 &#039;&#039;&#039;Lotta those &#039;&#039;fags&#039;&#039; still around, with baskets and 175 badges&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;Fags&#039;&#039; of course being slang for homosexual men; 175 badges refer to the pink triangle badges worn by suspected or known homosexuals (usually men) under the Nazi regime. They are called 175 badges because [http://www.ushmm.org/learn/students/learning-materials-and-resources/homosexuals-victims-of-the-nazi-era/paragraph-175 paragraph 175 of the German criminal code], as revised by the Nazis in 1935, made a wide range of activities between men illegal.&lt;br /&gt;
&lt;br /&gt;
==Page 290==&lt;br /&gt;
290.8 &#039;&#039;&#039;Under my linden tree&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Middle High German lyric poet [http://en.wikipedia.org/wiki/Walther_von_der_Vogelweide Walter von der Vogelweide&#039;s] (c. 1170 - c. 1230) most famous love song [http://www.planck.com/rhymedtranslations/vogelweidelinden.htm &amp;quot;Under der linden&amp;quot;], where the singer implied is another young girl.&lt;br /&gt;
&lt;br /&gt;
290.15 &#039;&#039;&#039;Geli Tripping&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Another name taken from [http://en.wikipedia.org/wiki/Gilbert_and_Sullivan Gilbert and Sullivan], this time from [http://en.wikipedia.org/wiki/H.M.S._Pinafore &#039;&#039;HMS Pinafore&#039;&#039;] (1878). When the Female Relations of Sir Joseph Porter, the First Lord of the Admiralty, board the ship, they sing, &amp;quot;Gaily tripping,/ Lightly skipping,/ Flock the maidens to the shipping.&amp;quot; ([https://www.youtube.com/watch?v=RiDsxbqV3rw Have a listen...])  The name is not without psychedelic overtones reminiscent of the [http://en.wikipedia.org/wiki/Merry_Pranksters Merry Pranksters]. [[Sir Joseph&#039;s Barge is Seen|Read the lyrics...]]&lt;br /&gt;
&lt;br /&gt;
ALSO, in Pynchon&#039;s 2025 novel &#039;&#039;Shadow Ticket&#039;&#039; we have [https://shadowticket.pynchonwiki.com/wiki/index.php?title=D#glow Glow Tripforth del Vasto], &amp;quot;to trip forth&amp;quot; having basically the same meaning as &amp;quot;gaily tripping,&amp;quot; both rather archaic phrases meaning to move lightly, happily, and with a dancing or skipping step.&lt;br /&gt;
&lt;br /&gt;
290.16 &#039;&#039;&#039;A Soviet intelligence officer named Tchitcherine&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Explaining the sources for the name, Weisenburger cites Theodore von Kármán (&#039;&#039;The Wind and Beyond&#039;&#039;. Boston: Little, 1967), and David Seed (&amp;quot;Pynchon&#039;s Two Tchitcherines&amp;quot;, &#039;&#039;Pynchon Notes&#039;&#039; 5:11-12). Kármán writes the following: &lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&amp;quot;Frank Tchitcherine was of Russian origin, and in fact had been related to the first minister of education in the Kerensky government. This Tchitcherine helped convince the Germans to disclose their hiding place for literally tons on research documents pertaining to the rocket and supersonic flight.&amp;quot;&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It seems Von Kármán was wrong about both the date and the function. There was only one Chicherin on the Russian political scene at that time. Kerensky&#039;s minister of education was [http://en.wikipedia.org/wiki/Andrei_Manuilov A. A. Manuilov], who was in no position to convince the Germans about anything as the two nations were at war while the Kerensky government was in office. (In fact, German rocket research began in earnest only after 1929, when Hermann Oberth published &#039;&#039;Die Rakete zu den Planetenräumen&#039;&#039;.) On the other hand, Georgy Chicherin, an aristocrat by birth and a lover of German culture, was an ideal diplomatic partner for German foreign ministers Von Brockdorff-Rantzau, Rathenau, and Stresemann.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Vaslav&amp;quot; is obviously taken from Nijinsky&#039;s first name. There is no such Russian name as Vaslav. Originally it was Vatslav but the affricate [ts] was smoothed to [s], perhaps because it was easier for the French to pronounce.&lt;br /&gt;
&lt;br /&gt;
It&#039;s likely that the following Frank W. Tchitcherine &amp;amp;#151; the subject of the above biographical sketch &amp;amp;#151; is the source of the character&#039;s surname. The Tchitcherines were active in Westport CT social circles. It&#039;s quite possible that Pynchon was aware of him. The following is from [http://www.achilles.org/ftp/annual/2005.pdf http://www.achilles.org/ftp/annual/2005.pdf]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Frank Wirtheim Tchitcherine was born in Paris in 1907. His father, F.H. Wirtheim, had been a lion tamer, and it is tempting to conjecture that he was not entirely successful in his profession, for Frank’s mother, Clementine de Vere, a ‘performer’ subsequently remarried Prince Vladimir Titcherine. Having been duly adopted by his royal stepfather, Frank was educated at Brighton College, before studying at Corpus, Cambridge, from 1927 to 1929. As well as winning the 440y in the Varsity Match of 1929, he had also competed in the same event in 1928. He competed for Achilles in several major athletics meetings in the UK and Europe in 1929, and was part of the combined Oxford and Cambridge team which travelled to America that summer for matches against Harvard &amp;amp; Yale (he placed 2nd in the 440y on 13.7.1929) Princeton &amp;amp; Cornell, and Canadian universities. His best performance ever was 49.4 (or perhaps 49 4/5) seconds for 440y, winning for Achilles v Berliner and Deutsche Sports Clubs at Stamford Bridge on 20 May 1929 (see photo – Roger Leigh Wood was 2nd). Achilles lost track of Frank Tchitcherine, but we learn that he was based in Paris till about 1937, married an Englishwoman from Wimbledon, Sheila Ballingal, served with the US Army during the 2nd World War, described himself as a ‘self-employed consultant’ and died in Connecticut in 1984. [http://www.themagiccafe.com/forums/viewtopic.php?topic=226303&amp;amp;forum=220]&amp;lt;/blockquote&amp;gt; &lt;br /&gt;
&lt;br /&gt;
[[File:Tchitcherine.jpg|thumb|left|200px]]In October 2013, a book formerly owned both by Frank W. Tchitcherine and Hermann Goering &amp;amp;#151; &#039;&#039;Combustion Flames &amp;amp; Explosions of Gases&#039;&#039; by Lewis &amp;amp; von Elbe &amp;amp;#151; was offered for sale on eBay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
290.21 &#039;&#039;&#039;Schattensaft&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: shadow juice&lt;br /&gt;
&lt;br /&gt;
==Page 293==&lt;br /&gt;
293.15&lt;br /&gt;
&#039;&#039;&#039;I was voted the Sweetheart of 3/Art. Abt. (mot) 485&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Contrary to what Weisenburger claims in his Companion, there &#039;&#039;was&#039;&#039; such a unit. In fact, their job was launching V2s. Under the supervision on SS-Gruppenführer Kammler, Division z. V. (zur Vergeltung) was set up for launching A4 rockets [http://www.lexikon-der-wehrmacht.de/Waffen/V2.htm]. Within the Division, Artillerie-Abteilung (motorisiert) 485 was part of Gruppe Nord, together with SS-Werfer-Batterie 500. The Abteilung (batalion) was transformed into a regiment in August 1944. While launching units 1 and 2 were in the Hague area, 3/Art. Abt. (mot) 485 was stationed in Western Germany, with targets in France and Belgium.&lt;br /&gt;
&lt;br /&gt;
293.17&lt;br /&gt;
&#039;&#039;&#039;Have you been up to the Broken yet?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When asked if she were a witch, Geli makes reference to the Brocken, a mountain in northern Germany which Goethe describes in &amp;lt;i&amp;gt;Faust&amp;lt;/i&amp;gt; as the center of revelry for witches on [http://en.wikipedia.org/wiki/Walpurgis_Night Walpurgisnacht]. This may again be a reference to Pynchon’s Cornell teacher Vladimir Nabokov and his book &amp;lt;i&amp;gt;Pale Fire&amp;lt;/i&amp;gt;.  In that book Nabokov indirectly (and humorously) references the Broken when Kinbote talks of &amp;quot;an anthology of poets and a brocken of their wives&amp;quot; as a way of comparing Sybil Shade to a witch.  Interestingly, Blodgett Waxwing is mentioned again less than a page later. (See [[Pages_244-249#Page_246|246.35]] for discussion of Nabokov and &amp;quot;waxwing&amp;quot;.)&lt;br /&gt;
&lt;br /&gt;
==Page 294==&lt;br /&gt;
&#039;&#039;&#039;294.11 Ge-li, Ge-li, Ge-li&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Although often evoked by mimics, Cary Grant never actually said &amp;quot;Ju-dy, Ju-dy, Ju-dy.&amp;quot; In the 1939 film &#039;&#039;Only Angels Have Wings&#039;&#039; he did say &amp;quot;Oh, Judy&amp;quot; and &amp;quot;Yes, Judy&amp;quot; to Rita Hayworth&#039;s character, and in 1938&#039;s &#039;&#039;Bringing Up Baby&#039;&#039; he says &amp;quot;Susan, Susan, Susan&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;294.20-21 Thanx for the info, and a tip of the Scuffling hat to ya&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Slothrop copies the signoff to Jimmy Hatlo’s comic strip &amp;quot;They’ll Do It Every Time,&amp;quot; which was based on ideas from readers. These contributors were typically acknowledged with the words, &amp;quot;Thanx, and a tip of the Hatlo hat to...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_279-295&amp;diff=4220</id>
		<title>Pages 279-295</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_279-295&amp;diff=4220"/>
		<updated>2025-11-14T19:11:49Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 290 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 281==&lt;br /&gt;
281.01-02 &#039;&#039;&#039;die kalte Sophie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;cold wisdom&amp;quot;?  Correspondent Morten Peters gives a better explanation!:&lt;br /&gt;
&amp;quot;-the allusion may be intended by Pynchon, but originally this is just the German traditional agricolan term for the last day of the &amp;quot;eisheiligen&amp;quot;, which are normally the last days in the year that can be really cold.&amp;quot;&lt;br /&gt;
Igor Zabel also offers the following:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;The days of the three &amp;quot;ice-men&amp;quot; (May 12, 13 and 14) are followed by the day of Sophia, 15 May, called &amp;quot;the cold Sophia&amp;quot; because it is considered to be the conclusion of the cold days in May. The &amp;quot;ice-saints&amp;quot; are believed to be the end of the winter period; they represent a period when, in high spring, it can get quite cold and sometimes snow may fall. It is a dangerous time for peasants since the cold period can endanger or even destroy the harvest. In 1945, these days have passed without damaging the wine grapes. We have the same tradition in Slovenia, the popular name for the &amp;quot;kalte Sophie&amp;quot; is &amp;quot;polulana Zofka&amp;quot; which means the &amp;quot;wet&amp;quot; or &amp;quot;peed Sophy&amp;quot; (since it usually rains on that day).&amp;quot;&lt;br /&gt;
&lt;br /&gt;
281.9 &#039;&#039;&#039;the revolutionaries of May&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
Considering the unusual point of view as represented in the very first sentence(&amp;quot;We are&amp;quot;), this may be a topical reference to May 1968 and the following Big Chill. The seemingly redundant interjection &amp;quot;this year&amp;quot; in the next sentence then signifies a shift back to narrative time. In Germany the only great vintage between the period of revolts and the publication of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; belongs to the year [http://www.thewinecurators.com/vntgChart.html 1971].&lt;br /&gt;
&lt;br /&gt;
281.20 &#039;&#039;&#039;DP&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
Displaced Person&lt;br /&gt;
&lt;br /&gt;
281.35 &#039;&#039;&#039;WASPs&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
A common wartime acronym is &#039;&#039;Women Airforce Service Pilots&#039;&#039;, but the context suggests a more fitting acronym of &#039;&#039;White Anglo-Saxon Protestants&#039;&#039;.  The text here compares Herero beliefs to the beliefs of Slothrop&#039;s Protestant ancestors with their &amp;quot;buckled black&amp;quot; shoes, and views of God as present in natural phenomena. &lt;br /&gt;
&lt;br /&gt;
==Page 285==&lt;br /&gt;
&#039;&#039;&#039;285.37 Jim Fisk style&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Before his involvement with gold markets and railroads, Fisk was a Yankee peddler working the Berkshires. There are several references to him in &#039;&#039;The Berkshire Hills&#039;&#039; (though his name is misspelled &amp;quot;Fiske&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
==Page 287==&lt;br /&gt;
287.11-12 &#039;&#039;&#039;double row of shiny bright teeth hangs in the air&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Reminiscent of Alice and the Cheshire Cat:&lt;br /&gt;
:&#039;&#039;Well! I’ve often seen a cat without a grin,” thought Alice; “but a grin without a cat! It’s the most curious thing I ever saw in all my life!”&#039;&#039; [http://www.cs.cmu.edu/~rgs/alice-table.html &#039;&#039;Alice in Wonderland&#039;&#039;], Chapter 6, &amp;quot;Pig and Pepper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
287.23 &#039;&#039;&#039;P-47&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
P-47 Thunderbolt, also known as the &amp;quot;Jug,&amp;quot; was one of the main United States Army Air Forces fighters of World War II, and served with other Allied air forces as well.&lt;br /&gt;
&lt;br /&gt;
287.25-26 &#039;&#039;&#039;Project Hermes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
US Army missile program started in 1944 to develop guided missile systems; included study of captured German V-2s; General Electric (GE) ran the contract&lt;br /&gt;
&lt;br /&gt;
287.30 &#039;&#039;&#039;Kraut&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Derogatory term for German soldiers or Germans in general; derives from sauerkraut, a popular German food&lt;br /&gt;
&lt;br /&gt;
287.32 &#039;&#039;&#039;Limey&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Derogatory term for the British, originally referring to British sailors. It is believed to derive from lime juice, referring to the Royal Navy and Merchant Navy practice of supplying lime juice to British sailors to prevent scurvy.&lt;br /&gt;
&lt;br /&gt;
287.37-38 &#039;&#039;&#039;Old Blood &#039;n&#039; Guts handed Rommel&#039;s ass to him&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Refers to American General George Patton&#039;s defeat of German forces led by Field Marshal Erwin Rommel in the North Africa campaign of WWII.&lt;br /&gt;
&lt;br /&gt;
287.38-39 &#039;&#039;&#039;&#039;&#039;Ach du lieber! Mein Arsch!&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &#039;Oh my goodness! My ass!&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 289==&lt;br /&gt;
289.29-30 &#039;&#039;&#039;Lotta those &#039;&#039;fags&#039;&#039; still around, with baskets and 175 badges&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;Fags&#039;&#039; of course being slang for homosexual men; 175 badges refer to the pink triangle badges worn by suspected or known homosexuals (usually men) under the Nazi regime. They are called 175 badges because [http://www.ushmm.org/learn/students/learning-materials-and-resources/homosexuals-victims-of-the-nazi-era/paragraph-175 paragraph 175 of the German criminal code], as revised by the Nazis in 1935, made a wide range of activities between men illegal.&lt;br /&gt;
&lt;br /&gt;
==Page 290==&lt;br /&gt;
290.8 &#039;&#039;&#039;Under my linden tree&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Middle High German lyric poet [http://en.wikipedia.org/wiki/Walther_von_der_Vogelweide Walter von der Vogelweide&#039;s] (c. 1170 - c. 1230) most famous love song [http://www.planck.com/rhymedtranslations/vogelweidelinden.htm &amp;quot;Under der linden&amp;quot;], where the singer implied is another young girl.&lt;br /&gt;
&lt;br /&gt;
290.15 &#039;&#039;&#039;Geli Tripping&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Another name taken from [http://en.wikipedia.org/wiki/Gilbert_and_Sullivan Gilbert and Sullivan], this time from [http://en.wikipedia.org/wiki/H.M.S._Pinafore &#039;&#039;HMS Pinafore&#039;&#039;] (1878). When the Female Relations of Sir Joseph Porter, the First Lord of the Admiralty, board the ship, they sing, &amp;quot;Gaily tripping,/ Lightly skipping,/ Flock the maidens to the shipping.&amp;quot; ([https://www.youtube.com/watch?v=RiDsxbqV3rw Have a listen...])  The name is not without psychedelic overtones reminiscent of the [http://en.wikipedia.org/wiki/Merry_Pranksters Merry Pranksters]. [[Sir Joseph&#039;s Barge is Seen|Read the lyrics...]]&lt;br /&gt;
&lt;br /&gt;
ALSO, in Pynchon&#039;s 2025 novel &#039;&#039;Shadow Ticket&#039;&#039; we have Glow Tripforth del Vasto, &amp;quot;to trip forth&amp;quot; having basically the same meaning as &amp;quot;gaily tripping,&amp;quot; both rather archaic phrases meaning to move lightly, happily, and with a dancing or skipping step.&lt;br /&gt;
&lt;br /&gt;
290.16 &#039;&#039;&#039;A Soviet intelligence officer named Tchitcherine&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Explaining the sources for the name, Weisenburger cites Theodore von Kármán (&#039;&#039;The Wind and Beyond&#039;&#039;. Boston: Little, 1967), and David Seed (&amp;quot;Pynchon&#039;s Two Tchitcherines&amp;quot;, &#039;&#039;Pynchon Notes&#039;&#039; 5:11-12). Kármán writes the following: &lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&amp;quot;Frank Tchitcherine was of Russian origin, and in fact had been related to the first minister of education in the Kerensky government. This Tchitcherine helped convince the Germans to disclose their hiding place for literally tons on research documents pertaining to the rocket and supersonic flight.&amp;quot;&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It seems Von Kármán was wrong about both the date and the function. There was only one Chicherin on the Russian political scene at that time. Kerensky&#039;s minister of education was [http://en.wikipedia.org/wiki/Andrei_Manuilov A. A. Manuilov], who was in no position to convince the Germans about anything as the two nations were at war while the Kerensky government was in office. (In fact, German rocket research began in earnest only after 1929, when Hermann Oberth published &#039;&#039;Die Rakete zu den Planetenräumen&#039;&#039;.) On the other hand, Georgy Chicherin, an aristocrat by birth and a lover of German culture, was an ideal diplomatic partner for German foreign ministers Von Brockdorff-Rantzau, Rathenau, and Stresemann.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Vaslav&amp;quot; is obviously taken from Nijinsky&#039;s first name. There is no such Russian name as Vaslav. Originally it was Vatslav but the affricate [ts] was smoothed to [s], perhaps because it was easier for the French to pronounce.&lt;br /&gt;
&lt;br /&gt;
It&#039;s likely that the following Frank W. Tchitcherine &amp;amp;#151; the subject of the above biographical sketch &amp;amp;#151; is the source of the character&#039;s surname. The Tchitcherines were active in Westport CT social circles. It&#039;s quite possible that Pynchon was aware of him. The following is from [http://www.achilles.org/ftp/annual/2005.pdf http://www.achilles.org/ftp/annual/2005.pdf]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Frank Wirtheim Tchitcherine was born in Paris in 1907. His father, F.H. Wirtheim, had been a lion tamer, and it is tempting to conjecture that he was not entirely successful in his profession, for Frank’s mother, Clementine de Vere, a ‘performer’ subsequently remarried Prince Vladimir Titcherine. Having been duly adopted by his royal stepfather, Frank was educated at Brighton College, before studying at Corpus, Cambridge, from 1927 to 1929. As well as winning the 440y in the Varsity Match of 1929, he had also competed in the same event in 1928. He competed for Achilles in several major athletics meetings in the UK and Europe in 1929, and was part of the combined Oxford and Cambridge team which travelled to America that summer for matches against Harvard &amp;amp; Yale (he placed 2nd in the 440y on 13.7.1929) Princeton &amp;amp; Cornell, and Canadian universities. His best performance ever was 49.4 (or perhaps 49 4/5) seconds for 440y, winning for Achilles v Berliner and Deutsche Sports Clubs at Stamford Bridge on 20 May 1929 (see photo – Roger Leigh Wood was 2nd). Achilles lost track of Frank Tchitcherine, but we learn that he was based in Paris till about 1937, married an Englishwoman from Wimbledon, Sheila Ballingal, served with the US Army during the 2nd World War, described himself as a ‘self-employed consultant’ and died in Connecticut in 1984. [http://www.themagiccafe.com/forums/viewtopic.php?topic=226303&amp;amp;forum=220]&amp;lt;/blockquote&amp;gt; &lt;br /&gt;
&lt;br /&gt;
[[File:Tchitcherine.jpg|thumb|left|200px]]In October 2013, a book formerly owned both by Frank W. Tchitcherine and Hermann Goering &amp;amp;#151; &#039;&#039;Combustion Flames &amp;amp; Explosions of Gases&#039;&#039; by Lewis &amp;amp; von Elbe &amp;amp;#151; was offered for sale on eBay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
290.21 &#039;&#039;&#039;Schattensaft&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: shadow juice&lt;br /&gt;
&lt;br /&gt;
==Page 293==&lt;br /&gt;
293.15&lt;br /&gt;
&#039;&#039;&#039;I was voted the Sweetheart of 3/Art. Abt. (mot) 485&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Contrary to what Weisenburger claims in his Companion, there &#039;&#039;was&#039;&#039; such a unit. In fact, their job was launching V2s. Under the supervision on SS-Gruppenführer Kammler, Division z. V. (zur Vergeltung) was set up for launching A4 rockets [http://www.lexikon-der-wehrmacht.de/Waffen/V2.htm]. Within the Division, Artillerie-Abteilung (motorisiert) 485 was part of Gruppe Nord, together with SS-Werfer-Batterie 500. The Abteilung (batalion) was transformed into a regiment in August 1944. While launching units 1 and 2 were in the Hague area, 3/Art. Abt. (mot) 485 was stationed in Western Germany, with targets in France and Belgium.&lt;br /&gt;
&lt;br /&gt;
293.17&lt;br /&gt;
&#039;&#039;&#039;Have you been up to the Broken yet?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When asked if she were a witch, Geli makes reference to the Brocken, a mountain in northern Germany which Goethe describes in &amp;lt;i&amp;gt;Faust&amp;lt;/i&amp;gt; as the center of revelry for witches on [http://en.wikipedia.org/wiki/Walpurgis_Night Walpurgisnacht]. This may again be a reference to Pynchon’s Cornell teacher Vladimir Nabokov and his book &amp;lt;i&amp;gt;Pale Fire&amp;lt;/i&amp;gt;.  In that book Nabokov indirectly (and humorously) references the Broken when Kinbote talks of &amp;quot;an anthology of poets and a brocken of their wives&amp;quot; as a way of comparing Sybil Shade to a witch.  Interestingly, Blodgett Waxwing is mentioned again less than a page later. (See [[Pages_244-249#Page_246|246.35]] for discussion of Nabokov and &amp;quot;waxwing&amp;quot;.)&lt;br /&gt;
&lt;br /&gt;
==Page 294==&lt;br /&gt;
&#039;&#039;&#039;294.11 Ge-li, Ge-li, Ge-li&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Although often evoked by mimics, Cary Grant never actually said &amp;quot;Ju-dy, Ju-dy, Ju-dy.&amp;quot; In the 1939 film &#039;&#039;Only Angels Have Wings&#039;&#039; he did say &amp;quot;Oh, Judy&amp;quot; and &amp;quot;Yes, Judy&amp;quot; to Rita Hayworth&#039;s character, and in 1938&#039;s &#039;&#039;Bringing Up Baby&#039;&#039; he says &amp;quot;Susan, Susan, Susan&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;294.20-21 Thanx for the info, and a tip of the Scuffling hat to ya&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Slothrop copies the signoff to Jimmy Hatlo’s comic strip &amp;quot;They’ll Do It Every Time,&amp;quot; which was based on ideas from readers. These contributors were typically acknowledged with the words, &amp;quot;Thanx, and a tip of the Hatlo hat to...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_279-295&amp;diff=4219</id>
		<title>Pages 279-295</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_279-295&amp;diff=4219"/>
		<updated>2025-11-14T01:25:26Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 290 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 281==&lt;br /&gt;
281.01-02 &#039;&#039;&#039;die kalte Sophie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;cold wisdom&amp;quot;?  Correspondent Morten Peters gives a better explanation!:&lt;br /&gt;
&amp;quot;-the allusion may be intended by Pynchon, but originally this is just the German traditional agricolan term for the last day of the &amp;quot;eisheiligen&amp;quot;, which are normally the last days in the year that can be really cold.&amp;quot;&lt;br /&gt;
Igor Zabel also offers the following:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;The days of the three &amp;quot;ice-men&amp;quot; (May 12, 13 and 14) are followed by the day of Sophia, 15 May, called &amp;quot;the cold Sophia&amp;quot; because it is considered to be the conclusion of the cold days in May. The &amp;quot;ice-saints&amp;quot; are believed to be the end of the winter period; they represent a period when, in high spring, it can get quite cold and sometimes snow may fall. It is a dangerous time for peasants since the cold period can endanger or even destroy the harvest. In 1945, these days have passed without damaging the wine grapes. We have the same tradition in Slovenia, the popular name for the &amp;quot;kalte Sophie&amp;quot; is &amp;quot;polulana Zofka&amp;quot; which means the &amp;quot;wet&amp;quot; or &amp;quot;peed Sophy&amp;quot; (since it usually rains on that day).&amp;quot;&lt;br /&gt;
&lt;br /&gt;
281.9 &#039;&#039;&#039;the revolutionaries of May&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
Considering the unusual point of view as represented in the very first sentence(&amp;quot;We are&amp;quot;), this may be a topical reference to May 1968 and the following Big Chill. The seemingly redundant interjection &amp;quot;this year&amp;quot; in the next sentence then signifies a shift back to narrative time. In Germany the only great vintage between the period of revolts and the publication of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; belongs to the year [http://www.thewinecurators.com/vntgChart.html 1971].&lt;br /&gt;
&lt;br /&gt;
281.20 &#039;&#039;&#039;DP&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
Displaced Person&lt;br /&gt;
&lt;br /&gt;
281.35 &#039;&#039;&#039;WASPs&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
A common wartime acronym is &#039;&#039;Women Airforce Service Pilots&#039;&#039;, but the context suggests a more fitting acronym of &#039;&#039;White Anglo-Saxon Protestants&#039;&#039;.  The text here compares Herero beliefs to the beliefs of Slothrop&#039;s Protestant ancestors with their &amp;quot;buckled black&amp;quot; shoes, and views of God as present in natural phenomena. &lt;br /&gt;
&lt;br /&gt;
==Page 285==&lt;br /&gt;
&#039;&#039;&#039;285.37 Jim Fisk style&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Before his involvement with gold markets and railroads, Fisk was a Yankee peddler working the Berkshires. There are several references to him in &#039;&#039;The Berkshire Hills&#039;&#039; (though his name is misspelled &amp;quot;Fiske&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
==Page 287==&lt;br /&gt;
287.11-12 &#039;&#039;&#039;double row of shiny bright teeth hangs in the air&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Reminiscent of Alice and the Cheshire Cat:&lt;br /&gt;
:&#039;&#039;Well! I’ve often seen a cat without a grin,” thought Alice; “but a grin without a cat! It’s the most curious thing I ever saw in all my life!”&#039;&#039; [http://www.cs.cmu.edu/~rgs/alice-table.html &#039;&#039;Alice in Wonderland&#039;&#039;], Chapter 6, &amp;quot;Pig and Pepper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
287.23 &#039;&#039;&#039;P-47&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
P-47 Thunderbolt, also known as the &amp;quot;Jug,&amp;quot; was one of the main United States Army Air Forces fighters of World War II, and served with other Allied air forces as well.&lt;br /&gt;
&lt;br /&gt;
287.25-26 &#039;&#039;&#039;Project Hermes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
US Army missile program started in 1944 to develop guided missile systems; included study of captured German V-2s; General Electric (GE) ran the contract&lt;br /&gt;
&lt;br /&gt;
287.30 &#039;&#039;&#039;Kraut&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Derogatory term for German soldiers or Germans in general; derives from sauerkraut, a popular German food&lt;br /&gt;
&lt;br /&gt;
287.32 &#039;&#039;&#039;Limey&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Derogatory term for the British, originally referring to British sailors. It is believed to derive from lime juice, referring to the Royal Navy and Merchant Navy practice of supplying lime juice to British sailors to prevent scurvy.&lt;br /&gt;
&lt;br /&gt;
287.37-38 &#039;&#039;&#039;Old Blood &#039;n&#039; Guts handed Rommel&#039;s ass to him&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Refers to American General George Patton&#039;s defeat of German forces led by Field Marshal Erwin Rommel in the North Africa campaign of WWII.&lt;br /&gt;
&lt;br /&gt;
287.38-39 &#039;&#039;&#039;&#039;&#039;Ach du lieber! Mein Arsch!&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &#039;Oh my goodness! My ass!&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 289==&lt;br /&gt;
289.29-30 &#039;&#039;&#039;Lotta those &#039;&#039;fags&#039;&#039; still around, with baskets and 175 badges&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;Fags&#039;&#039; of course being slang for homosexual men; 175 badges refer to the pink triangle badges worn by suspected or known homosexuals (usually men) under the Nazi regime. They are called 175 badges because [http://www.ushmm.org/learn/students/learning-materials-and-resources/homosexuals-victims-of-the-nazi-era/paragraph-175 paragraph 175 of the German criminal code], as revised by the Nazis in 1935, made a wide range of activities between men illegal.&lt;br /&gt;
&lt;br /&gt;
==Page 290==&lt;br /&gt;
290.8 &#039;&#039;&#039;Under my linden tree&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Middle High German lyric poet [http://en.wikipedia.org/wiki/Walther_von_der_Vogelweide Walter von der Vogelweide&#039;s] (c. 1170 - c. 1230) most famous love song [http://www.planck.com/rhymedtranslations/vogelweidelinden.htm &amp;quot;Under der linden&amp;quot;], where the singer implied is another young girl.&lt;br /&gt;
&lt;br /&gt;
290.15 &#039;&#039;&#039;Geli Tripping&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Another name taken from [http://en.wikipedia.org/wiki/Gilbert_and_Sullivan Gilbert and Sullivan], this time from [http://en.wikipedia.org/wiki/H.M.S._Pinafore &#039;&#039;HMS Pinafore&#039;&#039;] (1878). When the Female Relations of Sir Joseph Porter, the First Lord of the Admiralty, board the ship, they sing, &amp;quot;Gaily tripping,/ Lightly skipping,/ Flock the maidens to the shipping.&amp;quot; ([https://www.youtube.com/watch?v=RiDsxbqV3rw Have a listen...])  The name is not without psychedelic overtones reminiscent of the [http://en.wikipedia.org/wiki/Merry_Pranksters Merry Pranksters]. [[Sir Joseph&#039;s Barge is Seen|Read the lyrics...]]&lt;br /&gt;
&lt;br /&gt;
290.16 &#039;&#039;&#039;A Soviet intelligence officer named Tchitcherine&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Explaining the sources for the name, Weisenburger cites Theodore von Kármán (&#039;&#039;The Wind and Beyond&#039;&#039;. Boston: Little, 1967), and David Seed (&amp;quot;Pynchon&#039;s Two Tchitcherines&amp;quot;, &#039;&#039;Pynchon Notes&#039;&#039; 5:11-12). Kármán writes the following: &lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&amp;quot;Frank Tchitcherine was of Russian origin, and in fact had been related to the first minister of education in the Kerensky government. This Tchitcherine helped convince the Germans to disclose their hiding place for literally tons on research documents pertaining to the rocket and supersonic flight.&amp;quot;&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It seems Von Kármán was wrong about both the date and the function. There was only one Chicherin on the Russian political scene at that time. Kerensky&#039;s minister of education was [http://en.wikipedia.org/wiki/Andrei_Manuilov A. A. Manuilov], who was in no position to convince the Germans about anything as the two nations were at war while the Kerensky government was in office. (In fact, German rocket research began in earnest only after 1929, when Hermann Oberth published &#039;&#039;Die Rakete zu den Planetenräumen&#039;&#039;.) On the other hand, Georgy Chicherin, an aristocrat by birth and a lover of German culture, was an ideal diplomatic partner for German foreign ministers Von Brockdorff-Rantzau, Rathenau, and Stresemann.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Vaslav&amp;quot; is obviously taken from Nijinsky&#039;s first name. There is no such Russian name as Vaslav. Originally it was Vatslav but the affricate [ts] was smoothed to [s], perhaps because it was easier for the French to pronounce.&lt;br /&gt;
&lt;br /&gt;
It&#039;s likely that the following Frank W. Tchitcherine &amp;amp;#151; the subject of the above biographical sketch &amp;amp;#151; is the source of the character&#039;s surname. The Tchitcherines were active in Westport CT social circles. It&#039;s quite possible that Pynchon was aware of him. The following is from [http://www.achilles.org/ftp/annual/2005.pdf http://www.achilles.org/ftp/annual/2005.pdf]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Frank Wirtheim Tchitcherine was born in Paris in 1907. His father, F.H. Wirtheim, had been a lion tamer, and it is tempting to conjecture that he was not entirely successful in his profession, for Frank’s mother, Clementine de Vere, a ‘performer’ subsequently remarried Prince Vladimir Titcherine. Having been duly adopted by his royal stepfather, Frank was educated at Brighton College, before studying at Corpus, Cambridge, from 1927 to 1929. As well as winning the 440y in the Varsity Match of 1929, he had also competed in the same event in 1928. He competed for Achilles in several major athletics meetings in the UK and Europe in 1929, and was part of the combined Oxford and Cambridge team which travelled to America that summer for matches against Harvard &amp;amp; Yale (he placed 2nd in the 440y on 13.7.1929) Princeton &amp;amp; Cornell, and Canadian universities. His best performance ever was 49.4 (or perhaps 49 4/5) seconds for 440y, winning for Achilles v Berliner and Deutsche Sports Clubs at Stamford Bridge on 20 May 1929 (see photo – Roger Leigh Wood was 2nd). Achilles lost track of Frank Tchitcherine, but we learn that he was based in Paris till about 1937, married an Englishwoman from Wimbledon, Sheila Ballingal, served with the US Army during the 2nd World War, described himself as a ‘self-employed consultant’ and died in Connecticut in 1984. [http://www.themagiccafe.com/forums/viewtopic.php?topic=226303&amp;amp;forum=220]&amp;lt;/blockquote&amp;gt; &lt;br /&gt;
&lt;br /&gt;
[[File:Tchitcherine.jpg|thumb|left|200px]]In October 2013, a book formerly owned both by Frank W. Tchitcherine and Hermann Goering &amp;amp;#151; &#039;&#039;Combustion Flames &amp;amp; Explosions of Gases&#039;&#039; by Lewis &amp;amp; von Elbe &amp;amp;#151; was offered for sale on eBay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
290.21 &#039;&#039;&#039;Schattensaft&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: shadow juice&lt;br /&gt;
&lt;br /&gt;
==Page 293==&lt;br /&gt;
293.15&lt;br /&gt;
&#039;&#039;&#039;I was voted the Sweetheart of 3/Art. Abt. (mot) 485&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Contrary to what Weisenburger claims in his Companion, there &#039;&#039;was&#039;&#039; such a unit. In fact, their job was launching V2s. Under the supervision on SS-Gruppenführer Kammler, Division z. V. (zur Vergeltung) was set up for launching A4 rockets [http://www.lexikon-der-wehrmacht.de/Waffen/V2.htm]. Within the Division, Artillerie-Abteilung (motorisiert) 485 was part of Gruppe Nord, together with SS-Werfer-Batterie 500. The Abteilung (batalion) was transformed into a regiment in August 1944. While launching units 1 and 2 were in the Hague area, 3/Art. Abt. (mot) 485 was stationed in Western Germany, with targets in France and Belgium.&lt;br /&gt;
&lt;br /&gt;
293.17&lt;br /&gt;
&#039;&#039;&#039;Have you been up to the Broken yet?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When asked if she were a witch, Geli makes reference to the Brocken, a mountain in northern Germany which Goethe describes in &amp;lt;i&amp;gt;Faust&amp;lt;/i&amp;gt; as the center of revelry for witches on [http://en.wikipedia.org/wiki/Walpurgis_Night Walpurgisnacht]. This may again be a reference to Pynchon’s Cornell teacher Vladimir Nabokov and his book &amp;lt;i&amp;gt;Pale Fire&amp;lt;/i&amp;gt;.  In that book Nabokov indirectly (and humorously) references the Broken when Kinbote talks of &amp;quot;an anthology of poets and a brocken of their wives&amp;quot; as a way of comparing Sybil Shade to a witch.  Interestingly, Blodgett Waxwing is mentioned again less than a page later. (See [[Pages_244-249#Page_246|246.35]] for discussion of Nabokov and &amp;quot;waxwing&amp;quot;.)&lt;br /&gt;
&lt;br /&gt;
==Page 294==&lt;br /&gt;
&#039;&#039;&#039;294.11 Ge-li, Ge-li, Ge-li&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Although often evoked by mimics, Cary Grant never actually said &amp;quot;Ju-dy, Ju-dy, Ju-dy.&amp;quot; In the 1939 film &#039;&#039;Only Angels Have Wings&#039;&#039; he did say &amp;quot;Oh, Judy&amp;quot; and &amp;quot;Yes, Judy&amp;quot; to Rita Hayworth&#039;s character, and in 1938&#039;s &#039;&#039;Bringing Up Baby&#039;&#039; he says &amp;quot;Susan, Susan, Susan&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;294.20-21 Thanx for the info, and a tip of the Scuffling hat to ya&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Slothrop copies the signoff to Jimmy Hatlo’s comic strip &amp;quot;They’ll Do It Every Time,&amp;quot; which was based on ideas from readers. These contributors were typically acknowledged with the words, &amp;quot;Thanx, and a tip of the Hatlo hat to...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pynchon_Newbies&amp;diff=4218</id>
		<title>Pynchon Newbies</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pynchon_Newbies&amp;diff=4218"/>
		<updated>2025-10-20T20:59:51Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: Protected &amp;quot;Pynchon Newbies&amp;quot; ([Edit=Allow only administrators] (indefinite) [Move=Allow only administrators] (indefinite))&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{raw:pwiki:Pynchon Newbies}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Template:GR_Alpha_Nav&amp;diff=4217</id>
		<title>Template:GR Alpha Nav</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Template:GR_Alpha_Nav&amp;diff=4217"/>
		<updated>2025-10-20T20:59:36Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: Protected &amp;quot;Template:GR Alpha Nav&amp;quot; ([Edit=Allow only administrators] (indefinite) [Move=Allow only administrators] (indefinite))&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div style=&amp;quot;border-bottom:1px solid #933; color:#900; font-weight:bold; font-size:15px; margin-top:1.5em&amp;quot;&amp;gt;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alpha Guide&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div style=&amp;quot;letter-spacing:4px; font-size:15px&amp;quot;&amp;gt;[[A]]&amp;amp;#183;[[B]]&amp;amp;#183;[[C]]&amp;amp;#183;[[D]]&amp;amp;#183;[[E]]&amp;amp;#183;[[F]]&amp;amp;#183;[[G]]&amp;amp;#183;[[H]]&amp;amp;#183;[[I]]&amp;amp;#183;[[J]]&amp;amp;#183;[[K]]&amp;amp;#183;[[L]]&amp;amp;#183;[[M]]&amp;amp;#183;[[N]]&amp;amp;#183;[[O]]&amp;amp;#183;[[P]]&amp;amp;#183;[[Q]]&amp;amp;#183;[[R]]&amp;amp;#183;[[S]]&amp;amp;#183;[[T]]&amp;amp;#183;[[U]]&amp;amp;#183;[[V]]&amp;amp;#183;[[W]]&amp;amp;#183;[[XYZ]]  &amp;lt;span style=&amp;quot;letter-spacing:0; font-size:10px&amp;quot;&amp;gt;[[#top|top of page]]&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4216</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4216"/>
		<updated>2025-10-16T21:33:16Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: Protected &amp;quot;Main Page&amp;quot;: Home Page is too prominent ([Edit=Allow only administrators] (indefinite) [Move=Allow only administrators] (indefinite))&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- [http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in touch!&#039;&#039;&#039;] --&amp;gt;&lt;br /&gt;
If you wish to contact us or suggest edits, [https://thomaspynchon.com/contact/ &#039;&#039;&#039;use this Contact page.&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Purchase &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;:&amp;lt;br /&amp;gt; [https://amzn.to/40Gjhvs Paperback] | [https://amzn.to/4eGT99Q Hardcover]&lt;br /&gt;
*[https://www.ebay.com/sch/i.html?_nkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Search EBay for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the &#039;&#039;&#039;50th anniversary of its publication&#039;&#039;&#039;. [https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/ Check it out!]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word): Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://walkerart.org/collections/artworks/pictures-of-what-happens-on-each-page-of-thomas-pynchon-s-novel-gravity-s-rainbow Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [https://mentalsundries.wordpress.com/wp-content/uploads/2013/04/chaos-and-the-psychological-symbolism-of-the-tarot.pdf &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[https://pynchonnotes.openlibhums.org/ &#039;&#039;&#039;The legendary &#039;&#039;Pynchon Notes - Collected!&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4215</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=4215"/>
		<updated>2025-10-08T03:19:56Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://shadowticket.pynchonwiki.com/wiki/index.php?title=Main_Page|Shadow Ticket&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4214</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4214"/>
		<updated>2025-07-27T22:16:15Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: New contact link&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- [http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in touch!&#039;&#039;&#039;] --&amp;gt;&lt;br /&gt;
If you wish to contact us or suggest edits, [https://thomaspynchon.com/contact/ &#039;&#039;&#039;use this Contact page.&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Purchase &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;:&amp;lt;br /&amp;gt; [https://amzn.to/40Gjhvs Paperback] | [https://amzn.to/4eGT99Q Hardcover]&lt;br /&gt;
*[https://www.ebay.com/sch/i.html?_nkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Search EBay for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the &#039;&#039;&#039;50th anniversary of its publication&#039;&#039;&#039;. [https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/ Check it out!]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word): Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://walkerart.org/collections/artworks/pictures-of-what-happens-on-each-page-of-thomas-pynchon-s-novel-gravity-s-rainbow Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [https://mentalsundries.wordpress.com/wp-content/uploads/2013/04/chaos-and-the-psychological-symbolism-of-the-tarot.pdf &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[https://pynchonnotes.openlibhums.org/ &#039;&#039;&#039;The legendary &#039;&#039;Pynchon Notes - Collected!&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Weisenburger%27s_Companion,_2nd_Edition&amp;diff=4213</id>
		<title>Weisenburger&#039;s Companion, 2nd Edition</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Weisenburger%27s_Companion,_2nd_Edition&amp;diff=4213"/>
		<updated>2025-07-09T17:42:25Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Pleasures of the Text in the Information Age==&lt;br /&gt;
by Donald F. Larrson&lt;br /&gt;
&lt;br /&gt;
Before the 1973 publication of &#039;&#039;Gravity’s Rainbow&#039;&#039;, it was already clear from &#039;&#039;V.&#039;&#039; and &#039;&#039;The Crying of Lot 49&#039;&#039; that Thomas Pynchon required an unusual range of erudition (or at least the will to such erudition) from his readers.  Botticelli’s Birth of Venus, the premiere of Stravinsky’s &#039;&#039;Rite of Spring&#039;&#039;, Wittgenstein’s &#039;&#039;Tractatus&#039;&#039;, Jacobean revenge tragedies, the Fashoda crisis, the Herero uprising, bebop jazz, Hanna-Barbera cartoons, Henry Adams and Robert Graves, electrical circuitry, entropy and Maxwell’s Demon, philately and postal history—no frame of reference would be out of bounds.  With the narrative complexity and sheer length of &#039;&#039;Gravity’s Rainbow&#039;&#039;, those frames of reference proliferated exponentially, yet something larger than allusion alone seemed to be at stake here.  James Joyce had claimed that the “enigmas and puzzles” of &#039;&#039;Ulysses&#039;&#039; “would keep the professors busy for centuries arguing over what I meant,” but &#039;&#039;Gravity’s Rainbow&#039;&#039; for all the enigmatic quality of its narrative is not a puzzle begging a solution.  To read the text is not just to be drawn into its carefully detailed Zone of post-war Europe, a concatenation of the grimmest realities and the most outlandish fantasies; the novel’s references simultaneously expel us back into the emerging Rocket City of our own destructive present.  Professors or not, we are almost forced to become researchers, veering between the poles of paranoia and anti-paranoia, the twin certainties that everything in both the text and the world is connected and that nothing is connected, looking for, perhaps fearing, confirmation in an image, a context or a quote.  &lt;br /&gt;
&lt;br /&gt;
Thus, fifteen years later, Pynchon’s readers—not all of them professors, to be sure—were delighted to see Steven Weisenburger take up the challenge of the book’s allusiveness in &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;.  Weisenburger managed to gloss definitions and unpack textual and historical sources, while providing synopses of the main events in each of the book’s episodes, handy enough for a first-time reader.  But Weisenburger went even farther, noting that these definitions and sources reveal that the novel’s four sections each coincide with key events in the Christian liturgical calendar; moreover, Weisenburger contended, these four sections form a mandala, symbolic of a redeeming wholeness.  As Weisenburger puts it, while the rainbow of the rocket’s path is an arch that ends in destruction, “the shape of Gravity’s Rainbow is circular” &amp;lt;ref&amp;gt;Weisenburger, Steven.  &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;, 1st ed.  Athens, GA: University of Georgia Press, 1988, Introduction, p.11&amp;lt;/ref&amp;gt;..  Still, Weisenburger admits, “The narrative approaches, but avoids, closure” &amp;lt;ref&amp;gt;Ibid, p.11&amp;lt;/ref&amp;gt;, a point seized on by N. Katherine Hayles in her review of the &#039;&#039;Companion&#039;&#039;’s first edition for [https://pynchonnotes.openlibhums.org/ Pynchon Notes].  The “narrative’s frequent spinoffs into other times and places,” Hayles argues, make this “indistinct mandala . . . a figure that can barely be discerned through extensive smearing and stretching [rather] than a sharply drawn structure” &amp;lt;ref&amp;gt;Hayles, N. Katherine. &amp;quot;Fractured Mandala: The Inescapable Ambiguities of &#039;&#039;Gravity’s Rainbow&#039;&#039;,&amp;quot; &#039;&#039;Pynchon Notes&#039;&#039; 24-25 (1989), p. 131&amp;lt;/ref&amp;gt;, even though, she concludes, the book “succeeds even when it fails . . . better at stimulating discussion than foreclosing inquiry” &amp;lt;ref&amp;gt;Ibid, p. 132&amp;lt;/ref&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
Inquiry, of course, was not foreclosed.  Over the last two decades, readers have advanced new questions, discovered additional sources, and proposed new hypotheses for references that &#039;&#039;Companion&#039;&#039; had not dealt with, had not covered fully, or had gotten just plain wrong.  And here I must confess that I was one of those readers, spurred to delve into the library stacks at first to clear up certain matters, mostly to do with film and popular culture, which I posted to Steven Weisenburger.  Later, I had the chutzpah to put this (and further) information up on a web site, [https://web.archive.org/web/20131104190300/http://english2.mnsu.edu/larsson/grnotes.html “A Companion’s Companion: Illustrated Additions and Corrections to Steven Weisenburger’s A &#039;&#039;Gravity’s Rainbow&#039;&#039; Companion”], which in turn prompted readers to contact me with additional corrections, questions, sources and hypotheses.  So, I admit that I (and, by extension, my own contributors) am flattered to have been cited several times by Weisenburger in the long-awaited second edition, revised and expanded, of the &#039;&#039;Companion&#039;&#039;.   &lt;br /&gt;
&lt;br /&gt;
This new edition is some seventy pages longer than the original, with additions and corrections that lend greater clarity to Pynchon’s sources and allusions, now keyed to the year 2000 Penguin edition of the novel as well as the original Viking and Bantam editions.  New source material used by Pynchon is revealed, there are eight pages of maps and illustrations, and some of the novel’s most perplexing mysteries are answered, among them [[K#kenoshakid|the reference to the Kenosha Kid]] and the [[Von_Braun%27s_Epigram|source of the epigram from Wernher von Braun for Part 1: Beyond the Zero]].  Although Weisenburger finds even more reason to trust his previous argument for &#039;&#039;Gravity’s Rainbow&#039;&#039;’s circular design, he has also taken account of the criticisms raised by Bernard Duyfuizen and others regarding specific time references in the novel that turn out to be “loose and much more impressionistic than one might expect from the narrative’s concision elsewhere” &amp;lt;ref&amp;gt;Weisenburger.  &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;.  2nd ed.  Athens, GA: University of Georgia Press, 2006&amp;lt;/ref&amp;gt;, appropriate, he admits, to “a fiction that so accents fantasies and dreamscapes, as well as historical events shrouded and nimbused by uncertainty, haunted by ghosts” &amp;lt;ref&amp;gt;Ibid, p.12&amp;lt;/ref&amp;gt;.  Katherine Hayles’ claim that Weisenburger’s first edition was “a book that no serious Pynchon scholar can afford to neglect” &amp;lt;ref&amp;gt;Hayles, K., p. 129&amp;lt;/ref&amp;gt; holds even truer for this edition—true too, I would argue, for any reader willing to plumb the novel’s depths.&lt;br /&gt;
&lt;br /&gt;
And yet . . . The appearance of this new edition in the year 2006 poses two sets of issues for the reader, one practical and one more theoretical.  First, despite the careful attention to detail of Weisenburger and his contributors, we all (myself included) managed to miss certain errors of fact in the first edition that persist into the second.  For example (all references are keyed to the Viking edition pages of &#039;&#039;Gravity’s Rainbow&#039;&#039; that come first in both editions of the &#039;&#039;Companion&#039;&#039;), Rigoletto and La Boheme are both termed “comic” operas (V132.20-21); the first name of César Flebotomo is traced to a non-existent origin as “the Etruscan/Latin title for a dictator” (V184.33); “Electric Charlie” Wilson, past President of General Electric and government official, is confused with Charles Coffin, GE’s founder; and the misprint reference to “Dr. Stanley Livingstone” (V624.18) still stands, as does the reference to Thor’s hammer as “Mullicrusher” (V709.39).  An overreliance on Baedeker for place references misses Zurich’s Gemusebrucke (“Gemüse-Brücke” in GR, V261.29), aka “Rathausbrücke” in the city’s market district.  The town of Wismar is still placed 15 miles southeast of Rostock (V567.33), when it is actually about 30 miles southwest.  The entry on Todd Browning’s &#039;&#039;Freaks&#039;&#039; (V534.11) still gets the ending wrong.  And there is still the questionable relevance of Weisenburger’s citation (V588.5) of a misprinted photo of Wernher von Braun in the Avon paperback edition of Ishmael Reed’s &#039;&#039;Mumbo-Jumbo&#039;&#039; when the photo was printed correctly in the original Bantam paperback edition.  U.s.w.  &lt;br /&gt;
&lt;br /&gt;
Some emendations and corrections in the new &#039;&#039;Companion&#039;&#039; create a few new errors.  A gloss on the astrological sign of Taurus (V152.16) defines the word correctly as “bull,” but adds “Hence also ‘Minotaur,’ the [tautological] Bull of Taurus.”  The entry on Lawrence of Arabia (V201.15) is somewhat more accurate than in the first edition, but still refers to Lawrence as leading “Turkish insurgents,” an appellation likely to be rejected by those Arabs who fought with Lawrence against Turkish Ottoman control.  A note on the Rex Theatre in Antwerp (V546.24-25) refers to William Wellman co-starring in &#039;&#039;Buffalo Bill&#039;&#039;, the film that Wellman actually directed and that starred Joel McCrea.  While Weisenburger correctly notes the origin of Spaniols (actually a regional variant of Ladino-speaking populations) in Jews expelled from Spain (V549.21-32), he refers to the latter as “Ashkenazik Jews” when they are actually Sephardic.  U.s.w.&lt;br /&gt;
&lt;br /&gt;
Despite such slips, the &#039;&#039;Companion&#039;&#039; is still invaluable to Pynchon’s readers for the many more entries that it gets right, for the access to cross-referencing that such a book can provide, and for the narrative and symbolic contexts that Weisenburger assigns for these many references.  Yet the errors also point to the larger theoretical questions surrounding such a project as &#039;&#039;A Gravity’s Rainbow Companion&#039;&#039; or any similar work of literary scholarship in the Internet Age.  If in less than a day, with only [https://www.google.com Google] at my fingertips, I could confirm the errors cited above, then couldn’t a research assistant or a University of Georgia Press fact-checker have done the same?  And, for that matter, can’t any reader do the same?  How many of us have stared at the yet-unopened mass of [https://against-the-day.pynchonwiki.com/wiki/ &#039;&#039;Against the Day&#039;&#039;], wondering whether to commit to one, long read-through or to risk the potentially endless distraction of keying in each reference as we read, unpacking contexts as we pack in the text while discovering new labyrinths to wander in?  And what happens to the notion of scholarly authority, the apparatus of peer review, and the place of publication in the routinization of academic labor when “amateurs” (whose name and work are rooted in “love”) have the potential to get the first word and the last laugh on the arguing professors?  Even as I write (for publication perhaps a year or more hence), Tim Ware, “curator” of [https://thomaspynchon.com ThomasPynchon.com] (originally the HyperArts Pynchon Pages) has established a [https://pynchonwiki.com Pynchon Wiki] for each of Pynchon’s novels (and more), a sort of electronic Tristero system that depends on a literary collectivity operating within, alongside, and yet separate from traditional scholarship.  &lt;br /&gt;
&lt;br /&gt;
But to what end?  There is a somewhat mindless pleasure to be had in discovering a postcard of Fred Roper and His Wonderful Midgets, but does it serve any purpose?  Are we all just newer versions of Oedipa Maas at Berkeley, “whiz[zes] at pursuing strange words” (&#039;&#039;Lot 49&#039;&#039;, 76) but not much else?  Perhaps not, for if, as I have suggested, Pynchon’s referentiality propels us from the page back into the world by necessity, then the Internet offers the chance of a parallel world wherein we may find each other.  And even works such as &#039;&#039;A Gravity’s Rainbow Companion&#039;&#039; may still direct us to new paths of understanding that go beyond mere allusion.  But as reader-scholars, we must choose which path to take.  With such aids, &#039;&#039;Gravity’s Rainbow&#039;&#039; (or any book) can be “a Text, to be picked to pieces, annotated, explicated, and masturbated till it’s all squeezed limp of its last drop” (V520), or it can be ours “to permute and combine into new revelations, always unfolding” (V727).  Which—as Pynchon might ask—do you want it to be?&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Weisenburger%27s_Companion,_2nd_Edition&amp;diff=4212</id>
		<title>Weisenburger&#039;s Companion, 2nd Edition</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Weisenburger%27s_Companion,_2nd_Edition&amp;diff=4212"/>
		<updated>2025-07-09T17:40:59Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Pleasures of the Text in the Information Age==&lt;br /&gt;
by Donald F. Larrson&lt;br /&gt;
&lt;br /&gt;
Before the 1973 publication of &#039;&#039;Gravity’s Rainbow&#039;&#039;, it was already clear from &#039;&#039;V.&#039;&#039; and &#039;&#039;The Crying of Lot 49&#039;&#039; that Thomas Pynchon required an unusual range of erudition (or at least the will to such erudition) from his readers.  Botticelli’s Birth of Venus, the premiere of Stravinsky’s &#039;&#039;Rite of Spring&#039;&#039;, Wittgenstein’s &#039;&#039;Tractatus&#039;&#039;, Jacobean revenge tragedies, the Fashoda crisis, the Herero uprising, bebop jazz, Hanna-Barbera cartoons, Henry Adams and Robert Graves, electrical circuitry, entropy and Maxwell’s Demon, philately and postal history—no frame of reference would be out of bounds.  With the narrative complexity and sheer length of &#039;&#039;Gravity’s Rainbow&#039;&#039;, those frames of reference proliferated exponentially, yet something larger than allusion alone seemed to be at stake here.  James Joyce had claimed that the “enigmas and puzzles” of &#039;&#039;Ulysses&#039;&#039; “would keep the professors busy for centuries arguing over what I meant,” but &#039;&#039;Gravity’s Rainbow&#039;&#039; for all the enigmatic quality of its narrative is not a puzzle begging a solution.  To read the text is not just to be drawn into its carefully detailed Zone of post-war Europe, a concatenation of the grimmest realities and the most outlandish fantasies; the novel’s references simultaneously expel us back into the emerging Rocket City of our own destructive present.  Professors or not, we are almost forced to become researchers, veering between the poles of paranoia and anti-paranoia, the twin certainties that everything in both the text and the world is connected and that nothing is connected, looking for, perhaps fearing, confirmation in an image, a context or a quote.  &lt;br /&gt;
&lt;br /&gt;
Thus, fifteen years later, Pynchon’s readers—not all of them professors, to be sure—were delighted to see Steven Weisenburger take up the challenge of the book’s allusiveness in &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;.  Weisenburger managed to gloss definitions and unpack textual and historical sources, while providing synopses of the main events in each of the book’s episodes, handy enough for a first-time reader.  But Weisenburger went even farther, noting that these definitions and sources reveal that the novel’s four sections each coincide with key events in the Christian liturgical calendar; moreover, Weisenburger contended, these four sections form a mandala, symbolic of a redeeming wholeness.  As Weisenburger puts it, while the rainbow of the rocket’s path is an arch that ends in destruction, “the shape of Gravity’s Rainbow is circular” &amp;lt;ref&amp;gt;Weisenburger, Steven.  &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;, 1st ed.  Athens, GA: University of Georgia Press, 1988, Introduction, p.11&amp;lt;/ref&amp;gt;..  Still, Weisenburger admits, “The narrative approaches, but avoids, closure” &amp;lt;ref&amp;gt;Ibid, p.11&amp;lt;/ref&amp;gt;, a point seized on by N. Katherine Hayles in her review of the &#039;&#039;Companion&#039;&#039;’s first edition for [https://pynchonnotes.openlibhums.org/ Pynchon Notes].  The “narrative’s frequent spinoffs into other times and places,” Hayles argues, make this “indistinct mandala . . . a figure that can barely be discerned through extensive smearing and stretching [rather] than a sharply drawn structure” &amp;lt;ref&amp;gt;Hayles, N. Katherine. &amp;quot;Fractured Mandala: The Inescapable Ambiguities of &#039;&#039;Gravity’s Rainbow&#039;&#039;,&amp;quot; &#039;&#039;Pynchon Notes&#039;&#039; 24-25 (1989), p. 131&amp;lt;/ref&amp;gt;, even though, she concludes, the book “succeeds even when it fails . . . better at stimulating discussion than foreclosing inquiry” &amp;lt;ref&amp;gt;Ibid, p. 132&amp;lt;/ref&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
Inquiry, of course, was not foreclosed.  Over the last two decades, readers have advanced new questions, discovered additional sources, and proposed new hypotheses for references that &#039;&#039;Companion&#039;&#039; had not dealt with, had not covered fully, or had gotten just plain wrong.  And here I must confess that I was one of those readers, spurred to delve into the library stacks at first to clear up certain matters, mostly to do with film and popular culture, which I posted to Steven Weisenburger.  Later, I had the chutzpah to put this (and further) information up on a web site, [https://web.archive.org/web/20131104190300/http://english2.mnsu.edu/larsson/grnotes.html “A Companion’s Companion: Illustrated Additions and Corrections to Steven Weisenburger’s A &#039;&#039;Gravity’s Rainbow&#039;&#039; Companion”], which in turn prompted readers to contact me with additional corrections, questions, sources and hypotheses.  So, I admit that I (and, by extension, my own contributors) am flattered to have been cited several times by Weisenburger in the long-awaited second edition, revised and expanded, of the &#039;&#039;Companion&#039;&#039;.   &lt;br /&gt;
&lt;br /&gt;
This new edition is some seventy pages longer than the original, with additions and corrections that lend greater clarity to Pynchon’s sources and allusions, now keyed to the year 2000 Penguin edition of the novel as well as the original Viking and Bantam editions.  New source material used by Pynchon is revealed, there are eight pages of maps and illustrations, and some of the novel’s most perplexing mysteries are answered, among them [[K#kenoshakid|the reference to the Kenosha Kid]] and the [[Von_Braun%27s_Epigram|source of the epigram from Wernher von Braun for Part 1: Beyond the Zero]].  Although Weisenburger finds even more reason to trust his previous argument for &#039;&#039;Gravity’s Rainbow&#039;&#039;’s circular design, he has also taken account of the criticisms raised by Bernard Duyfuizen and others regarding specific time references in the novel that turn out to be “loose and much more impressionistic than one might expect from the narrative’s concision elsewhere” &amp;lt;ref&amp;gt;Weisenburger.  &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;.  2nd ed.  Athens, GA: University of Georgia Press, 2006&amp;lt;/ref&amp;gt;, appropriate, he admits, to “a fiction that so accents fantasies and dreamscapes, as well as historical events shrouded and nimbused by uncertainty, haunted by ghosts” &amp;lt;ref&amp;gt;Ibid, p.12&amp;lt;/ref&amp;gt;.  Katherine Hayles’ claim that Weisenburger’s first edition was “a book that no serious Pynchon scholar can afford to neglect” &amp;lt;ref&amp;gt;Hayles, K., p. 129&amp;lt;/ref&amp;gt; holds even truer for this edition—true too, I would argue, for any reader willing to plumb the novel’s depths.&lt;br /&gt;
&lt;br /&gt;
And yet . . . The appearance of this new edition in the year 2006 poses two sets of issues for the reader, one practical and one more theoretical.  First, despite the careful attention to detail of Weisenburger and his contributors, we all (myself included) managed to miss certain errors of fact in the first edition that persist into the second.  For example (all references are keyed to the Viking edition pages of &#039;&#039;Gravity’s Rainbow&#039;&#039; that come first in both editions of the &#039;&#039;Companion&#039;&#039;), Rigoletto and La Boheme are both termed “comic” operas (V132.20-21); the first name of César Flebotomo is traced to a non-existent origin as “the Etruscan/Latin title for a dictator” (V184.33); “Electric Charlie” Wilson, past President of General Electric and government official, is confused with Charles Coffin, GE’s founder; and the misprint reference to “Dr. Stanley Livingstone” (V624.18) still stands, as does the reference to Thor’s hammer as “Mullicrusher” (V709.39).  An overreliance on Baedeker for place references misses Zurich’s Gemusebrucke (“Gemüse-Brücke” in GR, V261.29), aka “Rathausbrücke” in the city’s market district.  The town of Wismar is still placed 15 miles southeast of Rostock (V567.33), when it is actually about 30 miles southwest.  The entry on Todd Browning’s &#039;&#039;Freaks&#039;&#039; (V534.11) still gets the ending wrong.  And there is still the questionable relevance of Weisenburger’s citation (V588.5) of a misprinted photo of Wernher von Braun in the Avon paperback edition of Ishmael Reed’s &#039;&#039;Mumbo-Jumbo&#039;&#039; when the photo was printed correctly in the original Bantam paperback edition.  U.s.w.  &lt;br /&gt;
&lt;br /&gt;
Some emendations and corrections in the new &#039;&#039;Companion&#039;&#039; create a few new errors.  A gloss on the astrological sign of Taurus (V152.16) defines the word correctly as “bull,” but adds “Hence also ‘Minotaur,’ the [tautological] Bull of Taurus.”  The entry on Lawrence of Arabia (V201.15) is somewhat more accurate than in the first edition, but still refers to Lawrence as leading “Turkish insurgents,” an appellation likely to be rejected by those Arabs who fought with Lawrence against Turkish Ottoman control.  A note on the Rex Theatre in Antwerp (V546.24-25) refers to William Wellman co-starring in &#039;&#039;Buffalo Bill&#039;&#039;, the film that Wellman actually directed and that starred Joel McCrea.  While Weisenburger correctly notes the origin of Spaniols (actually a regional variant of Ladino-speaking populations) in Jews expelled from Spain (V549.21-32), he refers to the latter as “Ashkenazik Jews” when they are actually Sephardic.  U.s.w.&lt;br /&gt;
&lt;br /&gt;
Despite such slips, the &#039;&#039;Companion&#039;&#039; is still invaluable to Pynchon’s readers for the many more entries that it gets right, for the access to cross-referencing that such a book can provide, and for the narrative and symbolic contexts that Weisenburger assigns for these many references.  Yet the errors also point to the larger theoretical questions surrounding such a project as &#039;&#039;A Gravity’s Rainbow Companion&#039;&#039; or any similar work of literary scholarship in the Internet Age.  If in less than a day, with only [https://www.google.com Google] at my fingertips, I could confirm the errors cited above, then couldn’t a research assistant or a University of Georgia Press fact-checker have done the same?  And, for that matter, can’t any reader do the same?  How many of us have stared at the yet-unopened mass of [https://against-the-day.pynchonwiki.com/wiki/ &#039;&#039;Against the Day&#039;&#039;], wondering whether to commit to one, long read-through or to risk the potentially endless distraction of keying in each reference as we read, unpacking contexts as we pack in the text while discovering new labyrinths to wander in?  And what happens to the notion of scholarly authority, the apparatus of peer review, and the place of publication in the routinization of academic labor when “amateurs” (whose name and work are rooted in “love”) have the potential to get the first word and the last laugh on the arguing professors?  Even as I write (for publication perhaps a year or more hence), Tim Ware, “curator” of the [https://thomaspynchon.com ThomasPynchon.com (was HyperArts Pynchon Pages)] has established a [https://pynchonwiki.com Pynchon Wiki] for each of Pynchon’s novels (and more), a sort of electronic Tristero system that depends on a literary collectivity operating within, alongside, and yet separate from traditional scholarship.  &lt;br /&gt;
&lt;br /&gt;
But to what end?  There is a somewhat mindless pleasure to be had in discovering a postcard of Fred Roper and His Wonderful Midgets, but does it serve any purpose?  Are we all just newer versions of Oedipa Maas at Berkeley, “whiz[zes] at pursuing strange words” (&#039;&#039;Lot 49&#039;&#039;, 76) but not much else?  Perhaps not, for if, as I have suggested, Pynchon’s referentiality propels us from the page back into the world by necessity, then the Internet offers the chance of a parallel world wherein we may find each other.  And even works such as &#039;&#039;A Gravity’s Rainbow Companion&#039;&#039; may still direct us to new paths of understanding that go beyond mere allusion.  But as reader-scholars, we must choose which path to take.  With such aids, &#039;&#039;Gravity’s Rainbow&#039;&#039; (or any book) can be “a Text, to be picked to pieces, annotated, explicated, and masturbated till it’s all squeezed limp of its last drop” (V520), or it can be ours “to permute and combine into new revelations, always unfolding” (V727).  Which—as Pynchon might ask—do you want it to be?&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Weisenburger%27s_Companion,_2nd_Edition&amp;diff=4211</id>
		<title>Weisenburger&#039;s Companion, 2nd Edition</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Weisenburger%27s_Companion,_2nd_Edition&amp;diff=4211"/>
		<updated>2025-07-09T17:39:33Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Pleasures of the Text in the Information Age==&lt;br /&gt;
by Donald F. Larrson&lt;br /&gt;
&lt;br /&gt;
Before the 1973 publication of &#039;&#039;Gravity’s Rainbow&#039;&#039;, it was already clear from &#039;&#039;V.&#039;&#039; and &#039;&#039;The Crying of Lot 49&#039;&#039; that Thomas Pynchon required an unusual range of erudition (or at least the will to such erudition) from his readers.  Botticelli’s Birth of Venus, the premiere of Stravinsky’s &#039;&#039;Rite of Spring&#039;&#039;, Wittgenstein’s &#039;&#039;Tractatus&#039;&#039;, Jacobean revenge tragedies, the Fashoda crisis, the Herero uprising, bebop jazz, Hanna-Barbera cartoons, Henry Adams and Robert Graves, electrical circuitry, entropy and Maxwell’s Demon, philately and postal history—no frame of reference would be out of bounds.  With the narrative complexity and sheer length of &#039;&#039;Gravity’s Rainbow&#039;&#039;, those frames of reference proliferated exponentially, yet something larger than allusion alone seemed to be at stake here.  James Joyce had claimed that the “enigmas and puzzles” of &#039;&#039;Ulysses&#039;&#039; “would keep the professors busy for centuries arguing over what I meant,” but &#039;&#039;Gravity’s Rainbow&#039;&#039; for all the enigmatic quality of its narrative is not a puzzle begging a solution.  To read the text is not just to be drawn into its carefully detailed Zone of post-war Europe, a concatenation of the grimmest realities and the most outlandish fantasies; the novel’s references simultaneously expel us back into the emerging Rocket City of our own destructive present.  Professors or not, we are almost forced to become researchers, veering between the poles of paranoia and anti-paranoia, the twin certainties that everything in both the text and the world is connected and that nothing is connected, looking for, perhaps fearing, confirmation in an image, a context or a quote.  &lt;br /&gt;
&lt;br /&gt;
Thus, fifteen years later, Pynchon’s readers—not all of them professors, to be sure—were delighted to see Steven Weisenburger take up the challenge of the book’s allusiveness in &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;.  Weisenburger managed to gloss definitions and unpack textual and historical sources, while providing synopses of the main events in each of the book’s episodes, handy enough for a first-time reader.  But Weisenburger went even farther, noting that these definitions and sources reveal that the novel’s four sections each coincide with key events in the Christian liturgical calendar; moreover, Weisenburger contended, these four sections form a mandala, symbolic of a redeeming wholeness.  As Weisenburger puts it, while the rainbow of the rocket’s path is an arch that ends in destruction, “the shape of Gravity’s Rainbow is circular” &amp;lt;ref&amp;gt;Weisenburger, Steven.  &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;, 1st ed.  Athens, GA: University of Georgia Press, 1988, Introduction, p.11&amp;lt;/ref&amp;gt;..  Still, Weisenburger admits, “The narrative approaches, but avoids, closure” &amp;lt;ref&amp;gt;Ibid, p.11&amp;lt;/ref&amp;gt;, a point seized on by N. Katherine Hayles in her review of the &#039;&#039;Companion&#039;&#039;’s first edition for [https://pynchonnotes.openlibhums.org/ Pynchon Notes].  The “narrative’s frequent spinoffs into other times and places,” Hayles argues, make this “indistinct mandala . . . a figure that can barely be discerned through extensive smearing and stretching [rather] than a sharply drawn structure” &amp;lt;ref&amp;gt;Hayles, N. Katherine. &amp;quot;Fractured Mandala: The Inescapable Ambiguities of &#039;&#039;Gravity’s Rainbow&#039;&#039;,&amp;quot; &#039;&#039;Pynchon Notes&#039;&#039; 24-25 (1989), p. 131&amp;lt;/ref&amp;gt;, even though, she concludes, the book “succeeds even when it fails . . . better at stimulating discussion than foreclosing inquiry” &amp;lt;ref&amp;gt;Ibid, p. 132&amp;lt;/ref&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
Inquiry, of course, was not foreclosed.  Over the last two decades, readers have advanced new questions, discovered additional sources, and proposed new hypotheses for references that &#039;&#039;Companion&#039;&#039; had not dealt with, had not covered fully, or had gotten just plain wrong.  And here I must confess that I was one of those readers, spurred to delve into the library stacks at first to clear up certain matters, mostly to do with film and popular culture, which I posted to Steven Weisenburger.  Later, I had the chutzpah to put this (and further) information up on a web site, [https://web.archive.org/web/20131104190300/http://english2.mnsu.edu/larsson/grnotes.html “A Companion’s Companion: Illustrated Additions and Corrections to Steven Weisenburger’s A &#039;&#039;Gravity’s Rainbow&#039;&#039; Companion”], which in turn prompted readers to contact me with additional corrections, questions, sources and hypotheses.  So, I admit that I (and, by extension, my own contributors) am flattered to have been cited several times by Weisenburger in the long-awaited second edition, revised and expanded, of the &#039;&#039;Companion&#039;&#039;.   &lt;br /&gt;
&lt;br /&gt;
This new edition is some seventy pages longer than the original, with additions and corrections that lend greater clarity to Pynchon’s sources and allusions, now keyed to the year 2000 Penguin edition of the novel as well as the original Viking and Bantam editions.  New source material used by Pynchon is revealed, there are eight pages of maps and illustrations, and some of the novel’s most perplexing mysteries are answered, among them [[K#kenoshakid|the reference to the Kenosha Kid]] and the [[Von_Braun%27s_Epigram|source of the epigram from Wernher von Braun for Part 1: Beyond the Zero]].  Although Weisenburger finds even more reason to trust his previous argument for &#039;&#039;Gravity’s Rainbow&#039;&#039;’s circular design, he has also taken account of the criticisms raised by Bernard Duyfuizen and others regarding specific time references in the novel that turn out to be “loose and much more impressionistic than one might expect from the narrative’s concision elsewhere” &amp;lt;ref&amp;gt;Weisenburger.  &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;.  2nd ed.  Athens, GA: University of Georgia Press, 2006&amp;lt;/ref&amp;gt;, appropriate, he admits, to “a fiction that so accents fantasies and dreamscapes, as well as historical events shrouded and nimbused by uncertainty, haunted by ghosts” &amp;lt;ref&amp;gt;Ibid, p.12&amp;lt;/ref&amp;gt;.  Katherine Hayles’ claim that Weisenburger’s first edition was “a book that no serious Pynchon scholar can afford to neglect” &amp;lt;ref&amp;gt;Hayles, K., p. 129&amp;lt;/ref&amp;gt; holds even truer for this edition—true too, I would argue, for any reader willing to plumb the novel’s depths.&lt;br /&gt;
&lt;br /&gt;
And yet . . . The appearance of this new edition in the year 2006 poses two sets of issues for the reader, one practical and one more theoretical.  First, despite the careful attention to detail of Weisenburger and his contributors, we all (myself included) managed to miss certain errors of fact in the first edition that persist into the second.  For example (all references are keyed to the Viking edition pages of &#039;&#039;Gravity’s Rainbow&#039;&#039; that come first in both editions of the &#039;&#039;Companion&#039;&#039;), Rigoletto and La Boheme are both termed “comic” operas (V132.20-21); the first name of César Flebotomo is traced to a non-existent origin as “the Etruscan/Latin title for a dictator” (V184.33); “Electric Charlie” Wilson, past President of General Electric and government official, is confused with Charles Coffin, GE’s founder; and the misprint reference to “Dr. Stanley Livingstone” (V624.18) still stands, as does the reference to Thor’s hammer as “Mullicrusher” (V709.39).  An overreliance on Baedeker for place references misses Zurich’s Gemusebrucke (“Gemüse-Brücke” in GR, V261.29), aka “Rathausbrücke” in the city’s market district.  The town of Wismar is still placed 15 miles southeast of Rostock (V567.33), when it is actually about 30 miles southwest.  The entry on Todd Browning’s &#039;&#039;Freaks&#039;&#039; (V534.11) still gets the ending wrong.  And there is still the questionable relevance of Weisenburger’s citation (V588.5) of a misprinted photo of Wernher von Braun in the Avon paperback edition of Ishmael Reed’s &#039;&#039;Mumbo-Jumbo&#039;&#039; when the photo was printed correctly in the original Bantam paperback edition.  U.s.w.  &lt;br /&gt;
&lt;br /&gt;
Some emendations and corrections in the new &#039;&#039;Companion&#039;&#039; create a few new errors.  A gloss on the astrological sign of Taurus (V152.16) defines the word correctly as “bull,” but adds “Hence also ‘Minotaur,’ the [tautological] Bull of Taurus.”  The entry on Lawrence of Arabia (V201.15) is somewhat more accurate than in the first edition, but still refers to Lawrence as leading “Turkish insurgents,” an appellation likely to be rejected by those Arabs who fought with Lawrence against Turkish Ottoman control.  A note on the Rex Theatre in Antwerp (V546.24-25) refers to William Wellman co-starring in &#039;&#039;Buffalo Bill&#039;&#039;, the film that Wellman actually directed and that starred Joel McCrea.  While Weisenburger correctly notes the origin of Spaniols (actually a regional variant of Ladino-speaking populations) in Jews expelled from Spain (V549.21-32), he refers to the latter as “Ashkenazik Jews” when they are actually Sephardic.  U.s.w.&lt;br /&gt;
&lt;br /&gt;
Despite such slips, the &#039;&#039;Companion&#039;&#039; is still invaluable to Pynchon’s readers for the many more entries that it gets right, for the access to cross-referencing that such a book can provide, and for the narrative and symbolic contexts that Weisenburger assigns for these many references.  Yet the errors also point to the larger theoretical questions surrounding such a project as &#039;&#039;A Gravity’s Rainbow Companion&#039;&#039; or any similar work of literary scholarship in the Internet Age.  If in less than a day, with only [https://www.google.com Google] at my fingertips, I could confirm the errors cited above, then couldn’t a research assistant or a University of Georgia Press fact-checker have done the same?  And, for that matter, can’t any reader do the same?  How many of us have stared at the yet-unopened mass of [http://against-the-day.pynchonwiki.com/wiki/ &#039;&#039;Against the Day&#039;&#039;], wondering whether to commit to one, long read-through or to risk the potentially endless distraction of keying in each reference as we read, unpacking contexts as we pack in the text while discovering new labyrinths to wander in?  And what happens to the notion of scholarly authority, the apparatus of peer review, and the place of publication in the routinization of academic labor when “amateurs” (whose name and work are rooted in “love”) have the potential to get the first word and the last laugh on the arguing professors?  Even as I write (for publication perhaps a year or more hence), Tim Ware, “curator” of the [https://thomaspynchon.com ThomasPynchon.com (was HyperArts Pynchon Pages)] has established a [http://pynchonwiki.com Pynchon Wiki] for each of Pynchon’s novels (and more), a sort of electronic Tristero system that depends on a literary collectivity operating within, alongside, and yet separate from traditional scholarship.  &lt;br /&gt;
&lt;br /&gt;
But to what end?  There is a somewhat mindless pleasure to be had in discovering a postcard of Fred Roper and His Wonderful Midgets, but does it serve any purpose?  Are we all just newer versions of Oedipa Maas at Berkeley, “whiz[zes] at pursuing strange words” (&#039;&#039;Lot 49&#039;&#039;, 76) but not much else?  Perhaps not, for if, as I have suggested, Pynchon’s referentiality propels us from the page back into the world by necessity, then the Internet offers the chance of a parallel world wherein we may find each other.  And even works such as &#039;&#039;A Gravity’s Rainbow Companion&#039;&#039; may still direct us to new paths of understanding that go beyond mere allusion.  But as reader-scholars, we must choose which path to take.  With such aids, &#039;&#039;Gravity’s Rainbow&#039;&#039; (or any book) can be “a Text, to be picked to pieces, annotated, explicated, and masturbated till it’s all squeezed limp of its last drop” (V520), or it can be ours “to permute and combine into new revelations, always unfolding” (V727).  Which—as Pynchon might ask—do you want it to be?&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4210</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4210"/>
		<updated>2025-07-08T23:46:43Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Featured Article */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in touch!&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Purchase &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;:&amp;lt;br /&amp;gt; [https://amzn.to/40Gjhvs Paperback] | [https://amzn.to/4eGT99Q Hardcover]&lt;br /&gt;
*[https://www.ebay.com/sch/i.html?_nkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Search EBay for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the &#039;&#039;&#039;50th anniversary of its publication&#039;&#039;&#039;. [https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/ Check it out!]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word): Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://walkerart.org/collections/artworks/pictures-of-what-happens-on-each-page-of-thomas-pynchon-s-novel-gravity-s-rainbow Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [https://mentalsundries.wordpress.com/wp-content/uploads/2013/04/chaos-and-the-psychological-symbolism-of-the-tarot.pdf &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[https://pynchonnotes.openlibhums.org/ &#039;&#039;&#039;The legendary &#039;&#039;Pynchon Notes - Collected!&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4209</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4209"/>
		<updated>2025-07-08T23:46:25Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Featured Article */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in touch!&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Purchase &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;:&amp;lt;br /&amp;gt; [https://amzn.to/40Gjhvs Paperback] | [https://amzn.to/4eGT99Q Hardcover]&lt;br /&gt;
*[https://www.ebay.com/sch/i.html?_nkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Search EBay for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the &#039;&#039;&#039;50th anniversary of its publication&#039;&#039;&#039;. [https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/ Check it out!]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word): Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://walkerart.org/collections/artworks/pictures-of-what-happens-on-each-page-of-thomas-pynchon-s-novel-gravity-s-rainbow Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [https://mentalsundries.wordpress.com/wp-content/uploads/2013/04/chaos-and-the-psychological-symbolism-of-the-tarot.pdf &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[https://pynchonnotes.openlibhums.org/ The legendary &#039;&#039;Pynchon Notes - Collected!]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4208</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4208"/>
		<updated>2025-07-08T23:43:42Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* External Links */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in touch!&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Purchase &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;:&amp;lt;br /&amp;gt; [https://amzn.to/40Gjhvs Paperback] | [https://amzn.to/4eGT99Q Hardcover]&lt;br /&gt;
*[https://www.ebay.com/sch/i.html?_nkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Search EBay for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the &#039;&#039;&#039;50th anniversary of its publication&#039;&#039;&#039;. [https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/ Check it out!]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word): Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://walkerart.org/collections/artworks/pictures-of-what-happens-on-each-page-of-thomas-pynchon-s-novel-gravity-s-rainbow Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [https://mentalsundries.wordpress.com/wp-content/uploads/2013/04/chaos-and-the-psychological-symbolism-of-the-tarot.pdf &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://www.metawordz.com/2010/12/digitization-on-gravitys-rainbow-p-1.html &#039;&#039;&#039;Digitization: Progression from Physical to Cyber Space Via Gravity’s Rainbow, and What Meaning We May Find There&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4207</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4207"/>
		<updated>2025-07-08T23:43:18Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* External Links */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in touch!&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Purchase &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;:&amp;lt;br /&amp;gt; [https://amzn.to/40Gjhvs Paperback] | [https://amzn.to/4eGT99Q Hardcover]&lt;br /&gt;
*[https://www.ebay.com/sch/i.html?_nkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Search EBay for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the &#039;&#039;&#039;50th anniversary of its publication&#039;&#039;&#039;. [https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/ Check it out!]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
: [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word): Gravity&#039;s Rainbow]&lt;br /&gt;
: [https://walkerart.org/collections/artworks/pictures-of-what-happens-on-each-page-of-thomas-pynchon-s-novel-gravity-s-rainbow Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [https://mentalsundries.wordpress.com/wp-content/uploads/2013/04/chaos-and-the-psychological-symbolism-of-the-tarot.pdf &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://www.metawordz.com/2010/12/digitization-on-gravitys-rainbow-p-1.html &#039;&#039;&#039;Digitization: Progression from Physical to Cyber Space Via Gravity’s Rainbow, and What Meaning We May Find There&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4206</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4206"/>
		<updated>2025-07-06T22:41:42Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in touch!&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Purchase &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;:&amp;lt;br /&amp;gt; [https://amzn.to/40Gjhvs Paperback] | [https://amzn.to/4eGT99Q Hardcover]&lt;br /&gt;
*[https://www.ebay.com/sch/i.html?_nkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=Thomas+Pynchon+Gravity%27s+Rainbow&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Search EBay for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the &#039;&#039;&#039;50th anniversary of its publication&#039;&#039;&#039;. [https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/ Check it out!]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [http://books.google.com/books?id=iPDGp7VT8H8C&amp;amp;printsec=frontcover &#039;&#039;&#039;Search the contents of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039; (Google)]&lt;br /&gt;
* [http://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [http://www.themodernword.com/pynchon/ The Modern Word Pynchon page]&lt;br /&gt;
: [http://www.themodernword.com/pynchon/pynchon_gr.html The Modern Word: Gravity&#039;s Rainbow]&lt;br /&gt;
: [http://z11.invisionfree.com/thefictionalwoods/index.php The Fictional Woods] - a Pynchon forum&lt;br /&gt;
: [http://www.themodernword.com/pynchon/zak_smith/title.htm Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [http://english2.mnsu.edu/larsson/grnotes.html A companion&#039;s companion to Gravity&#039;s Rainbow]&lt;br /&gt;
* [http://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://www.en8848.com.cn/fiction/Fiction/Gerneral/2007-12-05/58883.html Chinese site which includes full text of the novel]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [http://www.schuelers.com/chaos/chaos7.htm &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
* [http://thomaspynchonfakebook.org/ Songs written by Pynchon for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Music composed and performed by the collaborative band, &#039;&#039;The Thomas Pynchon Fake Book&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://www.metawordz.com/2010/12/digitization-on-gravitys-rainbow-p-1.html &#039;&#039;&#039;Digitization: Progression from Physical to Cyber Space Via Gravity’s Rainbow, and What Meaning We May Find There&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow_-_Page_by_Page&amp;diff=4182</id>
		<title>Gravity&#039;s Rainbow - Page by Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow_-_Page_by_Page&amp;diff=4182"/>
		<updated>2024-12-26T17:23:58Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;noinclude&amp;gt;This page-by-page annotation is organized by sections, as delineated by the seven squares (sprockets) which separate each section. The page numbers for this page-by-page annotation are for the original Viking edition (760 pages). Editions by other publishers vary in pagination &amp;amp;#151; the newer Penguin editions are 776 pages; the Bantam edition is 886 pages.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Contributors:&#039;&#039;&#039; Please use the 760-page (or, if you can&#039;t locate the Viking edition, the Penguin edition which is at least close in pagination and available on [http://books.google.com/books?id=iPDGp7VT8H8C&amp;amp;printsec=frontcover&amp;amp;source=gbs_navlinks_s#v=onepage&amp;amp;q=&amp;amp;f=false Google]. &#039;&#039;&#039;Readers:&#039;&#039;&#039; To calculate the Bantam edition use this formula: page# x 1.165. Before p.50 it&#039;s about a page earlier; as you get later in the book, add a page.&lt;br /&gt;
&lt;br /&gt;
Finally, profound thanks to Prof. Don Larsson for providing the foundation for this page-by-page annotation.&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow_-_Page_by_Page&amp;diff=4181</id>
		<title>Gravity&#039;s Rainbow - Page by Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Gravity%27s_Rainbow_-_Page_by_Page&amp;diff=4181"/>
		<updated>2024-12-26T17:22:27Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: Protected &amp;quot;Gravity&amp;#039;s Rainbow - Page by Page&amp;quot;: Counter-productive edit warring ([Edit=Allow only administrators] (indefinite) [Move=Allow only administrators] (indefinite))&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;noinclude&amp;gt;This page-by-page annotation is organized by sections, as delineated by the seven squares (sprockets) which separate each section. The page numbers for this page-by-page annotation are for the original Viking edition (760 pages). Editions by other publishers vary in pagination &amp;amp;#151; the newer Penguin editions are 776 pages; the Bantam edition is 886 pages.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Contributors:&#039;&#039;&#039; Please use the 760-page (or, if you can&#039;t locate the Viking edition, the Penguin edition which is at least close in pagination and available on [http://books.google.com/books?id=iPDGp7VT8H8C&amp;amp;printsec=frontcover&amp;amp;source=gbs_navlinks_s#v=onepage&amp;amp;q=&amp;amp;f=false Google]. &#039;&#039;&#039;Readers:&#039;&#039;&#039; To calculate the Bantam edition use this formula: page# x 1.165. Before p.50 it&#039;s about a page earlier; as you get later in the book, add a page.&lt;br /&gt;
&lt;br /&gt;
Finally, profound thanks to Prof. Don Larsson for providing the foundation for this page-by-page annotation.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;separator&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;/noinclude&amp;gt;&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Template:GR_PbP&amp;diff=4178</id>
		<title>Template:GR PbP</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Template:GR_PbP&amp;diff=4178"/>
		<updated>2024-12-26T04:36:08Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: Correct double entry for pages 3-7&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;noinclude&amp;gt;== Spoiler-Free Annotations by Page ==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed. The sections are indicated in the novel by the seven squares (sprockets) which separate each section, and that is how the pages are grouped in this page-by-page annotation. The pagination is from the original Viking edition; paginations for other editions vary.&amp;lt;/noinclude&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;separator&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{|id=&amp;quot;pages&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!1&amp;lt;br /&amp;gt;&#039;&#039;Beyond the Zero&#039;&#039;&lt;br /&gt;
|&lt;br /&gt;
[[Pages 3-7|3-7]],&lt;br /&gt;
[[Pages 7-16|7-16]],&lt;br /&gt;
[[Pages 17-19|17-19]],&lt;br /&gt;
[[Pages 20-29|20-29]],&lt;br /&gt;
[[Pages 29-37|29-37]],&lt;br /&gt;
[[Pages 37-42|37-42]],&lt;br /&gt;
[[Pages 42-47|42-47]],&lt;br /&gt;
[[Pages 47-53|47-53]],&lt;br /&gt;
[[Pages 53-60|53-60]],&lt;br /&gt;
[[Pages 60-71|60-71]],&lt;br /&gt;
[[Pages 71-72|71-72]],&lt;br /&gt;
[[Pages 72-83|72-83]],&lt;br /&gt;
[[Pages 83-92|83-92]],&lt;br /&gt;
[[Pages 92-113|92-113]],&lt;br /&gt;
[[Pages 114-120|114-120]],&lt;br /&gt;
[[Pages 120-136|120-136]],&lt;br /&gt;
[[Pages 136-144|136-144]],&lt;br /&gt;
[[Pages 145-154|145-154]],&lt;br /&gt;
[[Pages 154-167|154-167]],&lt;br /&gt;
[[Pages 167-174|167-174]],&lt;br /&gt;
[[Pages 174-177|174-177]]&lt;br /&gt;
&lt;br /&gt;
|-&lt;br /&gt;
!2&amp;lt;br /&amp;gt;&#039;&#039;Un Perm&#039; au Casino Herman Goering&#039;&#039;&lt;br /&gt;
|&lt;br /&gt;
[[Pages 181-189|181-189]],&lt;br /&gt;
[[Pages 189-205|189-205]],&lt;br /&gt;
[[Pages 205-226|205-226]],&lt;br /&gt;
[[Pages 226-236|226-236]],&lt;br /&gt;
[[Pages 236-244|236-244]],&lt;br /&gt;
[[Pages 244-249|244-249]],&lt;br /&gt;
[[Pages 249-269|249-269]],&lt;br /&gt;
[[Pages 269-278|269-278]]&lt;br /&gt;
|-&lt;br /&gt;
!3&amp;lt;br /&amp;gt;&#039;&#039;In the Zone&#039;&#039;&lt;br /&gt;
|&lt;br /&gt;
[[Pages 279-295|279-295]],&lt;br /&gt;
[[Pages 295-314|295-314]],&lt;br /&gt;
[[Pages 314-329|314-329]],&lt;br /&gt;
[[Pages 329-336|329-336]],&lt;br /&gt;
[[Pages 336-359|336-359]],&lt;br /&gt;
[[Pages 359-371|359-371]],&lt;br /&gt;
[[Pages 371-383|371-383]],&lt;br /&gt;
[[Pages 383-390|383-390]],&lt;br /&gt;
[[Pages 390-392|390-392]],&lt;br /&gt;
[[Pages 392-397|392-397]],&lt;br /&gt;
[[Pages 397-433|397-433]],&lt;br /&gt;
[[Pages 433-447|433-447]],&lt;br /&gt;
[[Pages 448-456|448-456]],&lt;br /&gt;
[[Pages 457-468|457-468]],&lt;br /&gt;
[[Pages 468-472|468-472]],&lt;br /&gt;
[[Pages 473-482|473-482]],&lt;br /&gt;
[[Pages 482-488|482-488]],&lt;br /&gt;
[[Pages 488-491|488-491]],&lt;br /&gt;
[[Pages 492-505|492-505]],&lt;br /&gt;
[[Pages 505-518|505-518]],&lt;br /&gt;
[[Pages 518-525|518-525]],&lt;br /&gt;
[[Pages 525-532|525-532]],&lt;br /&gt;
[[Pages 532-536|532-536]],&lt;br /&gt;
[[Pages 537-548|537-548]],&lt;br /&gt;
[[Pages 549-557|549-557]],&lt;br /&gt;
[[Pages 557-563|557-563]],&lt;br /&gt;
[[Pages 563-566|563-566]],&lt;br /&gt;
[[Pages 567-577|567-577]],&lt;br /&gt;
[[Pages 577-580|577-580]],&lt;br /&gt;
[[Pages 580-591|580-591]],&lt;br /&gt;
[[Pages 591-610|591-610]],&lt;br /&gt;
[[Pages 610-616|610-616]]&lt;br /&gt;
|-&lt;br /&gt;
!4&amp;lt;br /&amp;gt;&#039;&#039;The Counterforce&#039;&#039;&lt;br /&gt;
|&lt;br /&gt;
[[Pages 617-626|617-626]],&lt;br /&gt;
[[Pages 626-640|626-640]],&lt;br /&gt;
[[Pages 640-655|640-655]],&lt;br /&gt;
[[Pages 656-663|656-663]],&lt;br /&gt;
[[Pages 663-673|663-673]],&lt;br /&gt;
[[Pages 674-700|674-700]],&lt;br /&gt;
[[Pages 700-706|700-706]],&lt;br /&gt;
[[Pages 706-717|706-717]],&lt;br /&gt;
[[Pages 717-724|717-724]],&lt;br /&gt;
[[Pages 724-733|724-733]],&lt;br /&gt;
[[Pages 733-735|733-735]],&lt;br /&gt;
[[Pages 735-760|735-760]]&lt;br /&gt;
&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4006</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4006"/>
		<updated>2023-02-24T00:10:55Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
To become a contributor/editor, [http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Create an account.&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:[http://www.amazon.com/gp/product/0143039946/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=0143039946&amp;amp;linkCode=as2&amp;amp;tag=pyncwiki-20&#039;&#039;&#039;Order &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;likebutton&amp;gt;http%3A%2F%2Fgravitys-rainbow.pynchonwiki.com%2Fwiki%2Findex.php%3Ftitle%3DMain_Page&amp;lt;/likebutton&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the &#039;&#039;&#039;50th anniversary of its publication&#039;&#039;&#039;. [https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/ Check it out!]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [http://books.google.com/books?id=iPDGp7VT8H8C&amp;amp;printsec=frontcover &#039;&#039;&#039;Search the contents of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039; (Google)]&lt;br /&gt;
* [http://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [http://www.themodernword.com/pynchon/ The Modern Word Pynchon page]&lt;br /&gt;
: [http://www.themodernword.com/pynchon/pynchon_gr.html The Modern Word: Gravity&#039;s Rainbow]&lt;br /&gt;
: [http://z11.invisionfree.com/thefictionalwoods/index.php The Fictional Woods] - a Pynchon forum&lt;br /&gt;
: [http://www.themodernword.com/pynchon/zak_smith/title.htm Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [http://english2.mnsu.edu/larsson/grnotes.html A companion&#039;s companion to Gravity&#039;s Rainbow]&lt;br /&gt;
* [http://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://www.en8848.com.cn/fiction/Fiction/Gerneral/2007-12-05/58883.html Chinese site which includes full text of the novel]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [http://www.schuelers.com/chaos/chaos7.htm &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
* [http://thomaspynchonfakebook.org/ Songs written by Pynchon for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Music composed and performed by the collaborative band, &#039;&#039;The Thomas Pynchon Fake Book&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://www.metawordz.com/2010/12/digitization-on-gravitys-rainbow-p-1.html &#039;&#039;&#039;Digitization: Progression from Physical to Cyber Space Via Gravity’s Rainbow, and What Meaning We May Find There&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4005</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=4005"/>
		<updated>2023-02-24T00:09:22Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:book_GR_sm.jpg|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Wiki!&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
To become a contributor/editor, [http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Create an account.&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:[http://www.amazon.com/gp/product/0143039946/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=0143039946&amp;amp;linkCode=as2&amp;amp;tag=pyncwiki-20&#039;&#039;&#039;Order &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;likebutton&amp;gt;http%3A%2F%2Fgravitys-rainbow.pynchonwiki.com%2Fwiki%2Findex.php%3Ftitle%3DMain_Page&amp;lt;/likebutton&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Besides using the Alphabetical Index and the page-by-page annotation, you can also take a look at [[Gravity&#039;s Rainbow covers|&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; covers]], read the [[Gravity&#039;s Rainbow Reviews|reviews]], or [[Gravity&#039;s Rainbow Title|entertain some theories on the source of the title]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;Great article in &#039;&#039;Wired&#039;&#039; about &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; on the occasion of the 50th anniversary of its publication. [Check it out! https://www.wired.com/story/living-under-gravitys-rainbow-thomas-pynchon/]&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Review of Weisenburger&#039;s 2nd ed. of &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&#039;&amp;lt;br /&amp;gt;Professor Don Larrson, he of the Companion&#039;s Companion to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (which was rolled into this wiki), reviews Steve Weisenburger&#039;s the second, revised edition of &#039;&#039;A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel&#039;&#039;. [[Weisenburger&#039;s Companion, 2nd Edition|Read it...]].&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;normal&amp;quot;&amp;gt;&#039;&#039;&#039;Marc Getter - Designer &amp;amp; Illustrator&#039;&#039;&#039;&amp;lt;br /&amp;gt;[[Marc Getter - Designer and Artist|Marc Getter]] (1947-2008) illustrated and designed the original covers for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, in 1972 (published in 1973). Read his bio, as well a pictures of Marc, his wife, and some of his watercolors from the 1990s. &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[The_Hawaiian_Islands_and_Ukuleles|&#039;&#039;&#039;Hawaiian cultural references in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039;]]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, organized alphabetically:{{GR_Alpha_Nav}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page by Page Annotations==&lt;br /&gt;
{{GR PbP}}&lt;br /&gt;
&lt;br /&gt;
==Character Map==&lt;br /&gt;
&#039;&#039;&#039;**Contains Spoilers**&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
A [http://sciencekings.com/GravitysRainbowCharacters.pdf character map] showing how most of the major characters connect together (PDF).&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:GR]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[A|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [http://books.google.com/books?id=iPDGp7VT8H8C&amp;amp;printsec=frontcover &#039;&#039;&#039;Search the contents of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;&#039;&#039; (Google)]&lt;br /&gt;
* [http://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [http://www.themodernword.com/pynchon/ The Modern Word Pynchon page]&lt;br /&gt;
: [http://www.themodernword.com/pynchon/pynchon_gr.html The Modern Word: Gravity&#039;s Rainbow]&lt;br /&gt;
: [http://z11.invisionfree.com/thefictionalwoods/index.php The Fictional Woods] - a Pynchon forum&lt;br /&gt;
: [http://www.themodernword.com/pynchon/zak_smith/title.htm Zak Smith&#039;s Illustrations for Each Page of Gravity&#039;s Rainbow]&lt;br /&gt;
* [http://english2.mnsu.edu/larsson/grnotes.html A companion&#039;s companion to Gravity&#039;s Rainbow]&lt;br /&gt;
* [http://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/gr/index.html Pomona Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Gravity&#039;s_Rainbow Wikipedia Gravity&#039;s Rainbow page]&lt;br /&gt;
* [http://www.en8848.com.cn/fiction/Fiction/Gerneral/2007-12-05/58883.html Chinese site which includes full text of the novel]&lt;br /&gt;
* [http://1010.co.uk/org/autotate.html Collected Annotations to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
* [http://www.schuelers.com/chaos/chaos7.htm &amp;quot;Chaos and the Psychological Symbolism of the Tarot&amp;quot; by Gerald Schueler, PhD]&lt;br /&gt;
* [http://thomaspynchonfakebook.org/ Songs written by Pynchon for &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. Music composed and performed by the collaborative band, &#039;&#039;The Thomas Pynchon Fake Book&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Rocket Power&amp;quot; a review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; by Richard Poirier &amp;amp;#151; One of the best!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Poirier-Review-GR-Illustration.jpg|Illus. - Charles Shields|thumb|left|225px]] American literary critic Richard Poirier&#039;s (1925 - 2009) review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; -- one of the first to appear in print -- in the March 3, 1973 issue of The Saturday Review, is one of the most well written and insightful of all the many reviews Pynchon&#039;s third novel garnered. In fact, it&#039;s an excellent way to prepare for the actual experience of reading the novel, providing a great overview of the novel&#039;s structure and plot. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At thirty-six, Pynchon has established himself as a novelist of major historical importance. More than any other living writer, including Norman Mailer, he has caught the inward movements of our time in outward manifestations of art and technology so that in being historical he must also be marvelously exorbitant. It is probable that he would not like being called &amp;quot;historical.&amp;quot; In &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, even more than in his previous work, history -- as Norman 0. Brown proposed in &#039;&#039;Life Against Death&#039;&#039; -- seen as a form of neurosis, a record of the progressive attempt to impose the human will upon the movements of time. Even the very recording of history is such an effort. History-making man is Faustian man. But while this book offers such Faustian types as a rocket genius named Captain Blicero and a Pavlovian behaviorist named Edward Pointsman, it is evident that they are slaves to the systems they think they master.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Rocket Power|Read it...]] &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:marc-getter.jpg|left|thumb|100px|caption|Marc Getter]] &#039;&#039;&#039;Marc Getter, Designer &amp;amp; Illustrator of the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; Cover&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Last year, Tim Ware decided to find out more about [[Marc Getter - Designer and Artist|Marc Getter]] who did the original &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; cover design and illustration &amp;amp;#151; the city silhouette with sunburst sky. He wanted to ask Marc about the process of creating that beautiful cover. unfortunately, Marc had died in 2008. However, Tim was able to get in contact with his wife, Linda, who really wanted to assist in creating a page about Marc for the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; wiki. [[Marc Getter - Designer and Artist|&#039;&#039;&#039;Read about Marc Getter and view his wonderful paintings.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://www.metawordz.com/2010/12/digitization-on-gravitys-rainbow-p-1.html &#039;&#039;&#039;Digitization: Progression from Physical to Cyber Space Via Gravity’s Rainbow, and What Meaning We May Find There&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:6s-7s.gif|175px|left]]&lt;br /&gt;
&#039;&#039;&#039;At Sixes and Sevens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
To be &amp;quot;at sixes and sevens&amp;quot; is an English phrase and idiom, common in the United Kingdom. It is used to describe a state of confusion or disarray. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;d never told her, he avoided telling himself, but that was the measure of his faith, as this seventh Christmas of the War came wheeling in another charge at his skinny, shivering flank...&amp;quot; - &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p.126 &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A miscount&amp;quot; - Steven C. Weisenburger, &#039;&#039;A Gravity&#039;s Rainbow Companion&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Sixes and Sevens|Um, not so fast there, Steve...]]&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
Below are some of the images you will find on Pynchon Wiki. {{Special:Newimages}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thanks, and enjoy...&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=3954</id>
		<title>MediaWiki:Sidebar</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=MediaWiki:Sidebar&amp;diff=3954"/>
		<updated>2021-07-25T21:41:45Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
** mainpage|Home Page&lt;br /&gt;
** Gravity&#039;s Rainbow|Gravity&#039;s Rainbow&lt;br /&gt;
** Gravity&#039;s Rainbow - Page by Page|Annotations by Page&lt;br /&gt;
** GR Alpha Nav|Alphabetical Index&lt;br /&gt;
** Gravity&#039;s Rainbow Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
** randompage-url|randompage&lt;br /&gt;
** helppage|help&lt;br /&gt;
** Special:Allpages|Site Map&lt;br /&gt;
&lt;br /&gt;
* wikis&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page|Against the Day&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_371-383&amp;diff=3953</id>
		<title>Pages 371-383</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_371-383&amp;diff=3953"/>
		<updated>2021-07-05T03:08:20Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 381 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
==Page 372==&lt;br /&gt;
&#039;&#039;&#039;Berliner Luft&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &amp;quot;air of Berlin.&amp;quot; It is an often-used phrase, in the sense of the special Berlin atmosphere.&lt;br /&gt;
&lt;br /&gt;
==Page 375==&lt;br /&gt;
375.21 &#039;&#039;&#039;something in that rocket needed potassium permanganate&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The turbopump used &#039;&#039;calcium&#039;&#039; permanganate. Whatever caused the shortage of the purple stuff, it wasn&#039;t the rocket.&lt;br /&gt;
&lt;br /&gt;
==Page 376==&lt;br /&gt;
376.31-33 &#039;&#039;&#039;the knight who leaps perpetually -- across the chessboard of the zone&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In &#039;&#039;Through the Looking Glass,&#039;&#039; Alice attempts to get to the other end of the chessboard to become a queen herself.  Along the way she is helped, without much success by the White Knight.&amp;lt;br&amp;gt;&lt;br /&gt;
The conversation and reactions here between Saure and Slothrop are almost a pastiche of the Alice stories.  By 1973, when &#039;&#039;GR&#039;&#039; appeared, &amp;quot;acid&amp;quot; and Alice were of course linked forever in the popular consciousness -- largely thanks to Jefferson Airplane.&lt;br /&gt;
&lt;br /&gt;
[[image:zorro-poster.jpg|thumb|100px|right]]376.36 &#039;&#039;&#039;Zorro? The Green Hornet?&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[XYZ#zorro|Zorro]] and the Green Hornet are two masked superheroes Slothrop would know from comics and movies. Douglas Fairbanks starred in &#039;&#039;The Mark of Zorro&#039;&#039; in 1920, not 1932, as in [[Weisenburger&#039;s Companion to Gravity&#039;s Rainbow|Weisenburger&#039;s first &#039;&#039;Companion&#039;&#039; edition, corrected in the second ed.]]. Tyrone (!) Power starred in a sound remake in 1940. Britt Reid, the secret identity of The Green Hornet, was the son of Dan Reid, the nephew of the [[L#loneranger|Lone Ranger]].&lt;br /&gt;
&lt;br /&gt;
==Page 377==&lt;br /&gt;
377.1-2 &#039;&#039;&#039;The wrong word was Schwarzgerat.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Yes, the mythical White Woman is scared away by mention of the &amp;quot;black tool.&amp;quot;  Clever innuendo/double entendre here. Also possiblly underscoring that the White Woman relates to Virgo(?).&lt;br /&gt;
&lt;br /&gt;
377.31-35  &#039;&#039;&#039;photo...long, stiff sausage of very large diameter being stuffed into his mouth...though the hand or agency...is not visible&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Reminiscent of the photos of [http://en.wikipedia.org/wiki/Margaret%2C_Duchess_of_Argyll Margaret, Duchess of Argyll] fellating a naked man where only the man&#039;s face and torso, not his head, is shown.&lt;br /&gt;
&lt;br /&gt;
==Page 378==&lt;br /&gt;
&#039;&#039;&#039;Jubilee Jim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Slothrop’s song evokes the pre-industrial peddler Jim Fisk mentioned in [[Pages 20-29#Page 27|&#039;&#039;The Berkshire Hills&#039;&#039;]].&lt;br /&gt;
&lt;br /&gt;
==Page 379==&lt;br /&gt;
&#039;&#039;&#039;A stork flies over, going home...&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
Could this be an allusion to Goethe&#039;s Faust, line 746: &amp;quot;Der Kranich nach der Heimat strebt.&amp;quot; (The crane endeavors to reach the homeland.)?&lt;br /&gt;
&lt;br /&gt;
==Page 380==&lt;br /&gt;
&#039;&#039;&#039;Hauptstufe!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare the radio Superman’s words as he is about to fly: &amp;quot;Up, up, and away!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 381==&lt;br /&gt;
[[image:Miss-rheingold.jpg|thumb|300px|left]]381.10 &#039;&#039;&#039;When they part company, the newshounds are discussing the candidates for Miss Rheingold 1946. Dorothy Hart’s advocates are the loudest, but Jill Darnley has a majority on her side. It’s all gibberish to Slothrop—it will be months yet before he runs into a beer advertisement featuring the six beauties, and find himself rooting for a girl named Helen Rückert: a blonde with a Dutch surname who will remind him dimly of someone...&#039;&#039;&#039;&amp;lt;p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 382==&lt;br /&gt;
382.3 &#039;&#039;&#039;Don&#039;t Sit Under the Apple Tree&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
A 1942 hit song for the Andrews Sisters.&lt;br /&gt;
&lt;br /&gt;
382.15 &#039;&#039;&#039;Mickey Rooney&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rooney was in Germany, attached to an Army entertainment unit, at the time of the Potsdam Conference but was unable to go to Potsdam and meet Truman himself.  However, there is a more likely, if more obscure, reason for the movie star’s presence here: Rocketman’s second magazine, &#039;&#039;Hello, Pal Comics&#039;&#039;, only lasted for three issues. &#039;&#039;The Comic Buyer’s Guide&#039;&#039; notes, though, that the comic was unusual because it featured a photograph of a movie star on the cover of each issue. The cover of issue #1 was devoted to Mickey Rooney! Also see my article: &amp;quot;Rooney and the Rocketman&amp;quot; [http://www.ham.muohio.edu/~krafftjm/pynchon.html &#039;&#039;Pynchon Notes&#039;&#039;] n 24-25 (1989): 113-115. [[Pages 359-371#Page 366|See note at 366]].&lt;br /&gt;
&lt;br /&gt;
382.15-16 &#039;&#039;&#039;Judge Hardy&#039;s freckled madcap son&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rooney&#039;s most famous role was Andy Hardy in a series of 16 films.&lt;br /&gt;
&lt;br /&gt;
382.21-22 &#039;&#039;&#039;more tits than they got at Minsky&#039;s&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The four Minsky brothers, Abe, Billy, Herbert and Morton, staged burlesque shows at a number of theaters in New York City. Although the shows were declared obscene and outlawed, they were rather tame by modern standards.&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_371-383&amp;diff=3952</id>
		<title>Pages 371-383</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_371-383&amp;diff=3952"/>
		<updated>2021-07-05T03:06:40Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 381 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
==Page 372==&lt;br /&gt;
&#039;&#039;&#039;Berliner Luft&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &amp;quot;air of Berlin.&amp;quot; It is an often-used phrase, in the sense of the special Berlin atmosphere.&lt;br /&gt;
&lt;br /&gt;
==Page 375==&lt;br /&gt;
375.21 &#039;&#039;&#039;something in that rocket needed potassium permanganate&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The turbopump used &#039;&#039;calcium&#039;&#039; permanganate. Whatever caused the shortage of the purple stuff, it wasn&#039;t the rocket.&lt;br /&gt;
&lt;br /&gt;
==Page 376==&lt;br /&gt;
376.31-33 &#039;&#039;&#039;the knight who leaps perpetually -- across the chessboard of the zone&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In &#039;&#039;Through the Looking Glass,&#039;&#039; Alice attempts to get to the other end of the chessboard to become a queen herself.  Along the way she is helped, without much success by the White Knight.&amp;lt;br&amp;gt;&lt;br /&gt;
The conversation and reactions here between Saure and Slothrop are almost a pastiche of the Alice stories.  By 1973, when &#039;&#039;GR&#039;&#039; appeared, &amp;quot;acid&amp;quot; and Alice were of course linked forever in the popular consciousness -- largely thanks to Jefferson Airplane.&lt;br /&gt;
&lt;br /&gt;
[[image:zorro-poster.jpg|thumb|100px|right]]376.36 &#039;&#039;&#039;Zorro? The Green Hornet?&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[XYZ#zorro|Zorro]] and the Green Hornet are two masked superheroes Slothrop would know from comics and movies. Douglas Fairbanks starred in &#039;&#039;The Mark of Zorro&#039;&#039; in 1920, not 1932, as in [[Weisenburger&#039;s Companion to Gravity&#039;s Rainbow|Weisenburger&#039;s first &#039;&#039;Companion&#039;&#039; edition, corrected in the second ed.]]. Tyrone (!) Power starred in a sound remake in 1940. Britt Reid, the secret identity of The Green Hornet, was the son of Dan Reid, the nephew of the [[L#loneranger|Lone Ranger]].&lt;br /&gt;
&lt;br /&gt;
==Page 377==&lt;br /&gt;
377.1-2 &#039;&#039;&#039;The wrong word was Schwarzgerat.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Yes, the mythical White Woman is scared away by mention of the &amp;quot;black tool.&amp;quot;  Clever innuendo/double entendre here. Also possiblly underscoring that the White Woman relates to Virgo(?).&lt;br /&gt;
&lt;br /&gt;
377.31-35  &#039;&#039;&#039;photo...long, stiff sausage of very large diameter being stuffed into his mouth...though the hand or agency...is not visible&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Reminiscent of the photos of [http://en.wikipedia.org/wiki/Margaret%2C_Duchess_of_Argyll Margaret, Duchess of Argyll] fellating a naked man where only the man&#039;s face and torso, not his head, is shown.&lt;br /&gt;
&lt;br /&gt;
==Page 378==&lt;br /&gt;
&#039;&#039;&#039;Jubilee Jim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Slothrop’s song evokes the pre-industrial peddler Jim Fisk mentioned in [[Pages 20-29#Page 27|&#039;&#039;The Berkshire Hills&#039;&#039;]].&lt;br /&gt;
&lt;br /&gt;
==Page 379==&lt;br /&gt;
&#039;&#039;&#039;A stork flies over, going home...&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
Could this be an allusion to Goethe&#039;s Faust, line 746: &amp;quot;Der Kranich nach der Heimat strebt.&amp;quot; (The crane endeavors to reach the homeland.)?&lt;br /&gt;
&lt;br /&gt;
==Page 380==&lt;br /&gt;
&#039;&#039;&#039;Hauptstufe!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare the radio Superman’s words as he is about to fly: &amp;quot;Up, up, and away!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 381==&lt;br /&gt;
381.10 &#039;&#039;&#039;When they part company, the newshounds are discussing the candidates for Miss Rheingold 1946. Dorothy Hart’s advocates are the loudest, but Jill Darnley has a majority on her side. It’s all gibberish to Slothrop—it will be months yet before he runs into a beer advertisement featuring the six beauties, and find himself rooting for a girl named Helen Rückert: a blonde with a Dutch surname who will remind him dimly of someone...&#039;&#039;&#039;&amp;lt;p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:Miss-rheingold.jpg|thumb|300px|center]]&lt;br /&gt;
&lt;br /&gt;
==Page 382==&lt;br /&gt;
382.3 &#039;&#039;&#039;Don&#039;t Sit Under the Apple Tree&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
A 1942 hit song for the Andrews Sisters.&lt;br /&gt;
&lt;br /&gt;
382.15 &#039;&#039;&#039;Mickey Rooney&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rooney was in Germany, attached to an Army entertainment unit, at the time of the Potsdam Conference but was unable to go to Potsdam and meet Truman himself.  However, there is a more likely, if more obscure, reason for the movie star’s presence here: Rocketman’s second magazine, &#039;&#039;Hello, Pal Comics&#039;&#039;, only lasted for three issues. &#039;&#039;The Comic Buyer’s Guide&#039;&#039; notes, though, that the comic was unusual because it featured a photograph of a movie star on the cover of each issue. The cover of issue #1 was devoted to Mickey Rooney! Also see my article: &amp;quot;Rooney and the Rocketman&amp;quot; [http://www.ham.muohio.edu/~krafftjm/pynchon.html &#039;&#039;Pynchon Notes&#039;&#039;] n 24-25 (1989): 113-115. [[Pages 359-371#Page 366|See note at 366]].&lt;br /&gt;
&lt;br /&gt;
382.15-16 &#039;&#039;&#039;Judge Hardy&#039;s freckled madcap son&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rooney&#039;s most famous role was Andy Hardy in a series of 16 films.&lt;br /&gt;
&lt;br /&gt;
382.21-22 &#039;&#039;&#039;more tits than they got at Minsky&#039;s&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The four Minsky brothers, Abe, Billy, Herbert and Morton, staged burlesque shows at a number of theaters in New York City. Although the shows were declared obscene and outlawed, they were rather tame by modern standards.&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=File:Miss-rheingold.jpg&amp;diff=3951</id>
		<title>File:Miss-rheingold.jpg</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=File:Miss-rheingold.jpg&amp;diff=3951"/>
		<updated>2021-07-05T03:06:11Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: WikiAdmin uploaded a new version of File:Miss-rheingold.jpg&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=File:Miss-rheingold.jpg&amp;diff=3950</id>
		<title>File:Miss-rheingold.jpg</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=File:Miss-rheingold.jpg&amp;diff=3950"/>
		<updated>2021-07-05T03:05:03Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_371-383&amp;diff=3949</id>
		<title>Pages 371-383</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_371-383&amp;diff=3949"/>
		<updated>2021-07-05T03:00:53Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
==Page 372==&lt;br /&gt;
&#039;&#039;&#039;Berliner Luft&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &amp;quot;air of Berlin.&amp;quot; It is an often-used phrase, in the sense of the special Berlin atmosphere.&lt;br /&gt;
&lt;br /&gt;
==Page 375==&lt;br /&gt;
375.21 &#039;&#039;&#039;something in that rocket needed potassium permanganate&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The turbopump used &#039;&#039;calcium&#039;&#039; permanganate. Whatever caused the shortage of the purple stuff, it wasn&#039;t the rocket.&lt;br /&gt;
&lt;br /&gt;
==Page 376==&lt;br /&gt;
376.31-33 &#039;&#039;&#039;the knight who leaps perpetually -- across the chessboard of the zone&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In &#039;&#039;Through the Looking Glass,&#039;&#039; Alice attempts to get to the other end of the chessboard to become a queen herself.  Along the way she is helped, without much success by the White Knight.&amp;lt;br&amp;gt;&lt;br /&gt;
The conversation and reactions here between Saure and Slothrop are almost a pastiche of the Alice stories.  By 1973, when &#039;&#039;GR&#039;&#039; appeared, &amp;quot;acid&amp;quot; and Alice were of course linked forever in the popular consciousness -- largely thanks to Jefferson Airplane.&lt;br /&gt;
&lt;br /&gt;
[[image:zorro-poster.jpg|thumb|100px|right]]376.36 &#039;&#039;&#039;Zorro? The Green Hornet?&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[XYZ#zorro|Zorro]] and the Green Hornet are two masked superheroes Slothrop would know from comics and movies. Douglas Fairbanks starred in &#039;&#039;The Mark of Zorro&#039;&#039; in 1920, not 1932, as in [[Weisenburger&#039;s Companion to Gravity&#039;s Rainbow|Weisenburger&#039;s first &#039;&#039;Companion&#039;&#039; edition, corrected in the second ed.]]. Tyrone (!) Power starred in a sound remake in 1940. Britt Reid, the secret identity of The Green Hornet, was the son of Dan Reid, the nephew of the [[L#loneranger|Lone Ranger]].&lt;br /&gt;
&lt;br /&gt;
==Page 377==&lt;br /&gt;
377.1-2 &#039;&#039;&#039;The wrong word was Schwarzgerat.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Yes, the mythical White Woman is scared away by mention of the &amp;quot;black tool.&amp;quot;  Clever innuendo/double entendre here. Also possiblly underscoring that the White Woman relates to Virgo(?).&lt;br /&gt;
&lt;br /&gt;
377.31-35  &#039;&#039;&#039;photo...long, stiff sausage of very large diameter being stuffed into his mouth...though the hand or agency...is not visible&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Reminiscent of the photos of [http://en.wikipedia.org/wiki/Margaret%2C_Duchess_of_Argyll Margaret, Duchess of Argyll] fellating a naked man where only the man&#039;s face and torso, not his head, is shown.&lt;br /&gt;
&lt;br /&gt;
==Page 378==&lt;br /&gt;
&#039;&#039;&#039;Jubilee Jim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Slothrop’s song evokes the pre-industrial peddler Jim Fisk mentioned in [[Pages 20-29#Page 27|&#039;&#039;The Berkshire Hills&#039;&#039;]].&lt;br /&gt;
&lt;br /&gt;
==Page 379==&lt;br /&gt;
&#039;&#039;&#039;A stork flies over, going home...&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
Could this be an allusion to Goethe&#039;s Faust, line 746: &amp;quot;Der Kranich nach der Heimat strebt.&amp;quot; (The crane endeavors to reach the homeland.)?&lt;br /&gt;
&lt;br /&gt;
==Page 380==&lt;br /&gt;
&#039;&#039;&#039;Hauptstufe!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare the radio Superman’s words as he is about to fly: &amp;quot;Up, up, and away!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 381==&lt;br /&gt;
381.10 &#039;&#039;&#039;When they part company, the newshounds are discussing the candidates for Miss Rheingold 1946. Dorothy Hart’s advocates are the loudest, but Jill Darnley has a majority on her side. It’s all gibberish to Slothrop—it will be months yet before he runs into a beer advertisement featuring the six beauties, and find himself rooting for a girl named Helen Rückert: a blonde with a Dutch surname who will remind him dimly of someone...&#039;&#039;&#039;&amp;lt;p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[image:miss-rheingold.jpg|thumb|300px|center]]&lt;br /&gt;
&lt;br /&gt;
==Page 382==&lt;br /&gt;
382.3 &#039;&#039;&#039;Don&#039;t Sit Under the Apple Tree&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
A 1942 hit song for the Andrews Sisters.&lt;br /&gt;
&lt;br /&gt;
382.15 &#039;&#039;&#039;Mickey Rooney&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rooney was in Germany, attached to an Army entertainment unit, at the time of the Potsdam Conference but was unable to go to Potsdam and meet Truman himself.  However, there is a more likely, if more obscure, reason for the movie star’s presence here: Rocketman’s second magazine, &#039;&#039;Hello, Pal Comics&#039;&#039;, only lasted for three issues. &#039;&#039;The Comic Buyer’s Guide&#039;&#039; notes, though, that the comic was unusual because it featured a photograph of a movie star on the cover of each issue. The cover of issue #1 was devoted to Mickey Rooney! Also see my article: &amp;quot;Rooney and the Rocketman&amp;quot; [http://www.ham.muohio.edu/~krafftjm/pynchon.html &#039;&#039;Pynchon Notes&#039;&#039;] n 24-25 (1989): 113-115. [[Pages 359-371#Page 366|See note at 366]].&lt;br /&gt;
&lt;br /&gt;
382.15-16 &#039;&#039;&#039;Judge Hardy&#039;s freckled madcap son&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rooney&#039;s most famous role was Andy Hardy in a series of 16 films.&lt;br /&gt;
&lt;br /&gt;
382.21-22 &#039;&#039;&#039;more tits than they got at Minsky&#039;s&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The four Minsky brothers, Abe, Billy, Herbert and Morton, staged burlesque shows at a number of theaters in New York City. Although the shows were declared obscene and outlawed, they were rather tame by modern standards.&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_371-383&amp;diff=3948</id>
		<title>Pages 371-383</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_371-383&amp;diff=3948"/>
		<updated>2021-07-05T02:59:01Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{GR PbP Text}}&lt;br /&gt;
&lt;br /&gt;
==Page 372==&lt;br /&gt;
&#039;&#039;&#039;Berliner Luft&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &amp;quot;air of Berlin.&amp;quot; It is an often-used phrase, in the sense of the special Berlin atmosphere.&lt;br /&gt;
&lt;br /&gt;
==Page 375==&lt;br /&gt;
375.21 &#039;&#039;&#039;something in that rocket needed potassium permanganate&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The turbopump used &#039;&#039;calcium&#039;&#039; permanganate. Whatever caused the shortage of the purple stuff, it wasn&#039;t the rocket.&lt;br /&gt;
&lt;br /&gt;
==Page 376==&lt;br /&gt;
376.31-33 &#039;&#039;&#039;the knight who leaps perpetually -- across the chessboard of the zone&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In &#039;&#039;Through the Looking Glass,&#039;&#039; Alice attempts to get to the other end of the chessboard to become a queen herself.  Along the way she is helped, without much success by the White Knight.&amp;lt;br&amp;gt;&lt;br /&gt;
The conversation and reactions here between Saure and Slothrop are almost a pastiche of the Alice stories.  By 1973, when &#039;&#039;GR&#039;&#039; appeared, &amp;quot;acid&amp;quot; and Alice were of course linked forever in the popular consciousness -- largely thanks to Jefferson Airplane.&lt;br /&gt;
&lt;br /&gt;
[[image:zorro-poster.jpg|thumb|100px|right]]376.36 &#039;&#039;&#039;Zorro? The Green Hornet?&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[XYZ#zorro|Zorro]] and the Green Hornet are two masked superheroes Slothrop would know from comics and movies. Douglas Fairbanks starred in &#039;&#039;The Mark of Zorro&#039;&#039; in 1920, not 1932, as in [[Weisenburger&#039;s Companion to Gravity&#039;s Rainbow|Weisenburger&#039;s first &#039;&#039;Companion&#039;&#039; edition, corrected in the second ed.]]. Tyrone (!) Power starred in a sound remake in 1940. Britt Reid, the secret identity of The Green Hornet, was the son of Dan Reid, the nephew of the [[L#loneranger|Lone Ranger]].&lt;br /&gt;
&lt;br /&gt;
==Page 377==&lt;br /&gt;
377.1-2 &#039;&#039;&#039;The wrong word was Schwarzgerat.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Yes, the mythical White Woman is scared away by mention of the &amp;quot;black tool.&amp;quot;  Clever innuendo/double entendre here. Also possiblly underscoring that the White Woman relates to Virgo(?).&lt;br /&gt;
&lt;br /&gt;
377.31-35  &#039;&#039;&#039;photo...long, stiff sausage of very large diameter being stuffed into his mouth...though the hand or agency...is not visible&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Reminiscent of the photos of [http://en.wikipedia.org/wiki/Margaret%2C_Duchess_of_Argyll Margaret, Duchess of Argyll] fellating a naked man where only the man&#039;s face and torso, not his head, is shown.&lt;br /&gt;
&lt;br /&gt;
==Page 378==&lt;br /&gt;
&#039;&#039;&#039;Jubilee Jim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Slothrop’s song evokes the pre-industrial peddler Jim Fisk mentioned in [[Pages 20-29#Page 27|&#039;&#039;The Berkshire Hills&#039;&#039;]].&lt;br /&gt;
&lt;br /&gt;
==Page 379==&lt;br /&gt;
&#039;&#039;&#039;A stork flies over, going home...&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
Could this be an allusion to Goethe&#039;s Faust, line 746: &amp;quot;Der Kranich nach der Heimat strebt.&amp;quot; (The crane endeavors to reach the homeland.)?&lt;br /&gt;
&lt;br /&gt;
==Page 380==&lt;br /&gt;
&#039;&#039;&#039;Hauptstufe!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare the radio Superman’s words as he is about to fly: &amp;quot;Up, up, and away!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 381==&lt;br /&gt;
381.10 &#039;&#039;When they part company, the newshounds are discussing the candidates for Miss Rheingold 1946. Dorothy Hart’s advocates are the loudest, but Jill Darnley has a majority on her side. It’s all gibberish to Slothrop—it will be months yet before he runs into a beer advertisement featuring the six beauties, and find himself rooting for a girl named Helen Rückert: a blonde with a Dutch surname who will remind him dimly of someone...&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 382==&lt;br /&gt;
382.3 &#039;&#039;&#039;Don&#039;t Sit Under the Apple Tree&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
A 1942 hit song for the Andrews Sisters.&lt;br /&gt;
&lt;br /&gt;
382.15 &#039;&#039;&#039;Mickey Rooney&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rooney was in Germany, attached to an Army entertainment unit, at the time of the Potsdam Conference but was unable to go to Potsdam and meet Truman himself.  However, there is a more likely, if more obscure, reason for the movie star’s presence here: Rocketman’s second magazine, &#039;&#039;Hello, Pal Comics&#039;&#039;, only lasted for three issues. &#039;&#039;The Comic Buyer’s Guide&#039;&#039; notes, though, that the comic was unusual because it featured a photograph of a movie star on the cover of each issue. The cover of issue #1 was devoted to Mickey Rooney! Also see my article: &amp;quot;Rooney and the Rocketman&amp;quot; [http://www.ham.muohio.edu/~krafftjm/pynchon.html &#039;&#039;Pynchon Notes&#039;&#039;] n 24-25 (1989): 113-115. [[Pages 359-371#Page 366|See note at 366]].&lt;br /&gt;
&lt;br /&gt;
382.15-16 &#039;&#039;&#039;Judge Hardy&#039;s freckled madcap son&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rooney&#039;s most famous role was Andy Hardy in a series of 16 films.&lt;br /&gt;
&lt;br /&gt;
382.21-22 &#039;&#039;&#039;more tits than they got at Minsky&#039;s&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The four Minsky brothers, Abe, Billy, Herbert and Morton, staged burlesque shows at a number of theaters in New York City. Although the shows were declared obscene and outlawed, they were rather tame by modern standards.&lt;br /&gt;
&lt;br /&gt;
{{GR PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=D&amp;diff=3945</id>
		<title>D</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=D&amp;diff=3945"/>
		<updated>2020-03-12T22:45:07Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt; 	 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dacoits&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
644; The Dacoits were Burmese guerrillas who fled to the hills and jungle after the overthrow of Burma in 1886, and waged a desultory campaign against the British for several years.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Daedalus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Daedalus was the great craftsman of Greek mythology. He built the labyrinth for Minos on Crete and because he may have helped Theseus escape from the maze, he was imprisoned in it with his son Icarus. He fashioned wings out of wax for himself and his son and, as we all know, Icarus flew too close to the sun, his wings melted and he fell to his death. Daedalus escaped to Italy and then Sicily; &amp;quot;the gift of Daedalus that allowed Pökler to put as much labyrinth as required between himself and the inconveniences of caring&amp;quot; 428&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Daily Herald&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
231; British newspaper, published in London from 1912 to 1964; typically associated with worker&#039;s issues and the Labour Party&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D&#039;Allesandro, Danny&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
584; a pinball wizard, one of &amp;quot;the great thumbs of Koekuk and Puyallup, Oyster Bay, Inglewood&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dancing-shoe wars&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
57;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dante Alighieri (1265-1321)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
350; Florentine poet, most famous for Divina Commedia (1307) which is an encyclopedic narrative which tells in poetry Dante&#039;s journey through Hell and Purgatory by Virgil and to Paradise guided by Beatrice; &amp;quot;They are without a touch of Dante to Their notions of reprisal&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;d&#039;Annunzio, Gabriele (1863-1938)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Doomed as d&#039;Annunzio&#039;s adventure at Fiume&amp;quot; 478; D&#039;Annunzio was an Italian poet, adventurer and political leader; a fierce patriot, he was a strong supporter of the Fascist party under Mussolini; [More about Fiume]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dan&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
752; &amp;quot;The Lone Ranger will [...] find his young friend, innocent Dan, swinging from a tree limb by a broken neck&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dan Wall&#039;s Chili House&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
63; where Charlie Parker is playing, in Harlem&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Darlene&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
19; nurse at St. Veronica&#039;s hospital and lover of Slothrop; 114; 271&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Darnley, Jill&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
381; competing for Miss Rheingold 1946&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dawes-era&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
74; Charles Dawes (1865-1951) was the vice-president under Coolidge from 1925-29. He headed the commission that drew up the &amp;quot;Dawes plan&amp;quot; setting out German reparation payments in 1924&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D-Day&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
577; &amp;quot;when I heard General Eisenhower on the radio announcing the invasion of Normandy&amp;quot;;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DEATH&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also angels; Empty Ones; Kollwitz, Käthe; [Discussion of WHO DIES in GR]; [Carl Jung]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Degenkolb&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
448; &amp;quot;heading up the Rocket Committee by then&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Degrelle, Léon (1906-94)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Founder and leader of the Rexist Party of Belgium, who collaborated with the Germans during World War II. After Belgium was liberated in September 1944, Degrelle was sentenced in absentia to death as a collaborator. He fled to Spain and became a citizen; Louis Borgesius heard him tell the crowd &amp;quot;that they must let themselves be swept away by the flood, they must act, act, and let the rest take care of itself&amp;quot; 544&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Nuit, Rev. Dr. Paul&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
56; French: de la nuit = &amp;quot;of the night&amp;quot;; house chaplain at White Visitation; 81; 143; &amp;quot;staff automatist&amp;quot; 146; 149&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Perlimpinpin, Georges (&amp;quot;Poudre&amp;quot;)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
243; &amp;quot;the Limoges fireworks magnate&amp;quot; and father (?) of Raoul; poudre is French for &#039;powder&#039;, but poudre de la perlimpinpin is slang for &#039;patent medicine&#039; or &#039;snake oil&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Perlimpinpin, Raoul&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
243; throws big party where hollandaise is spiked with hashish &amp;amp; Italo &amp;amp; Tamara have it out with tanks; 463&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;deltaq&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;delta-q&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
647; a quality increment&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;deltat&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;delta-t&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
An increment of time represented spacially, as on a graph; &amp;quot;Interest from various numbered trusts was still turned [...] in long rallentando, in infinite series just perceptibly, term by term, bying ... never quite to the zero&amp;quot; 28; &amp;quot;the explosion over his head always just about to come&amp;quot; 58; &amp;quot;60 miles up the rockets hanging the measureless instant over the black North Sea&amp;quot; 135; &amp;quot;Our history is an aggregate of last moments&amp;quot; 149; Leni applying it to being in the moment, 159; &amp;quot;The moving vehicle is frozen, in space, to become architecture, and timeless. It was never launched. It will never fall.&amp;quot; 301; &amp;quot;a point in space, a point hung precise as the point where burning must end, never launched, never to fall&amp;quot; 302; &amp;quot;corroded Hansel in perpetual arrest&amp;quot; 398; &amp;quot;half-timbered houses, stepped out story by story, about to meet overhead after centuries of imperceptible toppling&amp;quot; 493; &amp;quot;words. . .only delta-t from the things they stand for&amp;quot; 510 (and 100); &amp;quot;nearly about to burn through the last whispering veil&amp;quot; 518; &amp;quot;stairsteps of range and height, delta-x and delta-y, allowing them to grow smaller and smaller, approaching zero [...] frame by frame, delta-x by delta-y, flightless themselves&amp;quot; 567; &amp;quot;the delta-x&#039;s and delta-y&#039;s of his drifter&#039;s spirit&amp;quot; 572; delta-q, 647; rate of change at a cusp, 664; &amp;quot;the delta-t itself&amp;quot; 754; &amp;quot;last thin pages of fluttering closed&amp;quot; 759; &amp;quot;the last delta-t&amp;quot; 760&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de Mallakastra, Baron&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
463; passenger on the Anubis&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de Mérode, Cléo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
232; early 20th century dancer; was the mistress of Leopold II of Belgium&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Demian-metaphysics&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
403; German novelist Hermann Hesse (1877-1962), experiencing a crisis of the spirit, had psychoanalysis with J.B. Lang, a disciple of Carl Gustav Jung. His novel Demian (1919), which shows the influence of analysis, is about the character Demian (a classic &amp;quot;seeker&amp;quot;) and his quest for self-awareness. Published during the troubled Weimar years, the novel was very popular and had a pervasive influence on the Germans. It also made Hesse famous.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Denham, Carl&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
689; director of &amp;quot;King Kong&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Denmark&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
398; &amp;quot;or did you kneel up in the seat, looking over the water, trying to see Denmark?&amp;quot;; &amp;quot;...your new home!&#039; Gray and green, through the mist...&amp;quot; 421; &amp;quot;hooded face of sorrowing Denmark, leaning out over Germany&amp;quot; 484; &amp;quot;off the coast of Denmark&amp;quot; (Frau Gnahb insulting a stone), 497; &amp;quot;If it&#039;s Copenhagen she&#039;s bound for&amp;quot; 527; &amp;quot;a ghostly crowd of late dandelions waiting for the luminous wind that will break them toward the sea, over to Denmark&amp;quot; 560; &amp;quot;and get over to that Denmark&amp;quot; 623; &amp;quot;crumbs of a pineapple Danish, whorls of an Aetheric Danish&amp;quot; 696; [Thanks to Douglas Kløvedal Lannark for this Denmark listing]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;De Profundus, Nick&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
295; &amp;quot;company lounge lizard&amp;quot; and entrepreneur at Mittelwerk during US occupation&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Der Platz&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
686; German: &amp;quot;the place&amp;quot;; Säure&#039;s communal pad; 711; 745; 746&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Der Springer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See [[S#springer|Springer, Der]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;deuce-and-a-half&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
313; Nickname for the American Army vehicle vehicle M35A2; ten driven wheels and a camouflage paint scheme. It has 3 axels, as well as a large cargo bed with a 5-ton load carrying capacity.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Devil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Satanic intervention&amp;quot; 110; &amp;quot;midnights of wrestling with the Beast&amp;quot; 111; &amp;quot;Satanic operators of all descriptions&amp;quot; in Psi Section, 125; &amp;quot;old ldies in Altrincham trying to summon up the Devil&amp;quot; 153; &amp;quot;the black scapeape we cast down like Lucifer&amp;quot; 275; &amp;quot;For the devil&#039;s kiss&amp;quot; 329; &amp;quot;the Devil behind the [mirror]&amp;quot; 444; &amp;quot;A fall of hours, less extravagant than Lucifer&#039;s&amp;quot; 464;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dewey, Thomas (1902-71)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
636; was the Republican nomineee for President of the U.S. in 1944 and 1948&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Diamond Lil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
657; Diamond Lil (Honora Ornstein) was a New York City Bowery saloon owner and madame in the 1890s. [[W#maewest|Mae West]] played her in the 1933 film, She Done Him Wrong (with her line &amp;quot;Come up sometime &#039;n&#039; see me&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dickinson, Emily (1830-86)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
28; American poet, personal a-and spiritual&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dieckmann, Dr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
630; ran Vermittlungsstelle W with Dr. Gorr&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Die Frau im Mond&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
159; German: &#039;woman in the moon&#039;; A science fiction silent film that premiered October 15, 1929. It is often considered to be one of the first &amp;quot;serious&amp;quot; science fiction films.It was written and directed by [[Fritz Lang|Fritz Lang]], based on the novel &#039;&#039;Die Frau im Mond&#039;&#039; (1928, translated as &#039;&#039;The Rocket to the Moon&#039;&#039; during 1930) by his then-wife and collaborator Thea von Harbou. It was released in the USA as &#039;&#039;By Rocket to the Moon&#039;&#039;, and in the UK as &#039;&#039;Woman in the Moon&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Die Welt am Montag&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
571; German: &amp;quot;The World on Monday&amp;quot;; a newspaper&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dillinger, John (1903-34)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
368-69; American gangster specializing in bank robberies; &amp;quot;As B/4&amp;quot; 436; killed at Biograph Theatre in Chicago, 516; bloody shirt, 741&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dillon, Reed&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
565; Thomas Moore: &amp;quot;During the 1930s, Dillon, Reed &amp;amp; Company of Wall Street handled American transactions for the German steel trust Vereinigte &lt;br /&gt;
Stahlwerke (p.143)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Disgusting English Candy Drill&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
116&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Disney, Walter Elias &amp;quot;Walt&amp;quot; (1901–1966)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
135; An American film producer, director, screenwriter, voice actor, animator, entrepreneur, entertainer. He cofounded Walt Disney Productions, which became famous for its innovative animation, iconic characters and theme parks. He was also a leading force behind the anti-comunist movement in Hollywood in the 1940s; &#039;Disneyfied look&#039;, 70&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Djuro&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
732; member of Schwarzkommando, with Enzian&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodgem cars&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
273;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodson-Truck, Frank&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
215; son of Sir Stephen&#039;s and Nora&#039;s of whom they&#039;ve lost track after he was sent to Indo-China&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;dodson-truck&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Dodson-Truck, Nora&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
145-50; scorpio wife of Sir Stephen D-T, lover of Carroll Eventyr and &amp;quot;connoisseuse of splendid weaknesses&amp;quot;; &amp;quot;erotic nihilist&amp;quot; 149; Ideology of the Zero, 218; maps on to Leni?, 218; &amp;quot;her real identity is [...] the Force of Gravity&amp;quot; 639&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodson-Truck, Sir Stephen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
206; tutored Slothrop on rocket stuff and technical German at Casino; husband of Nora D-T; disappears from Casino after Slothrop gets him drunk playing &amp;quot;Prince&amp;quot; and he confesses, 211; at Fitzmaurice House, 228; &amp;quot;Nature of Freedom&amp;quot; drill, 541; 544; at Pirate&#039;s, 639 Dog Vanya 78; dog in ARF wing undergoing conditioning experiments; &#039;&#039;Is Stephen Dodson-Truck based on James Joyce?&#039;&#039; [https://doi.org/10.1080/0013838X.2020.1727176 Read Erik Ketzan&#039;s paper suggesting this]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Domina Nocturna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
232; Katje&#039;s S&amp;amp;M character (&amp;quot;shining mother and last love&amp;quot;) who satisfies Pudding so that Pointsman can keep funding&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DOPE&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also Gnahb, Frau; LSD; Sodium Amytal; Stonybloke, Will&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dora&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
289; prison camp next to Mittelwerke, mostly foreign prisoners; &amp;quot;When the Americans liberated Dora&amp;quot; 296; &amp;quot;they call them re-education camps&amp;quot; 408; Ilse and Leni, 428; 430; Pökler goes into, 432-33; 175s (homosexual inmates), 665; See also 175-Stadt&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Double Agent Convention&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
537-548; &amp;quot;&#039;But that&#039;s the only medium we&#039;ve got now&#039; he cries, &#039;our gift for bad faith&#039;&amp;quot; 546;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DP&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
281; DPs (displaced persons) were those who were released from German prison camps and slave labor camps after VE Day, as well as German civilians who had been bombed out of their dwellings or who were fleeing advancing armies; Displaced Person&#039;s song&amp;quot; 283-84; &amp;quot;Since the surrender there have been these constant skirmishes between the German civilians and foreign prisoners freed from the camps.&amp;quot; 327; returning home, 549;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dracunculiasis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
13; more commonly known as Guinea worm disease (GWD). A preventable infection caused by the parasite Dracunculus medinensis. Infection affects poor communities in remote parts of Africa that do not have safe water to drink [From the Center for Disease Control website].&amp;lt;br&amp;gt;&lt;br /&gt;
From the OED:   1942 D. L. Belding Clin. Parasitol. xxii. 375 Dracunculus medinensis+. Disease.—Dracontiasis, dracunculosis, dracunculiasis.  1967 Amer. Jrnl. Trop. Med. &amp;amp; Hygiene XVI. 23/1 Dracunculiasis occurs commonly in and around Kurnool.  1973 T. Pynchon &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (1975) i. 13 &amp;quot;Dracunculiasis and Oriental sore rampant among the troops, no beer for a month.&amp;quot;  1990 Lancet 8 Sept. 630/1 Several studies have reported on the prevalence of permanent disability resulting from poliomyelitis but dracunculiasis (guineaworm disease), another preventable cause of permanent disease, has not received the same attention. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dragon Lady&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
670; refers to an Asian woman who is perceived as seductive, desirable but untrustworthy. Movies from the early 20th century portrayed this stereotypical version of the Asian woman, &amp;quot;Daughter of Fu Manchu&amp;quot; being a good example. Scheming, treacherous and dangerous, the Dragon Lady is the female version of the Asian bad guy, only with a slightly different approach to defeat her enemies. She has the power to hypnotize her male rivals, gaining their trust by seducing them and, when they least expect it, gets rid of them through sabotage or backstabbing.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dreams/dreaming&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Pirate&#039;s, 3-4; &amp;quot;rosy as a bunch of Dutch peasants dreaming of their certain resurrection&amp;quot; 5; &amp;quot;Pirate had dreamed these very words&amp;quot; 13; &amp;quot;blinking through an overlay of dream&amp;quot; 29; Pointsman&#039;s, 36-38; &amp;quot;Silence comes in, sculptured by spoken dreams&amp;quot; 49; Jessica&#039;s, 53; of peacetime, 58; Sodium Amytal-induced toilet adventure, 60-71; &amp;quot;the little baby they dream now of sitting near&amp;quot; 111; Mrs. Quoad&#039;s, 119; &amp;quot;after a dream&amp;quot; 121; the Empire&#039;s &amp;quot;dreamless version of the real&amp;quot; 129; &amp;quot;the children are away dreaming, but the Empire has no place for dreams&amp;quot; 135; Pointsman&#039;s, 137-38; Pointsman&#039;s of the Minotaur, 142; Nora DodsonTruck&#039;s dreams of flight, 146; Treacle&#039;s dreams of flight, 146; Leni&#039;s,155-56, 156-58; Leni&#039;s dream of flight, 159; &amp;quot;you go from dream to dream inside me&amp;quot; 177; Stalin&#039;s pathological, 189; &amp;quot;that touch on the sleeves of his dreams&amp;quot; 209; Pudding&#039;s, 232; Slothrop dreaming in German, 240; Slothrop&#039;s dream of old pals while in Nice, 255; &amp;quot;[Slothrop] dozes in and out of a hallucination of Alps, fogs, abysses&amp;quot; 257; Slothrop dreaming of Jamf, 268; &amp;quot;a dream of Atlantis, of the Suggenthal&amp;quot; 269; Pointsman&#039;s nightmare, 272; &amp;quot;your biography now like any old bad dream&amp;quot; 277; Slothrop&#039;s dream (?), 281-83; Slothrop&#039;s &amp;quot;Jamf/I&amp;quot; dream, 286-87, 623; Enzian&#039;s &amp;quot;wet dream where he coupled with a slender white rocket&amp;quot; 297; Enzian&#039;s of an &amp;quot;endless North&amp;quot; 327; &amp;quot;dreaming of food, oblivion, alternate histories. . .&amp;quot; 336; Galina&#039;s, 341; &amp;quot;German dreams of the Tenth-Elegy angel&amp;quot; 341; Chu Piang&#039;s, 347; 355; Evil Hour, 375; &amp;quot;your dream of pampas and sky&amp;quot; 388; Slothrop&#039;s of Berkshire, 392; Alpdrucken (&amp;quot;Nightmare&amp;quot;), 394; Pökler&#039;s of rocket, 399-400; Kekulé&#039;s dream of 1865, 410; Jung&#039;s &amp;quot;ancestral pool&amp;quot; 410; &amp;quot;Pökler dreaming about Kekulé&#039;s dream&amp;quot; 412-13; &amp;quot;unrecoverable dreams&amp;quot; 415; Pökler&#039;s of bulb as Weissmann, 426-27 (see page 653); &amp;quot;City of Elves producing toy moon-rockets&amp;quot; 431; &amp;quot;Säure&#039;s on the move. . .prowling his dreams&amp;quot; 437; Slothrop&#039;s transmutation dream, 446-47; &amp;quot;ships we can dream across terrible rapids&amp;quot; 462; Slothrop dreaming of Llandudno, 468; Bianca &amp;quot;dreams often of the same journey&amp;quot; 471; oneiric (dreamlike), 475; &amp;quot;Where was anybody that summer before the War? Dreaming.&amp;quot; 475; of battles survived, 490; Slothrop&#039;s of Bianca, 492; &amp;quot;Givin&#039; all m&#039;dreams away&amp;quot; 522; Slothrop&#039;s of Tantivy, 551-52; &amp;quot;Slothrop dreams&amp;quot; 552; &amp;quot;your saddest dreams&amp;quot; 577; &amp;quot;bursts of destroying beauty there for his dreams to work on&amp;quot; 578; &amp;quot;the dramatic connections that were really all there, in his dreams&amp;quot; 579; Slothrop&#039;s of Zwölfkinder and Bianca, 609; &amp;quot;Solange&amp;quot; dreaming of Ilse, 610; Slothrop&#039;s of Bette Davis and Margaret Dumont, 619; Pirate&#039;s of windmills, 620; &amp;quot;dreaming at the last instant of who can say what lifted smock&amp;quot; 625; Mexico&#039;s of Jessica (in the song), 627; &amp;quot;what ladies in black appeared in his dreams&amp;quot; 629; &amp;quot;It wasn&#039;t a dream. Don&#039;t you wish it could be.&amp;quot; 668; Christian&#039;s of Maria, 673; &amp;quot;of assassinations, of plots against good and decent men&amp;quot; 689; Dark Dream, 697; keying waves, 699; Beaver&#039;s, 708; Gottfried&#039;s single dream, 721; &amp;quot;I dream of discovering the edge of the World&amp;quot; 722; &amp;quot;of rendezvous, of cosmic trapeze acts&amp;quot; 723; the Rocket &amp;quot;must answer to a number of different shapes in the dreams of those who touch it&amp;quot; 727; &amp;quot;dream-caressed&amp;quot; 730; &amp;quot;Strung Into the Apollonian Dream&amp;quot; 754; Gottfried, 754; &amp;quot;human figure, dreaming of an early evening in each great capital&amp;quot; 760; See also Jung, Carl&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dreyfus Affair&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; Captain Alfred Dreyfus (1859-1935) was a French army officer who, in 1893-94, was unjustly accused of delivering to a foreign government documents connected with the national defence, court-martialed and sentenced to life on Devil&#039;s Island. In 1906, when anti-semitism had died down in France, the verdict was reversed and he was restored to army rank and fought in WWI.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Driwelling&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
518; engineer at Peenemünde&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Drohne&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
487; German: &amp;quot;drone&amp;quot;; &amp;quot;plastics connoisseur&amp;quot; at The Castle&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dromond&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
139; one of the seven original owners of The Book; killed &amp;quot;by German artillery on Shellfire Corner&amp;quot;; 140; 167&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dufay, Kim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
744; daughter of Pete and Marjorie and schoolmate of Hogan Jr.; [From Pynchon&#039;s short story &amp;quot;The Secret Integration&amp;quot; in Slow Learner: &amp;quot;a slender, exotic-looking sixth-grader with a blond pigtail [...] who had a thing about explosive chemical reactions&amp;quot; (p.150)]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dufay, Pete&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
744; marries Marjorie&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dulles, Allen (1893-1969)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
268; During WWII, Dulles served with O.S.S. and, when Truman formed the CIA in 1951, he was appointed deputy director and, in 1953, director; &amp;quot;and his &#039;intelligence&#039; network&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dumbo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
one of Osbie Feel&#039;s favorite movies, 106; &amp;quot;the lads in Hollywood telling us how grand it all is over here, how much fun, Walt Disney causing Dumbo the elephant to clutch to that feather&amp;quot; 135; &amp;quot;&#039;[Dillinger&#039;s bloodstained shirt] worked for me, but I&#039;m out of the Dumbo stage now, I can fly without it.&amp;quot; 741&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Duncan, Isadora (1877-1927)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
657; American dancer who was among the first to raise interpretive dance to the status of creative art, incorporating classical, particularly Greek, mythology, art and music. Not very successful in the United States, she took her new style of performance to Europe where it was greeted enthusiastically. She was strangled when her long scarf became entangled in the wheels of a car.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dungans&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
340; Central Asian people&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dunham, Crazy Sue&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
329; Amy Sprue was ahead of her by 200 years, &amp;quot;sacrificing chickens up on Snodd&#039;s Mountain&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dunkirk, Maggie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
127; lives in Jessica&#039;s dorm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;du Pont&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
249; early research on Imipolex G done there&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dutch&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
108; ic heb u liever dan ên everswîn, al waert van finen goude ghewracht (English: I love you more than a wild boar / even if it were made of fine gold)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D Wing&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
139; still houses a few genuine mental patients; White Visitation&#039;s cover; most PISCES people avoid it&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dyes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Mauve [...] William Perkin discovered it [...] the first new color on Earth&amp;quot; 166; &amp;quot;Tyrian purple, alizarin and indigo, other coal-tar dyes&amp;quot; 166;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dzabajev&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; &amp;quot;teenage Kazazh dope fiend with pimples and a permanently surly look&amp;quot; who is Tchitcherine&#039;s sidekick/driver; 564; posing as Frank Sinatra in the Zone, 700; &amp;quot;that sodden Asiatic&amp;quot; 705; with Slothrop, 742; Village Idiot Convention, 743&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3944</id>
		<title>J</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3944"/>
		<updated>2020-03-12T22:44:16Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Jablochkov candles&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
351; Pavel Nikolayevich Jablochkov (1847-1894) was a Russian electrical engineer and inventor who developed the Jablochkov candle, the first arc lamp put to wide practical use and which greatly accelerated the development of electric lighting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jabos&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
486;  &amp;quot;Jabo&amp;quot; is derived from the German &amp;quot;Jäger-Bomber,&amp;quot; or &amp;quot;fighter-bomber&amp;quot; (literally, &amp;quot;hunter-bomber&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jacobistrasse 12&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436; where Säure Bummer can be found, according to message he leaves Slothrop in white plastic chess knight; 443;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Laszlo Jamf|JAMF, Laszlo]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Janet, Pierre (1859-1947)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Janet, a psychologist and neurologist, was influential in bringing about in France and the United States a connection between academic psychology and the clinical treatment of mental illnesses. He stressed psychological factors in hypnosis and contributed to the modern concept of mental and emotional disorders involving anxiety, phobias, and other abnormal behaviour. As a Ph.D. candidate at the University of Paris, Janet studied automatic acts and in his thesis (1889) introduced but did not amplify the concept of the unconscious, a situation that engendered a dispute with Sigmund Freud over priority; correspondence with Pavlov, 49, 87-88; Spectro as Pointsman&#039;s Janet, 142&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jeaach&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
703; calls Oneirine hauntings &amp;quot;&#039;the dullest hallucinations known to psychopharmacology&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jehovah&#039;s Witnesses&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
681; German headquarters located in Magdeburg&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jello, James&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
698; friend of Pirate&#039;s; &amp;quot;that year&#039;s King of Bohemian clowns&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jennifer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
23; one of Slothrop&#039;s &amp;quot;girls&amp;quot;; 255; 271 See also Slothrop&#039;s girls/stars&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jewel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
200; one of two ladies with the General playing croquet as Slothrop falls from the tree, draped in a purple sheet&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jiu-jitsu&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
416; Jiu-Jitsu, literally meaning the &amp;quot;art of softness&amp;quot;, or &amp;quot;way of yielding&amp;quot;, is a collective name for Japanese martial art styles including unarmed and armed techniques. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joachim, Joseph (1831-1907)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Hungarian composer and violin prodigy who founded the Joachim Quartet which was renowned for its performances of Bach, Mozart and Beethoven; &amp;quot;some hypothetical Joachim playing his own cadenza from the long-suppressed Rossini violin concerto&amp;quot; 684&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jo block&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
621; From &#039;&#039;Webster&#039;s New International Dictionary&#039;&#039;, 2d Ed., 1950:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Johannson gauge blocks: A set of a limited number of flat parallel gauge blocks ... of such accuracy and such thickness that when wrung together with the hand (the surfaces being first well cleansed) they have an adhesive power equal to many times that of the atmosphere and may be used as a standard for making measurements with an error of less than 1/100,000 of an inch.&amp;quot; Thus, the Jo Block represents Ultimate Smoothness and Precision.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johanna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
408; one of Ilse&#039;s playmates at Dora&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johnson Smith&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
210; A mail-order company officially established in 1914 that sells novelty and gag gift items such as x-ray goggles, whoopee cushions, fake vomit, and joy buzzers. They often advertised in comic books.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joint, Dennis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
272; representative from Shell Mex House at PISCES; 275; 277; &amp;quot;like a blond crewcut [[M#groucho|Grouch Marx]] 278&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jokes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;What did the Cockney exclaim to the cowboy from San Antonio?&amp;quot; 168; &amp;quot;Erdschweinhöhle. This is a Herero joke&amp;quot; 315; &amp;quot;All you feel like listening to Beethoven is going out and invading Poland&amp;quot; 440; &amp;quot;[The robot] will prove to be addicted to one-liners that never quite come off for anyone but it.&amp;quot; 645&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jollifox of the Cambridge School&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
702; recurring themes in Oneirine hallucinations, due to the Pökler singularity, were named &amp;quot;mantic archetypes&amp;quot; by Jollifox&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jolly Jack Tar&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
380; Slang: a sailor&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Josef Israelplein&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
241;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joyce, James (1882-1941)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Irish novelist noted for pushing the envelope in language and exploring new literary methods in such large, encyclopedic works as &#039;&#039;&#039;Ulysses&#039;&#039; (1922) and &#039;&#039;Finnegans Wake&#039;&#039; (1939); former patron of the Odeon, 262; &#039;&#039;Is [[D#dodson-truck|Stephen Dodson-Truck]] based on James Joyce?&#039;&#039; [https://doi.org/10.1080/0013838X.2020.1727176 Read Erik Ketzan&#039;s paper suggesting this]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Judaism/Jews&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Jews also carry an element of guilt, of future blackmail, which operates, natch, in favor of the professionals.&amp;quot; 105; &amp;quot;the Jewess reverting [...] to the bodily ... so sensual [...] the Judenschnautze feinting, [...] To do it not just with another woman, but with a Jewess....Their animal darkness&amp;quot; 156; Jewish wolf Pflaumbaum&amp;quot; 159; &amp;quot;stars of David&amp;quot; 160; &amp;quot;Knallt ab den Juden Rathenau,/Die gottverdammte Judensau&amp;quot; 163; &amp;quot;&#039;We even have the Jew&#039;s blessing!&#039;&amp;quot; 165; &amp;quot;The Welsh [...] once upon a time were Jewish too? one of the Lost Tribes of Israel&amp;quot; [...] What if we&#039;re all Jews, [...] scattered like seeds? 170; &amp;quot;the blacks and Jews, in their darkness&amp;quot; 172; &amp;quot;her face darkened, Judaized by the words she speaks&amp;quot; 219-20; Zionists, 390; &amp;quot;[Margherita] had got the idea somewhere that she was part Jewish&amp;quot; 474; &amp;quot;this holy Text had to be the Rocket [...] our Torah&amp;quot; 520; &amp;quot;mezuzah. Safe passage through a bad night&amp;quot; 563; &amp;quot;one-thim Brain Trusters. Jews, most of&#039;m&amp;quot; 565; Hasidic communes, 613-14; See also God; Judeo-Christian&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Judeo-Christian References|JUDEO-CHRISTIAN]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also Compline; God; Judaism/Jews; religion&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jugendstil cups&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Jugendstil (German: &amp;quot;Youth Style&amp;quot;) arose in Germany in the mid-1890s and continuing through the first decade of the 20th century. Deriving its name from the Munich magazine Die Jugend (&amp;quot;Youth&amp;quot;), which featured Art Nouveau designs, the early period (before 1900) was mainly floral in character, rooted in English Art Nouveau and Japanese applied arts and prints; &amp;quot;tulip-shaped Jugendstil cups&amp;quot; 550&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Juicy Jap&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
558; &amp;quot;the doll that you fill with ketchup then bayonet through any of several access slots&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jung, Carl (d. 1961)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
276; Swiss psychologist; &amp;quot;ancestral pool,&amp;quot; 410; [[Carl Jung&#039;s Life/Death Parabola|The Life/Death Parabola]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jungfrau&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
9; German: &amp;quot;young girl&amp;quot; usu. &amp;quot;Virgin Mary&amp;quot;; high mountain in the Swiss Alps overlooking the ski resort of Wengen; 106&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Justus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
714; participates in &amp;quot;roasting&amp;quot; of Mexico&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3943</id>
		<title>J</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3943"/>
		<updated>2020-03-12T21:10:30Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Jablochkov candles&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
351; Pavel Nikolayevich Jablochkov (1847-1894) was a Russian electrical engineer and inventor who developed the Jablochkov candle, the first arc lamp put to wide practical use and which greatly accelerated the development of electric lighting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jabos&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
486;  &amp;quot;Jabo&amp;quot; is derived from the German &amp;quot;Jäger-Bomber,&amp;quot; or &amp;quot;fighter-bomber&amp;quot; (literally, &amp;quot;hunter-bomber&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jacobistrasse 12&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436; where Säure Bummer can be found, according to message he leaves Slothrop in white plastic chess knight; 443;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Laszlo Jamf|JAMF, Laszlo]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Janet, Pierre (1859-1947)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Janet, a psychologist and neurologist, was influential in bringing about in France and the United States a connection between academic psychology and the clinical treatment of mental illnesses. He stressed psychological factors in hypnosis and contributed to the modern concept of mental and emotional disorders involving anxiety, phobias, and other abnormal behaviour. As a Ph.D. candidate at the University of Paris, Janet studied automatic acts and in his thesis (1889) introduced but did not amplify the concept of the unconscious, a situation that engendered a dispute with Sigmund Freud over priority; correspondence with Pavlov, 49, 87-88; Spectro as Pointsman&#039;s Janet, 142&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jeaach&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
703; calls Oneirine hauntings &amp;quot;&#039;the dullest hallucinations known to psychopharmacology&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jehovah&#039;s Witnesses&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
681; German headquarters located in Magdeburg&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jello, James&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
698; friend of Pirate&#039;s; &amp;quot;that year&#039;s King of Bohemian clowns&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jennifer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
23; one of Slothrop&#039;s &amp;quot;girls&amp;quot;; 255; 271 See also Slothrop&#039;s girls/stars&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jewel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
200; one of two ladies with the General playing croquet as Slothrop falls from the tree, draped in a purple sheet&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jiu-jitsu&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
416; Jiu-Jitsu, literally meaning the &amp;quot;art of softness&amp;quot;, or &amp;quot;way of yielding&amp;quot;, is a collective name for Japanese martial art styles including unarmed and armed techniques. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joachim, Joseph (1831-1907)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Hungarian composer and violin prodigy who founded the Joachim Quartet which was renowned for its performances of Bach, Mozart and Beethoven; &amp;quot;some hypothetical Joachim playing his own cadenza from the long-suppressed Rossini violin concerto&amp;quot; 684&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jo block&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
621; From &#039;&#039;Webster&#039;s New International Dictionary&#039;&#039;, 2d Ed., 1950:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Johannson gauge blocks: A set of a limited number of flat parallel gauge blocks ... of such accuracy and such thickness that when wrung together with the hand (the surfaces being first well cleansed) they have an adhesive power equal to many times that of the atmosphere and may be used as a standard for making measurements with an error of less than 1/100,000 of an inch.&amp;quot; Thus, the Jo Block represents Ultimate Smoothness and Precision.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johanna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
408; one of Ilse&#039;s playmates at Dora&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johnson Smith&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
210; A mail-order company officially established in 1914 that sells novelty and gag gift items such as x-ray goggles, whoopee cushions, fake vomit, and joy buzzers. They often advertised in comic books.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joint, Dennis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
272; representative from Shell Mex House at PISCES; 275; 277; &amp;quot;like a blond crewcut [[M#groucho|Grouch Marx]] 278&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jokes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;What did the Cockney exclaim to the cowboy from San Antonio?&amp;quot; 168; &amp;quot;Erdschweinhöhle. This is a Herero joke&amp;quot; 315; &amp;quot;All you feel like listening to Beethoven is going out and invading Poland&amp;quot; 440; &amp;quot;[The robot] will prove to be addicted to one-liners that never quite come off for anyone but it.&amp;quot; 645&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jollifox of the Cambridge School&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
702; recurring themes in Oneirine hallucinations, due to the Pökler singularity, were named &amp;quot;mantic archetypes&amp;quot; by Jollifox&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jolly Jack Tar&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
380; Slang: a sailor&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Josef Israelplein&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
241;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joyce, James (1882-1941)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Irish novelist noted for pushing the envelope in language and exploring new literary methods in such large, encyclopedic works as &#039;&#039;&#039;Ulysses&#039;&#039; (1922) and &#039;&#039;Finnegans Wake&#039;&#039; (1939); former patron of the Odeon, 262; &#039;&#039;Is [[D#dodson-truck|Stephen Dodson-Truck]] based on James Joyce?&#039;&#039; [https://www.tandfonline.com/eprint/HDJVVHTHTGZ7YVIMWEDC/full Read Erik Ketzan&#039;s paper suggesting this]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Judaism/Jews&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Jews also carry an element of guilt, of future blackmail, which operates, natch, in favor of the professionals.&amp;quot; 105; &amp;quot;the Jewess reverting [...] to the bodily ... so sensual [...] the Judenschnautze feinting, [...] To do it not just with another woman, but with a Jewess....Their animal darkness&amp;quot; 156; Jewish wolf Pflaumbaum&amp;quot; 159; &amp;quot;stars of David&amp;quot; 160; &amp;quot;Knallt ab den Juden Rathenau,/Die gottverdammte Judensau&amp;quot; 163; &amp;quot;&#039;We even have the Jew&#039;s blessing!&#039;&amp;quot; 165; &amp;quot;The Welsh [...] once upon a time were Jewish too? one of the Lost Tribes of Israel&amp;quot; [...] What if we&#039;re all Jews, [...] scattered like seeds? 170; &amp;quot;the blacks and Jews, in their darkness&amp;quot; 172; &amp;quot;her face darkened, Judaized by the words she speaks&amp;quot; 219-20; Zionists, 390; &amp;quot;[Margherita] had got the idea somewhere that she was part Jewish&amp;quot; 474; &amp;quot;this holy Text had to be the Rocket [...] our Torah&amp;quot; 520; &amp;quot;mezuzah. Safe passage through a bad night&amp;quot; 563; &amp;quot;one-thim Brain Trusters. Jews, most of&#039;m&amp;quot; 565; Hasidic communes, 613-14; See also God; Judeo-Christian&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Judeo-Christian References|JUDEO-CHRISTIAN]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also Compline; God; Judaism/Jews; religion&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jugendstil cups&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Jugendstil (German: &amp;quot;Youth Style&amp;quot;) arose in Germany in the mid-1890s and continuing through the first decade of the 20th century. Deriving its name from the Munich magazine Die Jugend (&amp;quot;Youth&amp;quot;), which featured Art Nouveau designs, the early period (before 1900) was mainly floral in character, rooted in English Art Nouveau and Japanese applied arts and prints; &amp;quot;tulip-shaped Jugendstil cups&amp;quot; 550&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Juicy Jap&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
558; &amp;quot;the doll that you fill with ketchup then bayonet through any of several access slots&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jung, Carl (d. 1961)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
276; Swiss psychologist; &amp;quot;ancestral pool,&amp;quot; 410; [[Carl Jung&#039;s Life/Death Parabola|The Life/Death Parabola]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jungfrau&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
9; German: &amp;quot;young girl&amp;quot; usu. &amp;quot;Virgin Mary&amp;quot;; high mountain in the Swiss Alps overlooking the ski resort of Wengen; 106&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Justus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
714; participates in &amp;quot;roasting&amp;quot; of Mexico&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3942</id>
		<title>J</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3942"/>
		<updated>2020-03-12T21:09:39Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Jablochkov candles&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
351; Pavel Nikolayevich Jablochkov (1847-1894) was a Russian electrical engineer and inventor who developed the Jablochkov candle, the first arc lamp put to wide practical use and which greatly accelerated the development of electric lighting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jabos&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
486;  &amp;quot;Jabo&amp;quot; is derived from the German &amp;quot;Jäger-Bomber,&amp;quot; or &amp;quot;fighter-bomber&amp;quot; (literally, &amp;quot;hunter-bomber&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jacobistrasse 12&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436; where Säure Bummer can be found, according to message he leaves Slothrop in white plastic chess knight; 443;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Laszlo Jamf|JAMF, Laszlo]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Janet, Pierre (1859-1947)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Janet, a psychologist and neurologist, was influential in bringing about in France and the United States a connection between academic psychology and the clinical treatment of mental illnesses. He stressed psychological factors in hypnosis and contributed to the modern concept of mental and emotional disorders involving anxiety, phobias, and other abnormal behaviour. As a Ph.D. candidate at the University of Paris, Janet studied automatic acts and in his thesis (1889) introduced but did not amplify the concept of the unconscious, a situation that engendered a dispute with Sigmund Freud over priority; correspondence with Pavlov, 49, 87-88; Spectro as Pointsman&#039;s Janet, 142&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jeaach&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
703; calls Oneirine hauntings &amp;quot;&#039;the dullest hallucinations known to psychopharmacology&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jehovah&#039;s Witnesses&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
681; German headquarters located in Magdeburg&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jello, James&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
698; friend of Pirate&#039;s; &amp;quot;that year&#039;s King of Bohemian clowns&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jennifer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
23; one of Slothrop&#039;s &amp;quot;girls&amp;quot;; 255; 271 See also Slothrop&#039;s girls/stars&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jewel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
200; one of two ladies with the General playing croquet as Slothrop falls from the tree, draped in a purple sheet&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jiu-jitsu&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
416; Jiu-Jitsu, literally meaning the &amp;quot;art of softness&amp;quot;, or &amp;quot;way of yielding&amp;quot;, is a collective name for Japanese martial art styles including unarmed and armed techniques. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joachim, Joseph (1831-1907)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Hungarian composer and violin prodigy who founded the Joachim Quartet which was renowned for its performances of Bach, Mozart and Beethoven; &amp;quot;some hypothetical Joachim playing his own cadenza from the long-suppressed Rossini violin concerto&amp;quot; 684&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jo block&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
621; From &#039;&#039;Webster&#039;s New International Dictionary&#039;&#039;, 2d Ed., 1950:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Johannson gauge blocks: A set of a limited number of flat parallel gauge blocks ... of such accuracy and such thickness that when wrung together with the hand (the surfaces being first well cleansed) they have an adhesive power equal to many times that of the atmosphere and may be used as a standard for making measurements with an error of less than 1/100,000 of an inch.&amp;quot; Thus, the Jo Block represents Ultimate Smoothness and Precision.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johanna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
408; one of Ilse&#039;s playmates at Dora&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johnson Smith&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
210; A mail-order company officially established in 1914 that sells novelty and gag gift items such as x-ray goggles, whoopee cushions, fake vomit, and joy buzzers. They often advertised in comic books.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joint, Dennis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
272; representative from Shell Mex House at PISCES; 275; 277; &amp;quot;like a blond crewcut [[M#groucho|Grouch Marx]] 278&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jokes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;What did the Cockney exclaim to the cowboy from San Antonio?&amp;quot; 168; &amp;quot;Erdschweinhöhle. This is a Herero joke&amp;quot; 315; &amp;quot;All you feel like listening to Beethoven is going out and invading Poland&amp;quot; 440; &amp;quot;[The robot] will prove to be addicted to one-liners that never quite come off for anyone but it.&amp;quot; 645&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jollifox of the Cambridge School&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
702; recurring themes in Oneirine hallucinations, due to the Pökler singularity, were named &amp;quot;mantic archetypes&amp;quot; by Jollifox&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jolly Jack Tar&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
380; Slang: a sailor&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Josef Israelplein&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
241;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joyce, James (1882-1941)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Irish novelist noted for pushing the envelope in language and exploring new literary methods in such large, encyclopedic works as &#039;&#039;&#039;Ulysses&#039;&#039; (1922) and &#039;&#039;Finnegans Wake&#039;&#039; (1939); former patron of the Odeon, 262; &#039;&#039;Is [[Stephen Dodson-Truck|D#dodson-truck]] based on James Joyce?&#039;&#039; [https://www.tandfonline.com/eprint/HDJVVHTHTGZ7YVIMWEDC/full Read Erik Ketzan&#039;s paper suggesting this]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Judaism/Jews&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Jews also carry an element of guilt, of future blackmail, which operates, natch, in favor of the professionals.&amp;quot; 105; &amp;quot;the Jewess reverting [...] to the bodily ... so sensual [...] the Judenschnautze feinting, [...] To do it not just with another woman, but with a Jewess....Their animal darkness&amp;quot; 156; Jewish wolf Pflaumbaum&amp;quot; 159; &amp;quot;stars of David&amp;quot; 160; &amp;quot;Knallt ab den Juden Rathenau,/Die gottverdammte Judensau&amp;quot; 163; &amp;quot;&#039;We even have the Jew&#039;s blessing!&#039;&amp;quot; 165; &amp;quot;The Welsh [...] once upon a time were Jewish too? one of the Lost Tribes of Israel&amp;quot; [...] What if we&#039;re all Jews, [...] scattered like seeds? 170; &amp;quot;the blacks and Jews, in their darkness&amp;quot; 172; &amp;quot;her face darkened, Judaized by the words she speaks&amp;quot; 219-20; Zionists, 390; &amp;quot;[Margherita] had got the idea somewhere that she was part Jewish&amp;quot; 474; &amp;quot;this holy Text had to be the Rocket [...] our Torah&amp;quot; 520; &amp;quot;mezuzah. Safe passage through a bad night&amp;quot; 563; &amp;quot;one-thim Brain Trusters. Jews, most of&#039;m&amp;quot; 565; Hasidic communes, 613-14; See also God; Judeo-Christian&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Judeo-Christian References|JUDEO-CHRISTIAN]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also Compline; God; Judaism/Jews; religion&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jugendstil cups&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Jugendstil (German: &amp;quot;Youth Style&amp;quot;) arose in Germany in the mid-1890s and continuing through the first decade of the 20th century. Deriving its name from the Munich magazine Die Jugend (&amp;quot;Youth&amp;quot;), which featured Art Nouveau designs, the early period (before 1900) was mainly floral in character, rooted in English Art Nouveau and Japanese applied arts and prints; &amp;quot;tulip-shaped Jugendstil cups&amp;quot; 550&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Juicy Jap&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
558; &amp;quot;the doll that you fill with ketchup then bayonet through any of several access slots&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jung, Carl (d. 1961)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
276; Swiss psychologist; &amp;quot;ancestral pool,&amp;quot; 410; [[Carl Jung&#039;s Life/Death Parabola|The Life/Death Parabola]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jungfrau&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
9; German: &amp;quot;young girl&amp;quot; usu. &amp;quot;Virgin Mary&amp;quot;; high mountain in the Swiss Alps overlooking the ski resort of Wengen; 106&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Justus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
714; participates in &amp;quot;roasting&amp;quot; of Mexico&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3941</id>
		<title>J</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3941"/>
		<updated>2020-03-12T21:07:27Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Jablochkov candles&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
351; Pavel Nikolayevich Jablochkov (1847-1894) was a Russian electrical engineer and inventor who developed the Jablochkov candle, the first arc lamp put to wide practical use and which greatly accelerated the development of electric lighting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jabos&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
486;  &amp;quot;Jabo&amp;quot; is derived from the German &amp;quot;Jäger-Bomber,&amp;quot; or &amp;quot;fighter-bomber&amp;quot; (literally, &amp;quot;hunter-bomber&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jacobistrasse 12&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436; where Säure Bummer can be found, according to message he leaves Slothrop in white plastic chess knight; 443;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Laszlo Jamf|JAMF, Laszlo]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Janet, Pierre (1859-1947)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Janet, a psychologist and neurologist, was influential in bringing about in France and the United States a connection between academic psychology and the clinical treatment of mental illnesses. He stressed psychological factors in hypnosis and contributed to the modern concept of mental and emotional disorders involving anxiety, phobias, and other abnormal behaviour. As a Ph.D. candidate at the University of Paris, Janet studied automatic acts and in his thesis (1889) introduced but did not amplify the concept of the unconscious, a situation that engendered a dispute with Sigmund Freud over priority; correspondence with Pavlov, 49, 87-88; Spectro as Pointsman&#039;s Janet, 142&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jeaach&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
703; calls Oneirine hauntings &amp;quot;&#039;the dullest hallucinations known to psychopharmacology&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jehovah&#039;s Witnesses&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
681; German headquarters located in Magdeburg&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jello, James&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
698; friend of Pirate&#039;s; &amp;quot;that year&#039;s King of Bohemian clowns&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jennifer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
23; one of Slothrop&#039;s &amp;quot;girls&amp;quot;; 255; 271 See also Slothrop&#039;s girls/stars&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jewel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
200; one of two ladies with the General playing croquet as Slothrop falls from the tree, draped in a purple sheet&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jiu-jitsu&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
416; Jiu-Jitsu, literally meaning the &amp;quot;art of softness&amp;quot;, or &amp;quot;way of yielding&amp;quot;, is a collective name for Japanese martial art styles including unarmed and armed techniques. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joachim, Joseph (1831-1907)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Hungarian composer and violin prodigy who founded the Joachim Quartet which was renowned for its performances of Bach, Mozart and Beethoven; &amp;quot;some hypothetical Joachim playing his own cadenza from the long-suppressed Rossini violin concerto&amp;quot; 684&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jo block&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
621; From &#039;&#039;Webster&#039;s New International Dictionary&#039;&#039;, 2d Ed., 1950:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Johannson gauge blocks: A set of a limited number of flat parallel gauge blocks ... of such accuracy and such thickness that when wrung together with the hand (the surfaces being first well cleansed) they have an adhesive power equal to many times that of the atmosphere and may be used as a standard for making measurements with an error of less than 1/100,000 of an inch.&amp;quot; Thus, the Jo Block represents Ultimate Smoothness and Precision.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johanna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
408; one of Ilse&#039;s playmates at Dora&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johnson Smith&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
210; A mail-order company officially established in 1914 that sells novelty and gag gift items such as x-ray goggles, whoopee cushions, fake vomit, and joy buzzers. They often advertised in comic books.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joint, Dennis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
272; representative from Shell Mex House at PISCES; 275; 277; &amp;quot;like a blond crewcut [[M#groucho|Grouch Marx]] 278&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jokes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;What did the Cockney exclaim to the cowboy from San Antonio?&amp;quot; 168; &amp;quot;Erdschweinhöhle. This is a Herero joke&amp;quot; 315; &amp;quot;All you feel like listening to Beethoven is going out and invading Poland&amp;quot; 440; &amp;quot;[The robot] will prove to be addicted to one-liners that never quite come off for anyone but it.&amp;quot; 645&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jollifox of the Cambridge School&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
702; recurring themes in Oneirine hallucinations, due to the Pökler singularity, were named &amp;quot;mantic archetypes&amp;quot; by Jollifox&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jolly Jack Tar&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
380; Slang: a sailor&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Josef Israelplein&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
241;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joyce, James (1882-1941)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Irish novelist noted for pushing the envelope in language and exploring new literary methods in such large, encyclopedic works as &#039;&#039;&#039;Ulysses&#039;&#039; (1922) and &#039;&#039;Finnegans Wake&#039;&#039; (1939); former patron of the Odeon, 262; &#039;&#039;Is [https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=D#dodson-truck Stephen Dodson-Truck] based on James Joyce?&#039;&#039; [https://www.tandfonline.com/eprint/HDJVVHTHTGZ7YVIMWEDC/full Read Erik Ketzan&#039;s paper suggesting this]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Judaism/Jews&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Jews also carry an element of guilt, of future blackmail, which operates, natch, in favor of the professionals.&amp;quot; 105; &amp;quot;the Jewess reverting [...] to the bodily ... so sensual [...] the Judenschnautze feinting, [...] To do it not just with another woman, but with a Jewess....Their animal darkness&amp;quot; 156; Jewish wolf Pflaumbaum&amp;quot; 159; &amp;quot;stars of David&amp;quot; 160; &amp;quot;Knallt ab den Juden Rathenau,/Die gottverdammte Judensau&amp;quot; 163; &amp;quot;&#039;We even have the Jew&#039;s blessing!&#039;&amp;quot; 165; &amp;quot;The Welsh [...] once upon a time were Jewish too? one of the Lost Tribes of Israel&amp;quot; [...] What if we&#039;re all Jews, [...] scattered like seeds? 170; &amp;quot;the blacks and Jews, in their darkness&amp;quot; 172; &amp;quot;her face darkened, Judaized by the words she speaks&amp;quot; 219-20; Zionists, 390; &amp;quot;[Margherita] had got the idea somewhere that she was part Jewish&amp;quot; 474; &amp;quot;this holy Text had to be the Rocket [...] our Torah&amp;quot; 520; &amp;quot;mezuzah. Safe passage through a bad night&amp;quot; 563; &amp;quot;one-thim Brain Trusters. Jews, most of&#039;m&amp;quot; 565; Hasidic communes, 613-14; See also God; Judeo-Christian&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Judeo-Christian References|JUDEO-CHRISTIAN]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also Compline; God; Judaism/Jews; religion&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jugendstil cups&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Jugendstil (German: &amp;quot;Youth Style&amp;quot;) arose in Germany in the mid-1890s and continuing through the first decade of the 20th century. Deriving its name from the Munich magazine Die Jugend (&amp;quot;Youth&amp;quot;), which featured Art Nouveau designs, the early period (before 1900) was mainly floral in character, rooted in English Art Nouveau and Japanese applied arts and prints; &amp;quot;tulip-shaped Jugendstil cups&amp;quot; 550&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Juicy Jap&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
558; &amp;quot;the doll that you fill with ketchup then bayonet through any of several access slots&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jung, Carl (d. 1961)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
276; Swiss psychologist; &amp;quot;ancestral pool,&amp;quot; 410; [[Carl Jung&#039;s Life/Death Parabola|The Life/Death Parabola]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jungfrau&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
9; German: &amp;quot;young girl&amp;quot; usu. &amp;quot;Virgin Mary&amp;quot;; high mountain in the Swiss Alps overlooking the ski resort of Wengen; 106&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Justus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
714; participates in &amp;quot;roasting&amp;quot; of Mexico&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3940</id>
		<title>J</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=J&amp;diff=3940"/>
		<updated>2020-03-12T21:06:12Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Jablochkov candles&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
351; Pavel Nikolayevich Jablochkov (1847-1894) was a Russian electrical engineer and inventor who developed the Jablochkov candle, the first arc lamp put to wide practical use and which greatly accelerated the development of electric lighting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jabos&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
486;  &amp;quot;Jabo&amp;quot; is derived from the German &amp;quot;Jäger-Bomber,&amp;quot; or &amp;quot;fighter-bomber&amp;quot; (literally, &amp;quot;hunter-bomber&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jacobistrasse 12&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436; where Säure Bummer can be found, according to message he leaves Slothrop in white plastic chess knight; 443;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Laszlo Jamf|JAMF, Laszlo]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Janet, Pierre (1859-1947)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Janet, a psychologist and neurologist, was influential in bringing about in France and the United States a connection between academic psychology and the clinical treatment of mental illnesses. He stressed psychological factors in hypnosis and contributed to the modern concept of mental and emotional disorders involving anxiety, phobias, and other abnormal behaviour. As a Ph.D. candidate at the University of Paris, Janet studied automatic acts and in his thesis (1889) introduced but did not amplify the concept of the unconscious, a situation that engendered a dispute with Sigmund Freud over priority; correspondence with Pavlov, 49, 87-88; Spectro as Pointsman&#039;s Janet, 142&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jeaach&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
703; calls Oneirine hauntings &amp;quot;&#039;the dullest hallucinations known to psychopharmacology&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jehovah&#039;s Witnesses&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
681; German headquarters located in Magdeburg&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jello, James&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
698; friend of Pirate&#039;s; &amp;quot;that year&#039;s King of Bohemian clowns&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jennifer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
23; one of Slothrop&#039;s &amp;quot;girls&amp;quot;; 255; 271 See also Slothrop&#039;s girls/stars&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jewel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
200; one of two ladies with the General playing croquet as Slothrop falls from the tree, draped in a purple sheet&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jiu-jitsu&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
416; Jiu-Jitsu, literally meaning the &amp;quot;art of softness&amp;quot;, or &amp;quot;way of yielding&amp;quot;, is a collective name for Japanese martial art styles including unarmed and armed techniques. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joachim, Joseph (1831-1907)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Hungarian composer and violin prodigy who founded the Joachim Quartet which was renowned for its performances of Bach, Mozart and Beethoven; &amp;quot;some hypothetical Joachim playing his own cadenza from the long-suppressed Rossini violin concerto&amp;quot; 684&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jo block&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
621; From &#039;&#039;Webster&#039;s New International Dictionary&#039;&#039;, 2d Ed., 1950:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Johannson gauge blocks: A set of a limited number of flat parallel gauge blocks ... of such accuracy and such thickness that when wrung together with the hand (the surfaces being first well cleansed) they have an adhesive power equal to many times that of the atmosphere and may be used as a standard for making measurements with an error of less than 1/100,000 of an inch.&amp;quot; Thus, the Jo Block represents Ultimate Smoothness and Precision.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johanna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
408; one of Ilse&#039;s playmates at Dora&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johnson Smith&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
210; A mail-order company officially established in 1914 that sells novelty and gag gift items such as x-ray goggles, whoopee cushions, fake vomit, and joy buzzers. They often advertised in comic books.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joint, Dennis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
272; representative from Shell Mex House at PISCES; 275; 277; &amp;quot;like a blond crewcut [[M#groucho|Grouch Marx]] 278&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;jokes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;What did the Cockney exclaim to the cowboy from San Antonio?&amp;quot; 168; &amp;quot;Erdschweinhöhle. This is a Herero joke&amp;quot; 315; &amp;quot;All you feel like listening to Beethoven is going out and invading Poland&amp;quot; 440; &amp;quot;[The robot] will prove to be addicted to one-liners that never quite come off for anyone but it.&amp;quot; 645&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jollifox of the Cambridge School&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
702; recurring themes in Oneirine hallucinations, due to the Pökler singularity, were named &amp;quot;mantic archetypes&amp;quot; by Jollifox&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jolly Jack Tar&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
380; Slang: a sailor&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Josef Israelplein&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
241;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Joyce, James (1882-1941)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Irish novelist noted for pushing the envelope in language and explorating new literary methods in such large, encyclopedic works as &#039;&#039;&#039;Ulysses&#039;&#039; (1922) and &#039;&#039;Finnegans Wake&#039;&#039; (1939); former patron of the Odeon, 262; &#039;&#039;Is [[ Stephen Dodson-Truck|index.php?title=D#dodson-truck]] based on James Joyce?&#039;&#039; [https://www.tandfonline.com/eprint/HDJVVHTHTGZ7YVIMWEDC/full Read Erik Ketzan&#039;s paper suggesting this]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Judaism/Jews&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Jews also carry an element of guilt, of future blackmail, which operates, natch, in favor of the professionals.&amp;quot; 105; &amp;quot;the Jewess reverting [...] to the bodily ... so sensual [...] the Judenschnautze feinting, [...] To do it not just with another woman, but with a Jewess....Their animal darkness&amp;quot; 156; Jewish wolf Pflaumbaum&amp;quot; 159; &amp;quot;stars of David&amp;quot; 160; &amp;quot;Knallt ab den Juden Rathenau,/Die gottverdammte Judensau&amp;quot; 163; &amp;quot;&#039;We even have the Jew&#039;s blessing!&#039;&amp;quot; 165; &amp;quot;The Welsh [...] once upon a time were Jewish too? one of the Lost Tribes of Israel&amp;quot; [...] What if we&#039;re all Jews, [...] scattered like seeds? 170; &amp;quot;the blacks and Jews, in their darkness&amp;quot; 172; &amp;quot;her face darkened, Judaized by the words she speaks&amp;quot; 219-20; Zionists, 390; &amp;quot;[Margherita] had got the idea somewhere that she was part Jewish&amp;quot; 474; &amp;quot;this holy Text had to be the Rocket [...] our Torah&amp;quot; 520; &amp;quot;mezuzah. Safe passage through a bad night&amp;quot; 563; &amp;quot;one-thim Brain Trusters. Jews, most of&#039;m&amp;quot; 565; Hasidic communes, 613-14; See also God; Judeo-Christian&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Judeo-Christian References|JUDEO-CHRISTIAN]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also Compline; God; Judaism/Jews; religion&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jugendstil cups&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Jugendstil (German: &amp;quot;Youth Style&amp;quot;) arose in Germany in the mid-1890s and continuing through the first decade of the 20th century. Deriving its name from the Munich magazine Die Jugend (&amp;quot;Youth&amp;quot;), which featured Art Nouveau designs, the early period (before 1900) was mainly floral in character, rooted in English Art Nouveau and Japanese applied arts and prints; &amp;quot;tulip-shaped Jugendstil cups&amp;quot; 550&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Juicy Jap&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
558; &amp;quot;the doll that you fill with ketchup then bayonet through any of several access slots&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jung, Carl (d. 1961)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
276; Swiss psychologist; &amp;quot;ancestral pool,&amp;quot; 410; [[Carl Jung&#039;s Life/Death Parabola|The Life/Death Parabola]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jungfrau&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
9; German: &amp;quot;young girl&amp;quot; usu. &amp;quot;Virgin Mary&amp;quot;; high mountain in the Swiss Alps overlooking the ski resort of Wengen; 106&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Justus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
714; participates in &amp;quot;roasting&amp;quot; of Mexico&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=D&amp;diff=3939</id>
		<title>D</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=D&amp;diff=3939"/>
		<updated>2020-03-12T21:03:53Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt; 	 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dacoits&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
644; The Dacoits were Burmese guerrillas who fled to the hills and jungle after the overthrow of Burma in 1886, and waged a desultory campaign against the British for several years.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Daedalus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Daedalus was the great craftsman of Greek mythology. He built the labyrinth for Minos on Crete and because he may have helped Theseus escape from the maze, he was imprisoned in it with his son Icarus. He fashioned wings out of wax for himself and his son and, as we all know, Icarus flew too close to the sun, his wings melted and he fell to his death. Daedalus escaped to Italy and then Sicily; &amp;quot;the gift of Daedalus that allowed Pökler to put as much labyrinth as required between himself and the inconveniences of caring&amp;quot; 428&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Daily Herald&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
231; British newspaper, published in London from 1912 to 1964; typically associated with worker&#039;s issues and the Labour Party&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D&#039;Allesandro, Danny&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
584; a pinball wizard, one of &amp;quot;the great thumbs of Koekuk and Puyallup, Oyster Bay, Inglewood&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dancing-shoe wars&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
57;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dante Alighieri (1265-1321)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
350; Florentine poet, most famous for Divina Commedia (1307) which is an encyclopedic narrative which tells in poetry Dante&#039;s journey through Hell and Purgatory by Virgil and to Paradise guided by Beatrice; &amp;quot;They are without a touch of Dante to Their notions of reprisal&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;d&#039;Annunzio, Gabriele (1863-1938)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Doomed as d&#039;Annunzio&#039;s adventure at Fiume&amp;quot; 478; D&#039;Annunzio was an Italian poet, adventurer and political leader; a fierce patriot, he was a strong supporter of the Fascist party under Mussolini; [More about Fiume]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dan&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
752; &amp;quot;The Lone Ranger will [...] find his young friend, innocent Dan, swinging from a tree limb by a broken neck&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dan Wall&#039;s Chili House&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
63; where Charlie Parker is playing, in Harlem&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Darlene&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
19; nurse at St. Veronica&#039;s hospital and lover of Slothrop; 114; 271&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Darnley, Jill&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
381; competing for Miss Rheingold 1946&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dawes-era&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
74; Charles Dawes (1865-1951) was the vice-president under Coolidge from 1925-29. He headed the commission that drew up the &amp;quot;Dawes plan&amp;quot; setting out German reparation payments in 1924&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D-Day&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
577; &amp;quot;when I heard General Eisenhower on the radio announcing the invasion of Normandy&amp;quot;;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DEATH&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also angels; Empty Ones; Kollwitz, Käthe; [Discussion of WHO DIES in GR]; [Carl Jung]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Degenkolb&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
448; &amp;quot;heading up the Rocket Committee by then&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Degrelle, Léon (1906-94)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Founder and leader of the Rexist Party of Belgium, who collaborated with the Germans during World War II. After Belgium was liberated in September 1944, Degrelle was sentenced in absentia to death as a collaborator. He fled to Spain and became a citizen; Louis Borgesius heard him tell the crowd &amp;quot;that they must let themselves be swept away by the flood, they must act, act, and let the rest take care of itself&amp;quot; 544&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Nuit, Rev. Dr. Paul&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
56; French: de la nuit = &amp;quot;of the night&amp;quot;; house chaplain at White Visitation; 81; 143; &amp;quot;staff automatist&amp;quot; 146; 149&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Perlimpinpin, Georges (&amp;quot;Poudre&amp;quot;)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
243; &amp;quot;the Limoges fireworks magnate&amp;quot; and father (?) of Raoul; poudre is French for &#039;powder&#039;, but poudre de la perlimpinpin is slang for &#039;patent medicine&#039; or &#039;snake oil&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Perlimpinpin, Raoul&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
243; throws big party where hollandaise is spiked with hashish &amp;amp; Italo &amp;amp; Tamara have it out with tanks; 463&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;deltaq&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;delta-q&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
647; a quality increment&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;deltat&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;delta-t&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
An increment of time represented spacially, as on a graph; &amp;quot;Interest from various numbered trusts was still turned [...] in long rallentando, in infinite series just perceptibly, term by term, bying ... never quite to the zero&amp;quot; 28; &amp;quot;the explosion over his head always just about to come&amp;quot; 58; &amp;quot;60 miles up the rockets hanging the measureless instant over the black North Sea&amp;quot; 135; &amp;quot;Our history is an aggregate of last moments&amp;quot; 149; Leni applying it to being in the moment, 159; &amp;quot;The moving vehicle is frozen, in space, to become architecture, and timeless. It was never launched. It will never fall.&amp;quot; 301; &amp;quot;a point in space, a point hung precise as the point where burning must end, never launched, never to fall&amp;quot; 302; &amp;quot;corroded Hansel in perpetual arrest&amp;quot; 398; &amp;quot;half-timbered houses, stepped out story by story, about to meet overhead after centuries of imperceptible toppling&amp;quot; 493; &amp;quot;words. . .only delta-t from the things they stand for&amp;quot; 510 (and 100); &amp;quot;nearly about to burn through the last whispering veil&amp;quot; 518; &amp;quot;stairsteps of range and height, delta-x and delta-y, allowing them to grow smaller and smaller, approaching zero [...] frame by frame, delta-x by delta-y, flightless themselves&amp;quot; 567; &amp;quot;the delta-x&#039;s and delta-y&#039;s of his drifter&#039;s spirit&amp;quot; 572; delta-q, 647; rate of change at a cusp, 664; &amp;quot;the delta-t itself&amp;quot; 754; &amp;quot;last thin pages of fluttering closed&amp;quot; 759; &amp;quot;the last delta-t&amp;quot; 760&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de Mallakastra, Baron&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
463; passenger on the Anubis&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de Mérode, Cléo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
232; early 20th century dancer; was the mistress of Leopold II of Belgium&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Demian-metaphysics&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
403; German novelist Hermann Hesse (1877-1962), experiencing a crisis of the spirit, had psychoanalysis with J.B. Lang, a disciple of Carl Gustav Jung. His novel Demian (1919), which shows the influence of analysis, is about the character Demian (a classic &amp;quot;seeker&amp;quot;) and his quest for self-awareness. Published during the troubled Weimar years, the novel was very popular and had a pervasive influence on the Germans. It also made Hesse famous.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Denham, Carl&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
689; director of &amp;quot;King Kong&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Denmark&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
398; &amp;quot;or did you kneel up in the seat, looking over the water, trying to see Denmark?&amp;quot;; &amp;quot;...your new home!&#039; Gray and green, through the mist...&amp;quot; 421; &amp;quot;hooded face of sorrowing Denmark, leaning out over Germany&amp;quot; 484; &amp;quot;off the coast of Denmark&amp;quot; (Frau Gnahb insulting a stone), 497; &amp;quot;If it&#039;s Copenhagen she&#039;s bound for&amp;quot; 527; &amp;quot;a ghostly crowd of late dandelions waiting for the luminous wind that will break them toward the sea, over to Denmark&amp;quot; 560; &amp;quot;and get over to that Denmark&amp;quot; 623; &amp;quot;crumbs of a pineapple Danish, whorls of an Aetheric Danish&amp;quot; 696; [Thanks to Douglas Kløvedal Lannark for this Denmark listing]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;De Profundus, Nick&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
295; &amp;quot;company lounge lizard&amp;quot; and entrepreneur at Mittelwerk during US occupation&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Der Platz&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
686; German: &amp;quot;the place&amp;quot;; Säure&#039;s communal pad; 711; 745; 746&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Der Springer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See [[S#springer|Springer, Der]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;deuce-and-a-half&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
313; Nickname for the American Army vehicle vehicle M35A2; ten driven wheels and a camouflage paint scheme. It has 3 axels, as well as a large cargo bed with a 5-ton load carrying capacity.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Devil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Satanic intervention&amp;quot; 110; &amp;quot;midnights of wrestling with the Beast&amp;quot; 111; &amp;quot;Satanic operators of all descriptions&amp;quot; in Psi Section, 125; &amp;quot;old ldies in Altrincham trying to summon up the Devil&amp;quot; 153; &amp;quot;the black scapeape we cast down like Lucifer&amp;quot; 275; &amp;quot;For the devil&#039;s kiss&amp;quot; 329; &amp;quot;the Devil behind the [mirror]&amp;quot; 444; &amp;quot;A fall of hours, less extravagant than Lucifer&#039;s&amp;quot; 464;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dewey, Thomas (1902-71)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
636; was the Republican nomineee for President of the U.S. in 1944 and 1948&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Diamond Lil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
657; Diamond Lil (Honora Ornstein) was a New York City Bowery saloon owner and madame in the 1890s. [[W#maewest|Mae West]] played her in the 1933 film, She Done Him Wrong (with her line &amp;quot;Come up sometime &#039;n&#039; see me&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dickinson, Emily (1830-86)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
28; American poet, personal a-and spiritual&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dieckmann, Dr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
630; ran Vermittlungsstelle W with Dr. Gorr&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Die Frau im Mond&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
159; German: &#039;woman in the moon&#039;; A science fiction silent film that premiered October 15, 1929. It is often considered to be one of the first &amp;quot;serious&amp;quot; science fiction films.It was written and directed by [[Fritz Lang|Fritz Lang]], based on the novel &#039;&#039;Die Frau im Mond&#039;&#039; (1928, translated as &#039;&#039;The Rocket to the Moon&#039;&#039; during 1930) by his then-wife and collaborator Thea von Harbou. It was released in the USA as &#039;&#039;By Rocket to the Moon&#039;&#039;, and in the UK as &#039;&#039;Woman in the Moon&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Die Welt am Montag&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
571; German: &amp;quot;The World on Monday&amp;quot;; a newspaper&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dillinger, John (1903-34)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
368-69; American gangster specializing in bank robberies; &amp;quot;As B/4&amp;quot; 436; killed at Biograph Theatre in Chicago, 516; bloody shirt, 741&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dillon, Reed&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
565; Thomas Moore: &amp;quot;During the 1930s, Dillon, Reed &amp;amp; Company of Wall Street handled American transactions for the German steel trust Vereinigte &lt;br /&gt;
Stahlwerke (p.143)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Disgusting English Candy Drill&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
116&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Disney, Walter Elias &amp;quot;Walt&amp;quot; (1901–1966)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
135; An American film producer, director, screenwriter, voice actor, animator, entrepreneur, entertainer. He cofounded Walt Disney Productions, which became famous for its innovative animation, iconic characters and theme parks. He was also a leading force behind the anti-comunist movement in Hollywood in the 1940s; &#039;Disneyfied look&#039;, 70&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Djuro&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
732; member of Schwarzkommando, with Enzian&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodgem cars&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
273;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodson-Truck, Frank&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
215; son of Sir Stephen&#039;s and Nora&#039;s of whom they&#039;ve lost track after he was sent to Indo-China&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;dodson-truck&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Dodson-Truck, Nora&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
145-50; scorpio wife of Sir Stephen D-T, lover of Carroll Eventyr and &amp;quot;connoisseuse of splendid weaknesses&amp;quot;; &amp;quot;erotic nihilist&amp;quot; 149; Ideology of the Zero, 218; maps on to Leni?, 218; &amp;quot;her real identity is [...] the Force of Gravity&amp;quot; 639&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodson-Truck, Sir Stephen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
206; tutored Slothrop on rocket stuff and technical German at Casino; husband of Nora D-T; disappears from Casino after Slothrop gets him drunk playing &amp;quot;Prince&amp;quot; and he confesses, 211; at Fitzmaurice House, 228; &amp;quot;Nature of Freedom&amp;quot; drill, 541; 544; at Pirate&#039;s, 639 Dog Vanya 78; dog in ARF wing undergoing conditioning experiments; &#039;&#039;Is Stephen Dodson-Truck based on James Joyce?&#039;&#039; [https://www.tandfonline.com/eprint/HDJVVHTHTGZ7YVIMWEDC/full Read Erik Ketzan&#039;s paper suggesting this]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Domina Nocturna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
232; Katje&#039;s S&amp;amp;M character (&amp;quot;shining mother and last love&amp;quot;) who satisfies Pudding so that Pointsman can keep funding&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DOPE&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also Gnahb, Frau; LSD; Sodium Amytal; Stonybloke, Will&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dora&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
289; prison camp next to Mittelwerke, mostly foreign prisoners; &amp;quot;When the Americans liberated Dora&amp;quot; 296; &amp;quot;they call them re-education camps&amp;quot; 408; Ilse and Leni, 428; 430; Pökler goes into, 432-33; 175s (homosexual inmates), 665; See also 175-Stadt&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Double Agent Convention&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
537-548; &amp;quot;&#039;But that&#039;s the only medium we&#039;ve got now&#039; he cries, &#039;our gift for bad faith&#039;&amp;quot; 546;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DP&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
281; DPs (displaced persons) were those who were released from German prison camps and slave labor camps after VE Day, as well as German civilians who had been bombed out of their dwellings or who were fleeing advancing armies; Displaced Person&#039;s song&amp;quot; 283-84; &amp;quot;Since the surrender there have been these constant skirmishes between the German civilians and foreign prisoners freed from the camps.&amp;quot; 327; returning home, 549;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dracunculiasis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
13; more commonly known as Guinea worm disease (GWD). A preventable infection caused by the parasite Dracunculus medinensis. Infection affects poor communities in remote parts of Africa that do not have safe water to drink [From the Center for Disease Control website].&amp;lt;br&amp;gt;&lt;br /&gt;
From the OED:   1942 D. L. Belding Clin. Parasitol. xxii. 375 Dracunculus medinensis+. Disease.—Dracontiasis, dracunculosis, dracunculiasis.  1967 Amer. Jrnl. Trop. Med. &amp;amp; Hygiene XVI. 23/1 Dracunculiasis occurs commonly in and around Kurnool.  1973 T. Pynchon &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (1975) i. 13 &amp;quot;Dracunculiasis and Oriental sore rampant among the troops, no beer for a month.&amp;quot;  1990 Lancet 8 Sept. 630/1 Several studies have reported on the prevalence of permanent disability resulting from poliomyelitis but dracunculiasis (guineaworm disease), another preventable cause of permanent disease, has not received the same attention. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dragon Lady&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
670; refers to an Asian woman who is perceived as seductive, desirable but untrustworthy. Movies from the early 20th century portrayed this stereotypical version of the Asian woman, &amp;quot;Daughter of Fu Manchu&amp;quot; being a good example. Scheming, treacherous and dangerous, the Dragon Lady is the female version of the Asian bad guy, only with a slightly different approach to defeat her enemies. She has the power to hypnotize her male rivals, gaining their trust by seducing them and, when they least expect it, gets rid of them through sabotage or backstabbing.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dreams/dreaming&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Pirate&#039;s, 3-4; &amp;quot;rosy as a bunch of Dutch peasants dreaming of their certain resurrection&amp;quot; 5; &amp;quot;Pirate had dreamed these very words&amp;quot; 13; &amp;quot;blinking through an overlay of dream&amp;quot; 29; Pointsman&#039;s, 36-38; &amp;quot;Silence comes in, sculptured by spoken dreams&amp;quot; 49; Jessica&#039;s, 53; of peacetime, 58; Sodium Amytal-induced toilet adventure, 60-71; &amp;quot;the little baby they dream now of sitting near&amp;quot; 111; Mrs. Quoad&#039;s, 119; &amp;quot;after a dream&amp;quot; 121; the Empire&#039;s &amp;quot;dreamless version of the real&amp;quot; 129; &amp;quot;the children are away dreaming, but the Empire has no place for dreams&amp;quot; 135; Pointsman&#039;s, 137-38; Pointsman&#039;s of the Minotaur, 142; Nora DodsonTruck&#039;s dreams of flight, 146; Treacle&#039;s dreams of flight, 146; Leni&#039;s,155-56, 156-58; Leni&#039;s dream of flight, 159; &amp;quot;you go from dream to dream inside me&amp;quot; 177; Stalin&#039;s pathological, 189; &amp;quot;that touch on the sleeves of his dreams&amp;quot; 209; Pudding&#039;s, 232; Slothrop dreaming in German, 240; Slothrop&#039;s dream of old pals while in Nice, 255; &amp;quot;[Slothrop] dozes in and out of a hallucination of Alps, fogs, abysses&amp;quot; 257; Slothrop dreaming of Jamf, 268; &amp;quot;a dream of Atlantis, of the Suggenthal&amp;quot; 269; Pointsman&#039;s nightmare, 272; &amp;quot;your biography now like any old bad dream&amp;quot; 277; Slothrop&#039;s dream (?), 281-83; Slothrop&#039;s &amp;quot;Jamf/I&amp;quot; dream, 286-87, 623; Enzian&#039;s &amp;quot;wet dream where he coupled with a slender white rocket&amp;quot; 297; Enzian&#039;s of an &amp;quot;endless North&amp;quot; 327; &amp;quot;dreaming of food, oblivion, alternate histories. . .&amp;quot; 336; Galina&#039;s, 341; &amp;quot;German dreams of the Tenth-Elegy angel&amp;quot; 341; Chu Piang&#039;s, 347; 355; Evil Hour, 375; &amp;quot;your dream of pampas and sky&amp;quot; 388; Slothrop&#039;s of Berkshire, 392; Alpdrucken (&amp;quot;Nightmare&amp;quot;), 394; Pökler&#039;s of rocket, 399-400; Kekulé&#039;s dream of 1865, 410; Jung&#039;s &amp;quot;ancestral pool&amp;quot; 410; &amp;quot;Pökler dreaming about Kekulé&#039;s dream&amp;quot; 412-13; &amp;quot;unrecoverable dreams&amp;quot; 415; Pökler&#039;s of bulb as Weissmann, 426-27 (see page 653); &amp;quot;City of Elves producing toy moon-rockets&amp;quot; 431; &amp;quot;Säure&#039;s on the move. . .prowling his dreams&amp;quot; 437; Slothrop&#039;s transmutation dream, 446-47; &amp;quot;ships we can dream across terrible rapids&amp;quot; 462; Slothrop dreaming of Llandudno, 468; Bianca &amp;quot;dreams often of the same journey&amp;quot; 471; oneiric (dreamlike), 475; &amp;quot;Where was anybody that summer before the War? Dreaming.&amp;quot; 475; of battles survived, 490; Slothrop&#039;s of Bianca, 492; &amp;quot;Givin&#039; all m&#039;dreams away&amp;quot; 522; Slothrop&#039;s of Tantivy, 551-52; &amp;quot;Slothrop dreams&amp;quot; 552; &amp;quot;your saddest dreams&amp;quot; 577; &amp;quot;bursts of destroying beauty there for his dreams to work on&amp;quot; 578; &amp;quot;the dramatic connections that were really all there, in his dreams&amp;quot; 579; Slothrop&#039;s of Zwölfkinder and Bianca, 609; &amp;quot;Solange&amp;quot; dreaming of Ilse, 610; Slothrop&#039;s of Bette Davis and Margaret Dumont, 619; Pirate&#039;s of windmills, 620; &amp;quot;dreaming at the last instant of who can say what lifted smock&amp;quot; 625; Mexico&#039;s of Jessica (in the song), 627; &amp;quot;what ladies in black appeared in his dreams&amp;quot; 629; &amp;quot;It wasn&#039;t a dream. Don&#039;t you wish it could be.&amp;quot; 668; Christian&#039;s of Maria, 673; &amp;quot;of assassinations, of plots against good and decent men&amp;quot; 689; Dark Dream, 697; keying waves, 699; Beaver&#039;s, 708; Gottfried&#039;s single dream, 721; &amp;quot;I dream of discovering the edge of the World&amp;quot; 722; &amp;quot;of rendezvous, of cosmic trapeze acts&amp;quot; 723; the Rocket &amp;quot;must answer to a number of different shapes in the dreams of those who touch it&amp;quot; 727; &amp;quot;dream-caressed&amp;quot; 730; &amp;quot;Strung Into the Apollonian Dream&amp;quot; 754; Gottfried, 754; &amp;quot;human figure, dreaming of an early evening in each great capital&amp;quot; 760; See also Jung, Carl&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dreyfus Affair&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; Captain Alfred Dreyfus (1859-1935) was a French army officer who, in 1893-94, was unjustly accused of delivering to a foreign government documents connected with the national defence, court-martialed and sentenced to life on Devil&#039;s Island. In 1906, when anti-semitism had died down in France, the verdict was reversed and he was restored to army rank and fought in WWI.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Driwelling&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
518; engineer at Peenemünde&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Drohne&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
487; German: &amp;quot;drone&amp;quot;; &amp;quot;plastics connoisseur&amp;quot; at The Castle&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dromond&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
139; one of the seven original owners of The Book; killed &amp;quot;by German artillery on Shellfire Corner&amp;quot;; 140; 167&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dufay, Kim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
744; daughter of Pete and Marjorie and schoolmate of Hogan Jr.; [From Pynchon&#039;s short story &amp;quot;The Secret Integration&amp;quot; in Slow Learner: &amp;quot;a slender, exotic-looking sixth-grader with a blond pigtail [...] who had a thing about explosive chemical reactions&amp;quot; (p.150)]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dufay, Pete&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
744; marries Marjorie&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dulles, Allen (1893-1969)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
268; During WWII, Dulles served with O.S.S. and, when Truman formed the CIA in 1951, he was appointed deputy director and, in 1953, director; &amp;quot;and his &#039;intelligence&#039; network&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dumbo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
one of Osbie Feel&#039;s favorite movies, 106; &amp;quot;the lads in Hollywood telling us how grand it all is over here, how much fun, Walt Disney causing Dumbo the elephant to clutch to that feather&amp;quot; 135; &amp;quot;&#039;[Dillinger&#039;s bloodstained shirt] worked for me, but I&#039;m out of the Dumbo stage now, I can fly without it.&amp;quot; 741&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Duncan, Isadora (1877-1927)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
657; American dancer who was among the first to raise interpretive dance to the status of creative art, incorporating classical, particularly Greek, mythology, art and music. Not very successful in the United States, she took her new style of performance to Europe where it was greeted enthusiastically. She was strangled when her long scarf became entangled in the wheels of a car.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dungans&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
340; Central Asian people&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dunham, Crazy Sue&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
329; Amy Sprue was ahead of her by 200 years, &amp;quot;sacrificing chickens up on Snodd&#039;s Mountain&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dunkirk, Maggie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
127; lives in Jessica&#039;s dorm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;du Pont&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
249; early research on Imipolex G done there&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dutch&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
108; ic heb u liever dan ên everswîn, al waert van finen goude ghewracht (English: I love you more than a wild boar / even if it were made of fine gold)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D Wing&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
139; still houses a few genuine mental patients; White Visitation&#039;s cover; most PISCES people avoid it&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dyes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Mauve [...] William Perkin discovered it [...] the first new color on Earth&amp;quot; 166; &amp;quot;Tyrian purple, alizarin and indigo, other coal-tar dyes&amp;quot; 166;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dzabajev&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; &amp;quot;teenage Kazazh dope fiend with pimples and a permanently surly look&amp;quot; who is Tchitcherine&#039;s sidekick/driver; 564; posing as Frank Sinatra in the Zone, 700; &amp;quot;that sodden Asiatic&amp;quot; 705; with Slothrop, 742; Village Idiot Convention, 743&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=D&amp;diff=3938</id>
		<title>D</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=D&amp;diff=3938"/>
		<updated>2020-03-12T21:00:08Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt; 	 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dacoits&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
644; The Dacoits were Burmese guerrillas who fled to the hills and jungle after the overthrow of Burma in 1886, and waged a desultory campaign against the British for several years.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Daedalus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Daedalus was the great craftsman of Greek mythology. He built the labyrinth for Minos on Crete and because he may have helped Theseus escape from the maze, he was imprisoned in it with his son Icarus. He fashioned wings out of wax for himself and his son and, as we all know, Icarus flew too close to the sun, his wings melted and he fell to his death. Daedalus escaped to Italy and then Sicily; &amp;quot;the gift of Daedalus that allowed Pökler to put as much labyrinth as required between himself and the inconveniences of caring&amp;quot; 428&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Daily Herald&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
231; British newspaper, published in London from 1912 to 1964; typically associated with worker&#039;s issues and the Labour Party&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D&#039;Allesandro, Danny&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
584; a pinball wizard, one of &amp;quot;the great thumbs of Koekuk and Puyallup, Oyster Bay, Inglewood&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dancing-shoe wars&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
57;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dante Alighieri (1265-1321)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
350; Florentine poet, most famous for Divina Commedia (1307) which is an encyclopedic narrative which tells in poetry Dante&#039;s journey through Hell and Purgatory by Virgil and to Paradise guided by Beatrice; &amp;quot;They are without a touch of Dante to Their notions of reprisal&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;d&#039;Annunzio, Gabriele (1863-1938)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Doomed as d&#039;Annunzio&#039;s adventure at Fiume&amp;quot; 478; D&#039;Annunzio was an Italian poet, adventurer and political leader; a fierce patriot, he was a strong supporter of the Fascist party under Mussolini; [More about Fiume]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dan&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
752; &amp;quot;The Lone Ranger will [...] find his young friend, innocent Dan, swinging from a tree limb by a broken neck&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dan Wall&#039;s Chili House&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
63; where Charlie Parker is playing, in Harlem&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Darlene&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
19; nurse at St. Veronica&#039;s hospital and lover of Slothrop; 114; 271&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Darnley, Jill&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
381; competing for Miss Rheingold 1946&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dawes-era&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
74; Charles Dawes (1865-1951) was the vice-president under Coolidge from 1925-29. He headed the commission that drew up the &amp;quot;Dawes plan&amp;quot; setting out German reparation payments in 1924&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D-Day&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
577; &amp;quot;when I heard General Eisenhower on the radio announcing the invasion of Normandy&amp;quot;;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DEATH&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also angels; Empty Ones; Kollwitz, Käthe; [Discussion of WHO DIES in GR]; [Carl Jung]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Degenkolb&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
448; &amp;quot;heading up the Rocket Committee by then&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Degrelle, Léon (1906-94)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Founder and leader of the Rexist Party of Belgium, who collaborated with the Germans during World War II. After Belgium was liberated in September 1944, Degrelle was sentenced in absentia to death as a collaborator. He fled to Spain and became a citizen; Louis Borgesius heard him tell the crowd &amp;quot;that they must let themselves be swept away by the flood, they must act, act, and let the rest take care of itself&amp;quot; 544&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Nuit, Rev. Dr. Paul&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
56; French: de la nuit = &amp;quot;of the night&amp;quot;; house chaplain at White Visitation; 81; 143; &amp;quot;staff automatist&amp;quot; 146; 149&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Perlimpinpin, Georges (&amp;quot;Poudre&amp;quot;)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
243; &amp;quot;the Limoges fireworks magnate&amp;quot; and father (?) of Raoul; poudre is French for &#039;powder&#039;, but poudre de la perlimpinpin is slang for &#039;patent medicine&#039; or &#039;snake oil&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de la Perlimpinpin, Raoul&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
243; throws big party where hollandaise is spiked with hashish &amp;amp; Italo &amp;amp; Tamara have it out with tanks; 463&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;deltaq&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;delta-q&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
647; a quality increment&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;deltat&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;delta-t&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
An increment of time represented spacially, as on a graph; &amp;quot;Interest from various numbered trusts was still turned [...] in long rallentando, in infinite series just perceptibly, term by term, bying ... never quite to the zero&amp;quot; 28; &amp;quot;the explosion over his head always just about to come&amp;quot; 58; &amp;quot;60 miles up the rockets hanging the measureless instant over the black North Sea&amp;quot; 135; &amp;quot;Our history is an aggregate of last moments&amp;quot; 149; Leni applying it to being in the moment, 159; &amp;quot;The moving vehicle is frozen, in space, to become architecture, and timeless. It was never launched. It will never fall.&amp;quot; 301; &amp;quot;a point in space, a point hung precise as the point where burning must end, never launched, never to fall&amp;quot; 302; &amp;quot;corroded Hansel in perpetual arrest&amp;quot; 398; &amp;quot;half-timbered houses, stepped out story by story, about to meet overhead after centuries of imperceptible toppling&amp;quot; 493; &amp;quot;words. . .only delta-t from the things they stand for&amp;quot; 510 (and 100); &amp;quot;nearly about to burn through the last whispering veil&amp;quot; 518; &amp;quot;stairsteps of range and height, delta-x and delta-y, allowing them to grow smaller and smaller, approaching zero [...] frame by frame, delta-x by delta-y, flightless themselves&amp;quot; 567; &amp;quot;the delta-x&#039;s and delta-y&#039;s of his drifter&#039;s spirit&amp;quot; 572; delta-q, 647; rate of change at a cusp, 664; &amp;quot;the delta-t itself&amp;quot; 754; &amp;quot;last thin pages of fluttering closed&amp;quot; 759; &amp;quot;the last delta-t&amp;quot; 760&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de Mallakastra, Baron&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
463; passenger on the Anubis&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;de Mérode, Cléo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
232; early 20th century dancer; was the mistress of Leopold II of Belgium&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Demian-metaphysics&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
403; German novelist Hermann Hesse (1877-1962), experiencing a crisis of the spirit, had psychoanalysis with J.B. Lang, a disciple of Carl Gustav Jung. His novel Demian (1919), which shows the influence of analysis, is about the character Demian (a classic &amp;quot;seeker&amp;quot;) and his quest for self-awareness. Published during the troubled Weimar years, the novel was very popular and had a pervasive influence on the Germans. It also made Hesse famous.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Denham, Carl&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
689; director of &amp;quot;King Kong&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Denmark&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
398; &amp;quot;or did you kneel up in the seat, looking over the water, trying to see Denmark?&amp;quot;; &amp;quot;...your new home!&#039; Gray and green, through the mist...&amp;quot; 421; &amp;quot;hooded face of sorrowing Denmark, leaning out over Germany&amp;quot; 484; &amp;quot;off the coast of Denmark&amp;quot; (Frau Gnahb insulting a stone), 497; &amp;quot;If it&#039;s Copenhagen she&#039;s bound for&amp;quot; 527; &amp;quot;a ghostly crowd of late dandelions waiting for the luminous wind that will break them toward the sea, over to Denmark&amp;quot; 560; &amp;quot;and get over to that Denmark&amp;quot; 623; &amp;quot;crumbs of a pineapple Danish, whorls of an Aetheric Danish&amp;quot; 696; [Thanks to Douglas Kløvedal Lannark for this Denmark listing]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;De Profundus, Nick&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
295; &amp;quot;company lounge lizard&amp;quot; and entrepreneur at Mittelwerk during US occupation&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Der Platz&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
686; German: &amp;quot;the place&amp;quot;; Säure&#039;s communal pad; 711; 745; 746&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Der Springer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See [[S#springer|Springer, Der]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;deuce-and-a-half&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
313; Nickname for the American Army vehicle vehicle M35A2; ten driven wheels and a camouflage paint scheme. It has 3 axels, as well as a large cargo bed with a 5-ton load carrying capacity.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Devil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Satanic intervention&amp;quot; 110; &amp;quot;midnights of wrestling with the Beast&amp;quot; 111; &amp;quot;Satanic operators of all descriptions&amp;quot; in Psi Section, 125; &amp;quot;old ldies in Altrincham trying to summon up the Devil&amp;quot; 153; &amp;quot;the black scapeape we cast down like Lucifer&amp;quot; 275; &amp;quot;For the devil&#039;s kiss&amp;quot; 329; &amp;quot;the Devil behind the [mirror]&amp;quot; 444; &amp;quot;A fall of hours, less extravagant than Lucifer&#039;s&amp;quot; 464;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dewey, Thomas (1902-71)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
636; was the Republican nomineee for President of the U.S. in 1944 and 1948&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Diamond Lil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
657; Diamond Lil (Honora Ornstein) was a New York City Bowery saloon owner and madame in the 1890s. [[W#maewest|Mae West]] played her in the 1933 film, She Done Him Wrong (with her line &amp;quot;Come up sometime &#039;n&#039; see me&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dickinson, Emily (1830-86)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
28; American poet, personal a-and spiritual&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dieckmann, Dr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
630; ran Vermittlungsstelle W with Dr. Gorr&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Die Frau im Mond&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
159; German: &#039;woman in the moon&#039;; A science fiction silent film that premiered October 15, 1929. It is often considered to be one of the first &amp;quot;serious&amp;quot; science fiction films.It was written and directed by [[Fritz Lang|Fritz Lang]], based on the novel &#039;&#039;Die Frau im Mond&#039;&#039; (1928, translated as &#039;&#039;The Rocket to the Moon&#039;&#039; during 1930) by his then-wife and collaborator Thea von Harbou. It was released in the USA as &#039;&#039;By Rocket to the Moon&#039;&#039;, and in the UK as &#039;&#039;Woman in the Moon&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Die Welt am Montag&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
571; German: &amp;quot;The World on Monday&amp;quot;; a newspaper&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dillinger, John (1903-34)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
368-69; American gangster specializing in bank robberies; &amp;quot;As B/4&amp;quot; 436; killed at Biograph Theatre in Chicago, 516; bloody shirt, 741&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dillon, Reed&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
565; Thomas Moore: &amp;quot;During the 1930s, Dillon, Reed &amp;amp; Company of Wall Street handled American transactions for the German steel trust Vereinigte &lt;br /&gt;
Stahlwerke (p.143)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Disgusting English Candy Drill&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
116&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Disney, Walter Elias &amp;quot;Walt&amp;quot; (1901–1966)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
135; An American film producer, director, screenwriter, voice actor, animator, entrepreneur, entertainer. He cofounded Walt Disney Productions, which became famous for its innovative animation, iconic characters and theme parks. He was also a leading force behind the anti-comunist movement in Hollywood in the 1940s; &#039;Disneyfied look&#039;, 70&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Djuro&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
732; member of Schwarzkommando, with Enzian&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodgem cars&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
273;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodson-Truck, Frank&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
215; son of Sir Stephen&#039;s and Nora&#039;s of whom they&#039;ve lost track after he was sent to Indo-China&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div #dodson-truck&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Dodson-Truck, Nora&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
145-50; scorpio wife of Sir Stephen D-T, lover of Carroll Eventyr and &amp;quot;connoisseuse of splendid weaknesses&amp;quot;; &amp;quot;erotic nihilist&amp;quot; 149; Ideology of the Zero, 218; maps on to Leni?, 218; &amp;quot;her real identity is [...] the Force of Gravity&amp;quot; 639&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dodson-Truck, Sir Stephen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
206; tutored Slothrop on rocket stuff and technical German at Casino; husband of Nora D-T; disappears from Casino after Slothrop gets him drunk playing &amp;quot;Prince&amp;quot; and he confesses, 211; at Fitzmaurice House, 228; &amp;quot;Nature of Freedom&amp;quot; drill, 541; 544; at Pirate&#039;s, 639 Dog Vanya 78; dog in ARF wing undergoing conditioning experiments&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Domina Nocturna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
232; Katje&#039;s S&amp;amp;M character (&amp;quot;shining mother and last love&amp;quot;) who satisfies Pudding so that Pointsman can keep funding&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DOPE&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See also Gnahb, Frau; LSD; Sodium Amytal; Stonybloke, Will&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dora&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
289; prison camp next to Mittelwerke, mostly foreign prisoners; &amp;quot;When the Americans liberated Dora&amp;quot; 296; &amp;quot;they call them re-education camps&amp;quot; 408; Ilse and Leni, 428; 430; Pökler goes into, 432-33; 175s (homosexual inmates), 665; See also 175-Stadt&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Double Agent Convention&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
537-548; &amp;quot;&#039;But that&#039;s the only medium we&#039;ve got now&#039; he cries, &#039;our gift for bad faith&#039;&amp;quot; 546;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;DP&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
281; DPs (displaced persons) were those who were released from German prison camps and slave labor camps after VE Day, as well as German civilians who had been bombed out of their dwellings or who were fleeing advancing armies; Displaced Person&#039;s song&amp;quot; 283-84; &amp;quot;Since the surrender there have been these constant skirmishes between the German civilians and foreign prisoners freed from the camps.&amp;quot; 327; returning home, 549;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dracunculiasis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
13; more commonly known as Guinea worm disease (GWD). A preventable infection caused by the parasite Dracunculus medinensis. Infection affects poor communities in remote parts of Africa that do not have safe water to drink [From the Center for Disease Control website].&amp;lt;br&amp;gt;&lt;br /&gt;
From the OED:   1942 D. L. Belding Clin. Parasitol. xxii. 375 Dracunculus medinensis+. Disease.—Dracontiasis, dracunculosis, dracunculiasis.  1967 Amer. Jrnl. Trop. Med. &amp;amp; Hygiene XVI. 23/1 Dracunculiasis occurs commonly in and around Kurnool.  1973 T. Pynchon &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (1975) i. 13 &amp;quot;Dracunculiasis and Oriental sore rampant among the troops, no beer for a month.&amp;quot;  1990 Lancet 8 Sept. 630/1 Several studies have reported on the prevalence of permanent disability resulting from poliomyelitis but dracunculiasis (guineaworm disease), another preventable cause of permanent disease, has not received the same attention. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dragon Lady&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
670; refers to an Asian woman who is perceived as seductive, desirable but untrustworthy. Movies from the early 20th century portrayed this stereotypical version of the Asian woman, &amp;quot;Daughter of Fu Manchu&amp;quot; being a good example. Scheming, treacherous and dangerous, the Dragon Lady is the female version of the Asian bad guy, only with a slightly different approach to defeat her enemies. She has the power to hypnotize her male rivals, gaining their trust by seducing them and, when they least expect it, gets rid of them through sabotage or backstabbing.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dreams/dreaming&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Pirate&#039;s, 3-4; &amp;quot;rosy as a bunch of Dutch peasants dreaming of their certain resurrection&amp;quot; 5; &amp;quot;Pirate had dreamed these very words&amp;quot; 13; &amp;quot;blinking through an overlay of dream&amp;quot; 29; Pointsman&#039;s, 36-38; &amp;quot;Silence comes in, sculptured by spoken dreams&amp;quot; 49; Jessica&#039;s, 53; of peacetime, 58; Sodium Amytal-induced toilet adventure, 60-71; &amp;quot;the little baby they dream now of sitting near&amp;quot; 111; Mrs. Quoad&#039;s, 119; &amp;quot;after a dream&amp;quot; 121; the Empire&#039;s &amp;quot;dreamless version of the real&amp;quot; 129; &amp;quot;the children are away dreaming, but the Empire has no place for dreams&amp;quot; 135; Pointsman&#039;s, 137-38; Pointsman&#039;s of the Minotaur, 142; Nora DodsonTruck&#039;s dreams of flight, 146; Treacle&#039;s dreams of flight, 146; Leni&#039;s,155-56, 156-58; Leni&#039;s dream of flight, 159; &amp;quot;you go from dream to dream inside me&amp;quot; 177; Stalin&#039;s pathological, 189; &amp;quot;that touch on the sleeves of his dreams&amp;quot; 209; Pudding&#039;s, 232; Slothrop dreaming in German, 240; Slothrop&#039;s dream of old pals while in Nice, 255; &amp;quot;[Slothrop] dozes in and out of a hallucination of Alps, fogs, abysses&amp;quot; 257; Slothrop dreaming of Jamf, 268; &amp;quot;a dream of Atlantis, of the Suggenthal&amp;quot; 269; Pointsman&#039;s nightmare, 272; &amp;quot;your biography now like any old bad dream&amp;quot; 277; Slothrop&#039;s dream (?), 281-83; Slothrop&#039;s &amp;quot;Jamf/I&amp;quot; dream, 286-87, 623; Enzian&#039;s &amp;quot;wet dream where he coupled with a slender white rocket&amp;quot; 297; Enzian&#039;s of an &amp;quot;endless North&amp;quot; 327; &amp;quot;dreaming of food, oblivion, alternate histories. . .&amp;quot; 336; Galina&#039;s, 341; &amp;quot;German dreams of the Tenth-Elegy angel&amp;quot; 341; Chu Piang&#039;s, 347; 355; Evil Hour, 375; &amp;quot;your dream of pampas and sky&amp;quot; 388; Slothrop&#039;s of Berkshire, 392; Alpdrucken (&amp;quot;Nightmare&amp;quot;), 394; Pökler&#039;s of rocket, 399-400; Kekulé&#039;s dream of 1865, 410; Jung&#039;s &amp;quot;ancestral pool&amp;quot; 410; &amp;quot;Pökler dreaming about Kekulé&#039;s dream&amp;quot; 412-13; &amp;quot;unrecoverable dreams&amp;quot; 415; Pökler&#039;s of bulb as Weissmann, 426-27 (see page 653); &amp;quot;City of Elves producing toy moon-rockets&amp;quot; 431; &amp;quot;Säure&#039;s on the move. . .prowling his dreams&amp;quot; 437; Slothrop&#039;s transmutation dream, 446-47; &amp;quot;ships we can dream across terrible rapids&amp;quot; 462; Slothrop dreaming of Llandudno, 468; Bianca &amp;quot;dreams often of the same journey&amp;quot; 471; oneiric (dreamlike), 475; &amp;quot;Where was anybody that summer before the War? Dreaming.&amp;quot; 475; of battles survived, 490; Slothrop&#039;s of Bianca, 492; &amp;quot;Givin&#039; all m&#039;dreams away&amp;quot; 522; Slothrop&#039;s of Tantivy, 551-52; &amp;quot;Slothrop dreams&amp;quot; 552; &amp;quot;your saddest dreams&amp;quot; 577; &amp;quot;bursts of destroying beauty there for his dreams to work on&amp;quot; 578; &amp;quot;the dramatic connections that were really all there, in his dreams&amp;quot; 579; Slothrop&#039;s of Zwölfkinder and Bianca, 609; &amp;quot;Solange&amp;quot; dreaming of Ilse, 610; Slothrop&#039;s of Bette Davis and Margaret Dumont, 619; Pirate&#039;s of windmills, 620; &amp;quot;dreaming at the last instant of who can say what lifted smock&amp;quot; 625; Mexico&#039;s of Jessica (in the song), 627; &amp;quot;what ladies in black appeared in his dreams&amp;quot; 629; &amp;quot;It wasn&#039;t a dream. Don&#039;t you wish it could be.&amp;quot; 668; Christian&#039;s of Maria, 673; &amp;quot;of assassinations, of plots against good and decent men&amp;quot; 689; Dark Dream, 697; keying waves, 699; Beaver&#039;s, 708; Gottfried&#039;s single dream, 721; &amp;quot;I dream of discovering the edge of the World&amp;quot; 722; &amp;quot;of rendezvous, of cosmic trapeze acts&amp;quot; 723; the Rocket &amp;quot;must answer to a number of different shapes in the dreams of those who touch it&amp;quot; 727; &amp;quot;dream-caressed&amp;quot; 730; &amp;quot;Strung Into the Apollonian Dream&amp;quot; 754; Gottfried, 754; &amp;quot;human figure, dreaming of an early evening in each great capital&amp;quot; 760; See also Jung, Carl&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dreyfus Affair&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; Captain Alfred Dreyfus (1859-1935) was a French army officer who, in 1893-94, was unjustly accused of delivering to a foreign government documents connected with the national defence, court-martialed and sentenced to life on Devil&#039;s Island. In 1906, when anti-semitism had died down in France, the verdict was reversed and he was restored to army rank and fought in WWI.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Driwelling&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
518; engineer at Peenemünde&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Drohne&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
487; German: &amp;quot;drone&amp;quot;; &amp;quot;plastics connoisseur&amp;quot; at The Castle&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dromond&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
139; one of the seven original owners of The Book; killed &amp;quot;by German artillery on Shellfire Corner&amp;quot;; 140; 167&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dufay, Kim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
744; daughter of Pete and Marjorie and schoolmate of Hogan Jr.; [From Pynchon&#039;s short story &amp;quot;The Secret Integration&amp;quot; in Slow Learner: &amp;quot;a slender, exotic-looking sixth-grader with a blond pigtail [...] who had a thing about explosive chemical reactions&amp;quot; (p.150)]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dufay, Pete&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
744; marries Marjorie&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dulles, Allen (1893-1969)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
268; During WWII, Dulles served with O.S.S. and, when Truman formed the CIA in 1951, he was appointed deputy director and, in 1953, director; &amp;quot;and his &#039;intelligence&#039; network&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dumbo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
one of Osbie Feel&#039;s favorite movies, 106; &amp;quot;the lads in Hollywood telling us how grand it all is over here, how much fun, Walt Disney causing Dumbo the elephant to clutch to that feather&amp;quot; 135; &amp;quot;&#039;[Dillinger&#039;s bloodstained shirt] worked for me, but I&#039;m out of the Dumbo stage now, I can fly without it.&amp;quot; 741&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Duncan, Isadora (1877-1927)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
657; American dancer who was among the first to raise interpretive dance to the status of creative art, incorporating classical, particularly Greek, mythology, art and music. Not very successful in the United States, she took her new style of performance to Europe where it was greeted enthusiastically. She was strangled when her long scarf became entangled in the wheels of a car.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dungans&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
340; Central Asian people&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dunham, Crazy Sue&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
329; Amy Sprue was ahead of her by 200 years, &amp;quot;sacrificing chickens up on Snodd&#039;s Mountain&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dunkirk, Maggie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
127; lives in Jessica&#039;s dorm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;du Pont&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
249; early research on Imipolex G done there&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dutch&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
108; ic heb u liever dan ên everswîn, al waert van finen goude ghewracht (English: I love you more than a wild boar / even if it were made of fine gold)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;D Wing&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
139; still houses a few genuine mental patients; White Visitation&#039;s cover; most PISCES people avoid it&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dyes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Mauve [...] William Perkin discovered it [...] the first new color on Earth&amp;quot; 166; &amp;quot;Tyrian purple, alizarin and indigo, other coal-tar dyes&amp;quot; 166;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dzabajev&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; &amp;quot;teenage Kazazh dope fiend with pimples and a permanently surly look&amp;quot; who is Tchitcherine&#039;s sidekick/driver; 564; posing as Frank Sinatra in the Zone, 700; &amp;quot;that sodden Asiatic&amp;quot; 705; with Slothrop, 742; Village Idiot Convention, 743&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=K&amp;diff=3937</id>
		<title>K</title>
		<link rel="alternate" type="text/html" href="https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=K&amp;diff=3937"/>
		<updated>2020-03-11T22:10:38Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Kabbalists&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Tree o&#039; Creation,&amp;quot; 411; &amp;quot;you fragment of smashed vessel,&amp;quot; 478; &amp;quot;the Real Text,&amp;quot; 520; &amp;quot;the holy Text,&amp;quot; 521; &amp;quot;coal-tar Kabbalists,&amp;quot; 590; Astarte and Lilith, 649; &amp;quot;kabbalist&#039;s study in Lyons,&amp;quot; 650; &amp;quot;Tree,&amp;quot; 694; &amp;quot;like water-mirages at the Sixth Antechamber to the Throne&amp;quot; 717; &amp;quot;Rocket as Torah. . .its text is theirs to permute. . .always unfolding,&amp;quot; 727; &amp;quot;the Angels Melchidael, Yahoel, Anafiel, and the great Metatron&amp;quot; 734; &amp;quot;the Messiah gathering in the fallen sparks,&amp;quot; 737; &amp;quot;Tree of Life,&amp;quot; 747; 749-53; Vessels, 757; See also [[M#metatron|Metatron]]; [[Q#qlippoth|Qlippoth]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kaisersbart Expedition&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
754; German: &amp;quot;Kaiser&#039;s beard, mutton-chops&amp;quot;; found the Bodenplatte &amp;quot;the delta-t itself&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kaiser Wilhelm II (1859-1941)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ninth king of Prussia and third German emperor (1888-1918); by 1914 he was just a figure head with the real power in the hands of the generals. After the collapse of the German armies at the conclusion of WWI, he was forced to abdicate and moved to Holland and lived happily ever after; &amp;quot;Old Kaiser Bill, you&#039;re over the hill&amp;quot; 619&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kai-shek, Chiang&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See Chiang Kai-shek&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kalahari&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
323; 403; 523; 658; [MAP]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kamikaze&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese: &amp;quot;divine wind&amp;quot;; &amp;quot;mock Kamikaze attacks,&amp;quot; 310; Morituri at Kamikaze school on Formosa, 473; Bulbs&#039; Kamikaze squads, 649; fallen cherry blossoms, 672; The Wisdom of the Great Kamikaze Pilots, 680; &amp;quot;the slogan of a Kamikaze unit,&amp;quot; 696; See also [[#komical|Komical Kamikazes]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kammler, Maj-Gen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
An architect and civil engineer by trade, Dr. Hans Kammler was taken full-time into the Nazi leadership in 1941. He played a prominent role in the building of the death/extermination camp, Auschwitz-Birkenau. In August 1944, Hitler appointed him Special Commissioner for the A-4 program, which program he took over from Dornberger who had been in charge of the program since 1930; in charge of the construction of the Mittlewerk, 282; at Blizna, 424; decision to disburse testing and production sites, 426; 464&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kármán, Theodore von (1881-1963)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
452; Hungarian-born American physicist and aeronautical engineer, he is sometimes called the father of modern aerodynamics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Karmic Hammer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
644; &amp;quot;a &#039;37 Ford, same exemption from&amp;quot;; Karmic wheel, 651;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Katje&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See [[B#katje|Borgesius, Katje]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Katspiel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
584-85; fictional planetoid inhabited by sentient pinballs&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Katspiel Kid&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
585;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kazakhs&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
340; Central Asian people; ex-prisoners-of-war &amp;quot;marching east&amp;quot; 550;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;KdF ship&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
453; KdF = Kraft durch Freude = &amp;quot;strength through joy&amp;quot;; KdF was a very popular and successful Nazi program. Cruise-liners were built and priced for the pleasure and leisure of German workers. Another product of the program was the Volkswagen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kekulé von Stradonitz, Friedrich August (d. 1896)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German chemist; switched from architecture to chemistry, 84; his &amp;quot;dream of 1865&amp;quot; which led to his revolutionizing chemistry and making plastics possible, 410-11; taught by Liebig at Univ. of Glessen, 411&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kelvinator-Bostonian dialect&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The Kelvinator Corporation, a manufacturer of electric refrigerators and other household appliances, began in 1936 but was sold to the American Motors Corporation in 1968; &amp;quot;folksy old icebox humming along in&amp;quot; 677&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kennedy, Joe (1888-1969)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
682; Multi-millionaire father of President John F. Kennedy, he held minor administrative posts in Roosevelt&#039;s administration and was ambassador to Britain (1938-40); Nalline&#039;s letter to;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kennedy, John F. (&amp;quot;Jack&amp;quot;) (1917-63)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
35th president of the United States and son of Joseph Kennedy. A handsome and charismatic man, he was assassinated in Dallas, Texas in 1963; in Slothrop&#039;s class at Harvard, 65; 682; 688&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;kenoshakid&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
[[image:kenosha-kid.jpg|thumb|200px|&amp;quot;The Kenosha Kid&amp;quot;&amp;lt;br /&amp;gt;by Forbes Parkhill (Aug 1931)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hatred and dread hung over the town like a pall. Pard turned against pard; every man suspected his neighbor. And to solve that mystery, The Kenosha Kid — Robinhood of straights and flushes — plays his most thrilling game for a desperation jackpot.&amp;quot;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://mysite.verizon.net/paul.mackin/kenosha/index.html Thanks to Paul Mackin!]&amp;lt;br&amp;gt;[http://themodernword.com/pynchon/Pynchon_kenosha_kid.html Full text and images at The Modern Word]|right]]&#039;&#039;&#039;Kenosha Kid&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Kenosha is a city of some 85,000 people in the extreme southeast of Wisconsin, about halfway between Chicago and Milwaukee, and the seat of Kenosha County. It is also the birthplace of filmmaker Orson Welles (May 6, 1915); Kenosha Kid (Sodium Amytal hallucination of Slothrop&#039;s while being probed at PISCES about American racial problems), 60-71, 114, 696-97; colonel from Kenosha, WI, 643; Kenosha, WI, 645; &amp;quot;and in Kenosha too!&amp;quot; 645; &amp;quot;Old Kenosho the loony radarman,&amp;quot; 691; Kenosha Kid and the Sentimental Surrealist, 696; [http://www.kenosha.org/ Kenosha WI Web Page]; [http://75grand.com/bogarts.htm You Never Did the Kenosha Kid?]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kerl&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &amp;quot;guy&amp;quot; or &amp;quot;fellow&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;KEZVH&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
illustrated, 361; 5 positions of the launching switch for the A4 (Klar: &amp;quot;clear&amp;quot;; Entluftung: &amp;quot;discharge fuel&amp;quot;; Zundung: &amp;quot;ignite&amp;quot;; Vorstufe: &amp;quot;first stage&amp;quot;; Hauptstufe: &amp;quot;main stage&amp;quot;); &amp;quot;in the sky over the Alexanderplatz,&amp;quot; 446; mandala in Marvy&#039;s green Ford, 560; Herero interpretation, 563&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Khama, Sir Seretse (1921-80)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
323; The nephew of the chief regent of the Bamangwato in Bechuanaland, Khama was educated in Africa and Balliol College, Oxford; he fell in love with an Englishwoman and was thus banned from the chieftanship, but was restored to the chieftanship in 1965. He sent help to the Herero on their trek across the Kalahari; &amp;quot;king of the Bechuanas&amp;quot; in South-West Africa&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Khlaetsch, Minne&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
683-84; &amp;quot;an astrologer of the Hamburg School&amp;quot; into whose apartment Säure broke; her screams for help sounded like &amp;quot;Helicopter!&amp;quot; instead of &amp;quot;Cute looking robber!&amp;quot; because of her inability to pronounce umlauts. Girlfriend of Wimpe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kilgour or Curtis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
200; tailors in London&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kilkenny to Kew&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
541; Kilkenny is a county in southwestern Ireland; Kew is situated on the south bank of the river Thames near Richmond, South West London, and is the home of the Royal Botanical Gardens&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
177; son of Sooty, Jessica&#039;s cat See also Sooty&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;kingkong&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
[[image:king-kong.jpg|thumb|Original &amp;quot;King Kong&amp;quot; poster, 1933|left]]&#039;&#039;&#039;King Kong &amp;amp; the Like&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[Fay Wray|Fay Wray look]], 57; Fay Wray, 57, 179, 275; &amp;quot;You will have the tallest, darkest leading man in Hollywood,&amp;quot; 179; &amp;quot;headlights burning like the eyes of&amp;quot; 247; &amp;quot;the black scapeape we cast down like Lucifer,&amp;quot; 275; Mitchell Prettyplace book about, 275; &amp;quot;Giant ape&amp;quot; 276; &amp;quot;the Fist of the Ape,&amp;quot; 277; &amp;quot;orangutan on wheels,&amp;quot; 282; taking a shit, 368; &amp;quot;The figures darkened and deformed, resembling apes&amp;quot; 483; &amp;quot;a troupe of performing chimpanzees&amp;quot; 496; &amp;quot;on the tit with no motor skills,&amp;quot; 578; &amp;quot;Negroid apes,&amp;quot; 586; &amp;quot;that sacrificial ape,&amp;quot; 664; &amp;quot;a gigantic black ape,&amp;quot; 688; Carl Denham, 689; poem based on King Kong, 689; See also: actors/directors film/cinema references; [http://www.kongisking.net King Kong Web Page]; [http://en.wikipedia.org/wiki/King_Kong Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;King&#039;s Evil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
119; aka, scrofula (caseating [becoming cheese-like] tuberculosis of the lymphatic glands), supposedly cured by the royal touch&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;King Tigers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
91; Germany&#039;s biggest baddest tanks; 103; 262; &amp;quot;Königstiger tank guards&amp;quot; 433;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kinks&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
167-68; &amp;quot;And the crowds they swarm in Knightsbridge, and the wireless carols drone, and the Underground&#039;s a mob-scene, but Pointsman&#039;s all alone&amp;quot; [sung to the tune of &amp;quot;Well-Respected Man&amp;quot;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kinos&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
155; German: &amp;quot;cinema houses&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kipling, Rudyard (1865-1936)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
This English writer, most famous for the two Jungle Books, was criticized as being an imperialist and jingoist, though he published criticisms and satires on some of the less savory aspects of colonialism; his poem &amp;quot;Fuzzy-Wuzzy&amp;quot;; &amp;quot;it was during [Pirate&#039;s] Kipling Period, beastly Fuzzy-Wuzzies as far as the eye could see&amp;quot; 13&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;kirghiz&amp;quot;&amp;gt;&#039;&#039;&#039;Kirghiz&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;quot;It was a land of drunken nostalgia for the cities, silent Kirghiz riding, endless tremors in the earth&amp;quot; 338; &amp;quot;Young and old Kirghiz came in from the plain, smelling of horses, sour milk and weed-smoke&amp;quot; 338; &amp;quot;Dzaqyp Qulan&#039;s father was killed during the 1916 rising [...] one of about 100 fleeing Kirghiz massacred one evening [...] They hunted Sarts, Kazakhs, Kirghiz&amp;quot; 340; &amp;quot;This native uprising was supposed to be the doing of foreigners [...]. How could there be Kazakh, Kirghiz--Eastern--reasons?&amp;quot; 340; &amp;quot;Out into the bones of the backlands ride Tchitcherine and his faithful Kirghiz companion Dzaqyp Qulan.&amp;quot; 342; &amp;quot; the Kirghiz pheasants scattering now at the sound of hooves&amp;quot; 343; &amp;quot;That chunky, resinous Turkestan phantasmagoric is fine for Russian, Kirghiz, and other barbaric tastes, but give Chu the tears of the poppy any time&amp;quot; 347; See also [[The Kirghiz Light|Kirghiz Light]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[The Kirghiz Light|KIRGHIZ LIGHT]]&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kollwitz, Käthe (d. 1945)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
578; German artist who did a series of sketches on death [Image 1] [Image 2]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Koltushy institute&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
75; where Porkyevitch worked with Pavlov &amp;quot;back before the purge trials&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;komical&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Komical Kamikazes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
690; Takeshi &amp;amp; Ichizo; 697; 738&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Koran&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
353; &amp;quot;Tchitcherine transliterates [represents in the characters of another alphabet] the opening sura of&amp;quot;; Koran is &amp;quot;the script in which the word of Allah came down on the Night of Power&amp;quot; 354; See also [[I#islam|Islam]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kot&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
German: &amp;quot;shit&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;KPD&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
153; Kommunistische Partei Deutschlands: &amp;quot;German Communist Party&amp;quot;; See also Luxemburg, Rosa; Pökler, Leni&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krafft-Ebing&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
232; Richard von Krafft-Ebing (1840-1902), a German psychiatrist, wrote Psychopathia Sexualis (1886), describing a variety of sexual proclivities&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krakatoa&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
642; Krakatau volcano lies in the Sunda strait between the islands of Java and Sumatra. In about 416 A.D., caldera collapse destroyed the volcano and formed a 4-mile (7-km) wide caldera. The islands of Krakatau, Verlaten, and Lang are remnants of this volcano. The eruption and collapse of the caldera in 1883 produced one of the largest explosions on Earth in recorded time (VEI=6) and destroyed much of Krakatau island, leaving only a remnant.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krasnyy Arkhiv&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
349; where Tchitcherine inspected the documents related to his father&#039;s doomed voyage&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kreuss&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
451; shipfitter on the Toiletship who, with Höpmann (as the Scatotechnic Snipes), routed the waste lines into the ventilation system, and transferred to icebreaker duty, &amp;quot;erected vaguely turd-shaped monoliths of ice and snow all across the Arctic&amp;quot;; See also [[H#hopmann|Höpmann]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krodobbly, Missus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
741; &amp;quot;drinking her way through the Big Depression&amp;quot; and goes to site of Dillinger murder&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kronenhalle&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
264; where Squalidozzi and Slothrop go, in Zürich; 268&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kruppingham-Jones&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
12; named in Pirate&#039;s song about other people&#039;s fantasies&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;kruppworks&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Krupp works&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;No matter if Girly&#039;s on my knee--If Kruppingham-Jones is late to tea,&amp;quot; 12; &amp;quot;Why do you think we wanted Krupp to sell them agricultural machinery so badly?&amp;quot; 166; &amp;quot;The theory going around at the time was that Stinnes was conspiring with Krupp, Thyssen, and others to ruin the mark and so get Germany out of paying her war debts.&amp;quot; 285; &amp;quot;the &amp;quot;Allied&amp;quot; planes all would have been, ultimately, IG built, by way of Director Krupp, through his English interlocks&amp;quot; 520; &amp;quot;what if it&#039;s the Krupp works in Essen, what if it&#039;s Blohm &amp;amp; Voss right here in Hamburg or another make-believe &#039;ruin,&#039;&amp;quot; 521; &amp;quot;Russia bought from Krupp, didn&#039;t she, from Siemens, the IG...&amp;quot; 566; &amp;quot;the old Krupp works&amp;quot; 591; &amp;quot;Too many tungsten filaments would [...] disturb the arrangement between General Electric and Krupp about how much tungsten carbide would be produced&amp;quot; 654; &amp;quot;KRUPPALOOMA comes this giant explosion&amp;quot; 690; &amp;quot;Utgarthaloki, an ex-member of management at the Krupp works here in Cuxhaven.&amp;quot; 709; &amp;quot;the Krupp wingding&amp;quot; 711; &amp;quot;middle-line Kruppsters creak in the bowlegged velvet chairs&amp;quot; 712; &amp;quot;Nalline Slothrop just before her first martini is right here, in spirit, at this Kruppfest.&amp;quot; 712; See also [[#krupp|Krupp, Gustav]]; [[IG Farben|Sasuly&#039;s IG Farben]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;krupp&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Krupp, Gustav (d. 1950)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
aka Gustav Krupp von Bohlen und Halbach; German industrialist and director of Krupp works; &amp;quot;The Night Rog and Beaver Fought Over Jessica While She Cried in Krupp&#039;s Arms&amp;quot; 713; See also [[#kruppworks|Krupp works]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krypton, Albert&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
594; &amp;quot;corpsman striker of the U.S.S. John E. Badass&amp;quot;; doper buddy of Bodine&#039;s&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krypton Blue&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
595; &amp;quot;a proprietary mixture&amp;quot; of cocaine which Corpsman Krypton is coming on to&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kryptosam&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
71; used to encrypt messages; de-crypted by rubbing cum on it&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kummersdorf&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
416; site of old Raketenflugplatz&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kurhaus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
458; German: &amp;quot;spa hotel&amp;quot;; the spa on the Sprudelhof in Bad Karma&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kuropatkin, Alexei Nikolaievich (1848-1925)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Russian soldier who commanded the Russian armies on the northern front February-August 1916 and was governor of Turkestan until the Revolution of 1917; Russian whose troops Daqyp Qulan&#039;s father was trying to get away from during the 1916 uprising in Central Asia, 340&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kursaal&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
477; German: &amp;quot;casino&amp;quot;; &amp;quot;weekly ball in the&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kurzweg, Prof.-Dr. Hermann&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Kurzweg came to Peenemünde in 1937 as head of research and chief assistant to engineer Dr. Rudolph Hermann, working in wind-tunnel research; he was instrumental in refining the design for the A4; Achtfaden &amp;quot;always worked out of [his] shop&amp;quot; 455&lt;br /&gt;
&lt;br /&gt;
{{GR Alpha Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
</feed>