Difference between revisions of "Borges - The Game of Chess"
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From ''Dreamtigers''<ref>From ''Dreamtigers'' published by University of Texas Press © 1974 Jorge Luis Borges</ref> | From ''Dreamtigers''<ref>From ''Dreamtigers'' published by University of Texas Press © 1974 Jorge Luis Borges</ref> | ||
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I | I | ||
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What god behind God originates the scheme<br /> | What god behind God originates the scheme<br /> | ||
Of dust and time and dream and agony? | Of dust and time and dream and agony? | ||
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==References== | ==References== |
Latest revision as of 22:18, 5 January 2007
From Dreamtigers[1]
I
In their grave corner, the players
Deploy the slow pieces. And the chessboard
Detains them until dawn in its severe
Compass in which two colors hate each other
Within it the shapes give off a magic
Strength: Homeric tower, and nimble
Horse, a fighting queen, a backward king,
A bishop on the bias, and aggressive pawns.
When the players have departed, and
When time has consumed them utterly,
The ritual will not have ended.
That war first flamed out in the east
Whose amphitheatre is now the world.
And like the other, this game is infinite.
II
Slight king, oblique bishop, and a queen
Blood-lusting; upright tower, crafty pawn
Over the black and the white of their path
They foray and deliver armed battle.
They do not know it is the artful hand
Of the player that rules their fate,
They do not know that an adamant rigor
Subdues their free will and their span.
But the player likewise is a prisoner
(The maxim is Omar's) on another board
Of dead-black nights and of white days.
God moves the player and he, the piece.
What god behind God originates the scheme
Of dust and time and dream and agony?
References
- ↑ From Dreamtigers published by University of Texas Press © 1974 Jorge Luis Borges